CHOSEN FAMILY (2025)

April 18, 2025

Greetings again from the darkness. It’s feasible for a filmmaker to have the best intentions with a project, and for whatever reason, the end result just not be satisfying. This appears to be the case with this latest from Heather Graham, who wrote, directs, and stars in a film meant to inspire us to take control of our own life and stop blaming others for the obstacles or our own poor decisions.

Ms. Graham (BOOGIE NIGHTS, 1997) stars as Ann, a self-described people-pleaser who teaches yoga at a studio she doesn’t own in a coastal Rhode Island community that looks to be somewhat affluent. Somehow, her sparsely attended yoga classes must pay well, as Ann lives in a stunning home overlooking the water. Her first mission is to pick up her sister Clio (Julia Stiles, 10 THINGS I HATE ABOUT YOU, 1999) from drug rehab and drop her at their parents’ house. Dad (Michael Gross) is a religious zealot constantly accusing Ann of “living in sin”, while Mom (Julie Halston) is filled with regret that she never pursued the singing career she desired. This is Ann’s family, so given the film’s title, you can likely guess where this is headed.

In contrast to her chaotic family, Ann has a group of very close friends who support her. Max (Thomas Lennon, “Reno 911”) is opening a new waterfront restaurant with the help of his wife Francis (Oscar winner Odessa Rae) and their friend Roz (Andrea Savage, STEP BROTHERS, 2008). Ann’s poor/comical track record with boyfriends is a constant point of discussion, and Max introduces her to his contractor, Steve (John Brotherton, FURIOUS 7, 2015). Steve is a nice man and the two hit it off.

Things change quickly when Steve agrees to introduce Ann to his daughter Lilly (Ella Grace Helton, “Sweet Magnolias”), who hasn’t handled her parents’ divorce very well. That’s an understatement. In fact, Lilly displays the psychotic behavior of someone who has been a psychopath-in-training for years. She’s manipulative and vindictive, and has no intention of letting Ann come between her and good ol’ dad.

I’d like to say this piece of the story is overdone to the extreme, but again, that would be an understatement … one capped off with a totally inappropriate hip-hop dance contest between Ann and Steve’s child, Lilly. This happens around the time that Ann posts an all-too-honest vlog while wearing a bikini and dissing her family. Somehow, all of this is supposed to be played as comedy, but mostly it’s kind of pathetic seeing grown adults act the way they do here. At least Lilly’s obnoxious behavior can be explained as a young kid going through a stressful destruction of the only life she’s known.

Ann’s vlog brings her notoriety as an influencer, yet she continues to kowtow to Steve, her parents, and her sister. Things come to a head when Ann gets her big yoga break on stage at an exposition. Chaos ensues on stage and it (finally) awakens something in Ann.

We get a quick dose of a horrific backstory involving Ann and Clio as kids, but it’s never explored, and Ms. Graham handles most of Ann’s scenes with a mixture of bug eyes and squinting in disbelief.  The end result may not be what we’ve come to expect from movies, but it’s the sensible finale that gives meaning to the film’s title. There is very little real humor in this comedy, and though just about any of the story lines could have been more fully developed, we are instead left with a mishmash of Ann’s own making … which turns out to be the moral of the story.

Available for digital download beginning April 21, 2025

WATCH THE TRAILER


CLOSED CIRCUIT (2013)

September 7, 2013

closed circuit1 Greetings again from the darkness. I try to spend very little time re-hashing movies that deliver very little … I prefer to move on to the next one with a clear head. This one frustrated me because it could have – even should have – been so much more.

Director John Crowley was responsible for the very entertaining Michael Caine film Is Anybody There? and writer Steven Knight penned three scripts that I very much enjoyed: Dirty Pretty Things, Eastern Promises, and Amazing Grace. The cast is very talented with Eric Bana, Jim Broadbent, Ciaran Hinds, and … well … also Rebecca Hall and Julia Stiles. So why does it feel so empty?

closed circuit3 The movie begins with a horrible act of terrorism – a suicide bomb in London that we view through a grid of 12 closed circuit screens. You would be incorrect if you think there is a payoff for frantically scanning all screens looking for clues. This device is nothing more than a reminder (over and over again) that we are constantly being monitored while in public.

The ensuing trial provides a peek at the British legal system, but the most interesting sub-plot … the young son of the accused terrorist … is minimized in favor of the generic romance between two legal defense attorneys (Bana and Hall). Additionally, Ciaran Hinds’ character is simply too easy to read and Ann-Marie Duff is totally miscast. My favorite moments were the all-too-rare exquisite verbal diatribes from the great Jim Broadbent.

Chalk this one up as a forgettable would-be/should-be political legal thriller that just doesn’t thrill. It’s of little comfort to know that I was probably being watched on the theatre security cameras as I longed for something worth watching on the screen.  They may be watching, but you shouldn’t.

SEE THIS MOVIE IF: you have an ongoing wager with your friends that you must see every Eric Bana movie

SKIP THIS MOVIE IF: you prefer your political and legal thrillers to actually have some thrills and not concentrate on some absurd secret romance that everyone knows about

watch the trailer (just don’t be fooled):

http://www.youtube.com/watch?v=ktiMVKeA9QM

 


SILVER LININGS PLAYBOOK (2012)

November 24, 2012

 Greetings again from the darkness. The film is exactly what you would expect from a screwball romantic comedy steeped in drama based on bipolar disorder, depression, OCD, Philadelphia Eagles fanatics, a ballroom dancing contest, adultery, Hemingway, and a lead character who jogs while wearing a trash bag. Maybe not exactly what you would expect, but likely much more.

If you were told instead that the story is based on two damaged souls who help heal each other through dancing, you would have every reason to skip this one. However, as written and directed by David O Russell (The Fighter) and based on Matthew Quick‘s novel, this story is a frenetic, emotional roller coaster ride that provides a glimmer of hope for the two damaged lead characters, while reminding that each of us may be a bit off-center in some way. Now add in the best young actress working today (Jennifer Lawrence just turned 22), a rare performance from Robert DeNiro where he seems fully engaged, a pulling back the curtain on Bradley Cooper as much more than a pretty face, and one of the best and most pointed soundtracks in recent history …and  you have one of the best films of the year.

What you notice very early on is that what could be considered a trite story line, is instead pounding you with sharp, witty dialogue that pulls no punches in directness. The many aspects of family and emotional support are given time thanks to Pat (Bradley Cooper) being released after 8 months in a mental institution. He was sent there when he snapped after finding his wife in a compromising position with another man. Perfectly understandable if you ask me, but clearly he is the explosive one despite his claims to the contrary. An uncomfortable dinner party introduces him to Tiffany (Ms. Lawrence) whose husband has recently died and her coping skills have been shared with most of those in her workplace. This odd couple spark immediately and the wild ride begins.

Pat’s wife Nikki (Brea Bee) has issued a restraining order and his strategy to win her back consists of a positive attitude and maintaining control of his emotions. His supporters include his mother (Jacki Weaver, who was so great in Animal Kingdom), his OCD father (DeNiro) who so wants to re-connect with his son, his friend (John Ortiz) whose own marriage (to icy Julia Stiles) is a messy mess, his buddy from the asylum (a funny and not over the top Chris Tucker), and of course, Tiffany. The only real problem is that each of these supporters are teetering in their own way – just like Pat.

 The brilliance of this movie is the balance struck between the near violent emotional outbursts and the sharp, exacting words spouted by each of the characters. Director Russell once again shows his flair for working class northeasterners. He understands these tough as nails people who wear their emotions on their sleeves. These people are as likely to punch you as hug you … both being acts of love.

The soundtrack deserves special mention. It is very unique and varied, with each song serving an exact purpose. Especially keen are Stevie Wonder’s “My Cherie Amour”, Led Zeppelin’s “What is and What Should Be”, and “The Girl from the North Country” a Bob Dylan and Johnny Cash duet. When the music strikes a harmony with the scene, the movie is all the stronger. Rarely do we get the perfect storm of script, direction, acting, music and relevance.

SEE THIS MOVIE IF: complex relationships between characters facing life’s daily battles carries a certain artistic symmetry for you OR you just want to see acting of the highest quality led by a fabulous Jennifer Lawrence, a resurgent Robert DeNiro and a surprisingly talented Bradley Cooper

SKIP THIS MOVIE IF: you prefer your Rom-Com’s to be lightweight and light-hearted for easy laughs

watch the trailer:

http://www.youtube.com/watch?v=Lj5_FhLaaQQ