ARGO (2012)

October 15, 2012

 Greetings again from the darkness. “Based on a true story” is always a bit unsettling to see at the beginning of a movie. There are so many degrees to truth (especially when told by Hollywood), that we are never really sure how big the dosage might be. With this film, we get the inside track on the all-too-familiar Iranian hostage situation that began on November 4, 1979 and ended 444 days later with the release of 52 U.S. Embassy workers. The story within that story is the focus … six escaped as the Embassy was being seized.

The film begins with a Cliff’s Note history lesson on the fall of the U.S.-backed Shah of Iran and the assumption of power by Ayatollah Khomeini. The six who escaped were welcomed into the home of the Canadian Ambassador Ken Taylor (played with grace by Victor Garber). Of course, this had to be kept secret or a terrible situation could have taken a turned much worse.

 This story really takes off when the CIA gets involved and drums up a scheme to extricate the six in hiding. Ben Affleck stars as Tony Mendez, the real life CIA Agent, who uses the international fascination with movies to create a plan that involves making a fake Star Wars rip-off with the help of award winning make-up artist John Chambers (Planet of the Apes) and a long-time and old school Hollywood producer named Lester Spiegel. These two inject the film with humor and positive energy as played by John Goodman and Alan Arkin. Their levity is much appreciated given the unrelenting tension delivered by the rest of the story.

 This is extraordinary filmmaking thanks to the script from Chris Terrio, realistic camera work from Rodrigo Prieto and top-notch directing by Ben Affleck … yes, the same Ben Affleck who stars in the film. The team creates a period piece that has not just the look and feel of 1979-80, but some of the most gut-wrenching on screen tension since Three Days of the Condor or Munich. Many thrillers utilize car chases and gunfire. Here, we get personal tension thanks to politics and real life unknowns.

The film is perfectly cast and strong support work is provided by Bryan Cranston as the CIA chief, Kyle Chandler as Hamilton Jordan, Bob Gunton as Cyrus Vance, as well as Chris Messina, Zeljko Ivanek, Richard Kind, Clea DuVall and Tate Donovan. There are also brief appearances by Philip Baker Hall, Adrienne Barbeau and the great Michael Parks.

There are only two negatives to the film. First, Ben Affleck is miscast as Tony Mendez. The closing credits show what a perfect job they did with the rest of the cast, but to have a superhero looking American walking around Iran is certain to draw attention where it’s not wanted. Plus, as director, Affleck suffers from Warren Beatty syndrome. He LOVES seeing his face on screen. The number of Alleck close-ups has to push 20. It’s too much too often. Secondly, the final escape scene at the airport is just a bit too Hollywood and really stands out from the rest of the movie. There was no shortage of tension and the Armageddon style chase just looked cheesy.  However, I will admit, the audience with whom I watched, reacted quite emotionally when the race ended how it must.

 Those two things noted, this is Oscar material for sure. If you remember this era, the yellow ribbons and news clips featuring Cronkite, Koppel and Brokaw will bring back a frustrating time in U.S. history. If you are too young to remember, this acts as a reminder of just how powerful and quiet the CIA can be when it is doing its job properly.  Plus it’s nice to see the CIA doing something right, instead of being the bad guys from the Bourne movies.  Alexandre Desplat delivers a fine score, but the story provided plentiful suspense, so the musical guidance wasn’t as crucial.

Don’t miss the final credits as we hear Jimmy Carter narrate his memories as President, and we see real life photos of the six escapees.

SEE THIS MOVIE IF: you wish to see one of the finest Political thrillers in years OR you need proof that the CIA can be the good guys

SKIP THIS MOVIE IF: the Iranian hostage ordeal is still too fresh

watch the trailer:

http://www.youtube.com/watch?v=w918Eh3fij0

 


SUPER 8

June 13, 2011

 Greetings again from the darkness. A nostalgic feeling generated by nostalgic filmmaking at the hands of JJ Abrams and classic Spielberg. Yes, I meant to use nostalgic twice … the film has a familiar feel to it, but also entirely new twists and effects. That’s what happens when the master (Steven Spielberg) and the star pupil (Abrams) unite.

Part of the nostalgia is that this is kind of a throwback to the blockbuster era that Spielberg helped create. There are bits and pieces of Jurassic Park, E.T., The Goonies, *Batteries not Included, Close Encounters of the Third Kind and Jaws. Spielberg has always had a nice feel for kids and emotions, and in this film the genius of Abrams’ script and special effects make for a spectacular combination.

 You know there is nothing more fun for these filmmakers than a story about smart, outcast kids obsessed with making a movie! Throw in the adolescent battle over the out-of-reach older girl, the somewhat demented kid who just loves explosions, the sensitive kid dealing with the death of his mother, the wise beyond her years girl who is a natural actress, and the chubby, driven boy with a camera … mix it up with a couple of clueless parents and the evil, secretive Air Force, a sci-fi element and you have quite the exciting small town Ohio drama with comedic elements and startling special effects.

Not going to say anything about the “surprise” that was hinted in the trailer, but what I will say is that the first hour of this movie was pure movie magic to me. Unfortunately, the second half was a slight let down, though certainly not horrible. I just enjoyed the pure human elements on display before it became just another …

 The film really rides on the shoulders of Elle Fanning (probably the last time I will reference her as Dakota’s little sis). Ms. Fanning has proved again that she may be the most talented of the acting sisters. She really has a feel for her scenes and clearly melts the heart of young Joe Lamb, played by newcomer Joel Courtney. Also excellent are Riley Griffiths as Charles the movie maker, and Ryan Lee as Cary the demolition “expert”. Joe’s dad is played by Kyle Chandler (Friday Night Lights), but again, this film really belongs to the kids.

The film is rated PG-13 for some pretty intense scenes and some language that many prefer not to hear coming from kids. It’s too bad more films “like” this aren’t made, but that’s probably a factor of not many filmmakers being in the class of Spielberg and Abrams (Lost, Star Trek).

SEE THIS MOVIE IF: you can sit back and enjoy a big ol’ blockbuster with a fun script and giant special effects

SKIP THIS MOVIE IF: you prefer high art that taxes the mind