DARK HORSE (2012)

September 11, 2012

 Greetings again from the darkness. Director Todd Solondz is the master of film uncomfortableness. If you have seen his Happiness or Welcome to the Dollhouse, you won’t debate whether that’s a real word or not. Mr. Solondz has a way of finding the worst in his characters and then taking it even darker and more negative. And yet, somehow, his latest (and maybe his simplest film to date) could be called a comedy.

We are first introduced to Abe (Jordan Gelber) and Miranda (Selma Blair) as they share a table at a wedding, though obviously aren’t remotely together. He is oblivious to her near silent attempts to nicely avoid providing her phone number to him. The film moves quickly to provide proof that Abe is the epitome of arrested development. A mid-thirties something who not only “works” for his dad, but still lives with his parents (Mia Farrow, Christopher Walken) in a bedroom decorated with action figures. It’s difficult to look at someone who takes up as much space as Abe and categorize them as a kid, so I believe the better term is “not an adult”. He stalks Miranda and doesn’t seem to mind/notice that she is a heavily medicated depressed individual who looks at him like he’s a circus act.

Abe’s work environment is no better than his personal life. He brings nothing of value to his dad’s company, yet somehow thinks he is always being mistreated. This carries over to his feelings toward his brother Richard (Justin Bartha), who is a doctor. Abe, who dropped out of college, believes the only difference is that Richard was the favorite son and received special privileges. It’s very easy to label Abe a “loser”, but somehow Solondz manages to maintain our interest with small sparks of hope (very small).

 The hope quickly fades and Abe’s life heads on a fast downward spiral. There are some bizarre fantasy/dream sequences that involve the quiet, much older co-worker Marie (Donna Murphy), and a conversation in the car with his mother and brother that plays like something directly out of a Woody Allen movie (made even creepier with the presence of Mia Farrow), plus another odd sequence featuring Miranda’s ex (Aasif Mandvi) and the source of her Hep B.

There are some funny moments, but as Mr. Solondz would prefer, the laughs are tainted with guilt. We can’t help but wonder why we laugh at a guy for whom we have such little respect … actually bordering on disgust. I must admit to being pretty tired of Abe by the end of the movie, and couldn’t help wondering if it might have been more effective as a short film. Still, the acting was superb, and unfortunately Abe isn’t that much of a stretch from someone you probably know in real life.

SEE THIS MOVIE IF: you don’t mind a dose of guilt mixed with some humor

SKIP THIS MOVIE IF: you prefer to avoid the depressed and the losers amongst us.

watch the trailer:

 


THE HANGOVER PART II

May 29, 2011

 Greetings again from the darkness. Two years ago, director Todd Phillips presented a highly creative, hilarious, raunchy, unique film comedy called The Hangover. And now, he does it again. No, not the creative part.  I mean he presents that SAME film again. I am unsure whether this is a sequel or remake. The only substantial change is the setting … Bangkok instead of Vegas.

Now I fully understand WHY most sequels follow the formula created by the successful original film. Filmmakers want to keep their built-in audience satisfied. The theory is: If it worked once, it will work again. Especially when the first film grosses a half-billion dollars! So the chances are very good that if you liked the first one, you will also enjoy this one. But for me, I get excited for creative filmmakers … not re-treads.

 The key characters are all back and played by the same guys: Bradley Cooper (Phil), Ed Helms (Stu), Zach Galifianakis (Alan), Justin Bartha (Doug), and Ken Jeong (Mr. Chow). All of these guys have worked constantly since the first film, but it makes perfect sense to return to the scene that put them on the Hollywood map.

This time around, Stu (Ed Helms) draws the long straw and has the storyline based on his pending marriage to Jamie Chung (Sucker Punch). Stu’s “wolfpack” buddies agree to a one-beer bonfire beach bachelor party, but of course, something goes very wrong. The next morning finds our boys staggering to regain consciousness in a sleazy Bangkok hotel with no recollection of the previous night’s events. The only clues are a monkey, a severed finger, a facial tat and international criminal Mr. Chow (Jeong).

 No need for me to go into any details or spoil any moments. You know the drill if you have seen the first. What follows is nearly two hours of debauchery and moments of varying levels of discomfort, gross-out and comedic skits.

Supporting work is provided by Paul Giamatti, Jeffrey Tambor, and Mason Lee (Ang Lee‘s son). There is also a cameo by Nick Cassavetes as a tattoo artist. This role was originally meant for Mel Gibson, and later Liam Neeson. Cast and crew protests kept Gibson out and Neeson’s scenes were cut when re-shoots were necessary.  And rest easy, Mike Tyson makes another hilarious appearance – it may be the most creative moment of this remake … err, sequel.

I feel tricked by Mr. Phillips. The first Hangover had me excited that a new comedic genius had entered Hollywood and would quickly blow away the Judd Apatow recycle jobs and copycats. Instead, we get Todd Phillips copying Todd Phillips.

This is certainly an above-average comedy and there are plenty of laughs from the characters we kind of feel like we know – though, wish we didn’t. Just know going in that you are witnessing a clear attempt at cashing in, not a desire to wow.

SEE THIS MOVIE IF: like many, you thought the first one was one of the best ever film comedies OR you just want to see how closely Ed Helms resembles Mike Tyson

SKIP THIS MOVIE IF: you saw the first one and wish you hadn’t OR you never saw the first one and think maybe they have “cleaned” this one up (they haven’t)