HORNS (2014)

October 28, 2014

Horns Greetings again from the darkness. Every once in awhile a movie comes around that seems to have all the markings of a cult film that could become a midnight movie favorite. Since I can best describe this one as “a darkly comedic supernatural horror film”, its only real hope for staying power is that teens and young adults embrace the outlandish look at good and evil, and make it a regular on the midnight movie circuit.

Director Alexandre Aja (The Hills Have Eyes) has long been part of the “splat pack” and this time his source material has good genes. The popular book was written by Joe Hill, son of the great Stephen King. It’s an oddly atmospheric and sometimes funny film with theological undertones, and Aja stays mostly under control until the ultra-violent ending sequence.

Daniel Radcliffe stars as Ig, a young man widely suspected by his fellow small town residents of murdering his true love (Juno Temple). After a visually creative opening that turns Ig’s world upside down and moves us from heaven to hell, we follow Ig’s attempt to solve the murder with the help of his attorney and long time friend (Max Minghella). And then one morning, things get really weird. Ig sprouts devil horns from his forehead. Things also get fun. This devilish look has the effect of causing people to confess their darkest inner thoughts … those thoughts we don’t even admit to ourselves!

Much of the movie plays as a basic whodunit, and the entire thing has a “Twin Peaks” feel to it … right down to the diner (Eve’s Diner with an apple logo). There are flashes of satire aimed at the news media, the drug culture, religion, and parenthood; and its core is a theme of “every devil used to be an angel“. With the satanic element, you can be sure Rock ‘n Roll comes into play (David Bowie, Marilyn Manson, The Pixies), and it’s actually kind of fun to watch Ig take advantage of his supernatural powers with a combination of evil and charm.

Radcliffe takes the role seriously and his approach adds some bite to the humorous elements. Juno Temple has limited screen time as his love interest, while Heather Graham goes full out nutso as the publicity seeking waitress, and Kelli Garner has the most frustrating role (her talents are wasted, except for a bizarre donut scene). Minghella doesn’t bring much to a role that had some potential, but Joe Anderson delivers as Ig’s drug addicted trumpet playing brother. James Remar and Kathleen Quinlan each have an extended scene as Ig’s parents, and David Morse delivers as the angry dad who has lost a daughter.

Mr. Aja throws a mixture of style and elements as he takes full advantage of the gloomy and colorful Pacific Northwest setting. Numerous flashbacks are utilized, including some childhood events that impact the current situation. The pitchfork, horns and serpents are there to distinguish good versus evil, but mostly you better be prepared for a twisted hoot that reminds a bit of Bubba Ho-Tep in the outrageous blend of comedy and horror … yep, the makings of a midnight cult favorite.

watch the trailer:

 

 

 


AFTER (2014)

August 13, 2014

after Greetings again from the darkness. Family dynamics often make for entertaining movie fodder. The possibilities are endless and source material is in full supply, given that most of us have enough stories to write our own book! This latest from director Pieter Gaspersz drops us right in the middle of the Valentino family, and all the bickering, conflicts and secrets that any one family can generate.

The script is from Gaspersz’ wife, Sabrina Gennarino, who also stars as daughter Maxine, one of the key characters in the film. You will probably recognize her along with many of the other actors who make up the family, though you may not recall all the names. Kathleen Quinlan plays the mother, and it doesn’t take us long to realize everyone is tiptoeing around her – we just aren’t sure why. Her husband is played by John Doman, and he is the most difficult character to connect with because he coddles his wife and basically ignores his (grown) kids … even Christian (an underrated Pablo Schreiber), the son who has taken over the family stone business.  Adam Scarimbolo plays Niky, the family screw-up (well, one of them anyway).  Niky is lost in life, and it’s obvious the conflict with his dad must be resolved before he can really grow up. Aunt Kat (the mom’s sister played by Diane Neal) is apparently around to help out, but she spends most every day chugging booze.

While it may sound like an impossible family to understand, there are moments that strike an emotional chord and make the film quite watchable. There is some choppiness in the presentation, but it’s beautifully filmed by Jonathan Hall, and pretty solidly acted by the entire cast. The themes of loss, grief, deception, and family (mis)communication are sometimes far-fetched, and other times spot on. The father’s concern about “protection” for his daughter comes across as a bit awkward, until the big reveal towards the end. At that point, we all understand what he means by protection and why he had his doubts about her fiance (played by Darrin Dewitt Henson).  Until the reveal, there are times it plays like an extended episode of TV’s “Parenthood“, but in the end, the puzzle is mostly complete and the payoff is satisfactory.