BLEED FOR THIS (2016)

November 17, 2016

bleed-for-this Greetings again from the darkness. You may be excused if you believe there have been enough boxing movies recently. Just last year, we saw Creed and Southpaw – both critically acclaimed and featured significant screen time inside the ropes. Writer/director Ben Younger returns with his first movie since 2005 (Prime) and teams up with screenwriter Angelo Pizzo to present the “based on a true story” of Rhode Island’s own Vinny Pazienza.

Mr. Pizzo is known for his work on inspirational sports films like Hoosiers, Rudy, The Game of Their Lives, and My All-American; so the fascinating and true story of Paz is right in his wheelhouse. See, The Pazmanian Devil (his nickname) was a terrific fighter, and is even more famous for his medically-defying comeback after a horrific car accident. The doctors doubted he would ever walk again, and offered Vinny no hope at all of ever fighting again.

Miles Teller (Whiplash, The Spectacular Now) plays Vinny Pazienza and obviously trained very hard to get in tip top shape. His boxing skills are well suited to the training sequences but must be creatively edited for the scenes in the ring. This is especially obvious when clips of the real Paz are inserted. Beyond that, Teller softens the overblown machismo of Pazienza and the boxing world. He captures the single-minded commitment of Pazienza, while making him a bit more likeable than the real man came off in interviews.

Aaron Eckhart is excellent as Pazienza’s (and Mike Tyson’s former) trainer, Kevin Rooney. It’s puzzling how Eckhart’s name ever came up for the role of a balding, pudgy, alcoholic who believes he’s been put out to pasture … but Eckhart and Teller together produce some wonderful scenes. Other support work comes from Ciaran Hinds and an underutilized Katey Sagal as Vinny’s dad and mom, and Ted Levine and Jordan Gelber as boxing promoters Lou and Dan Duva.

The comeback was as improbable as it was inspirational, and the decision to go with the Halo (metal brace that screws into the skull) over the neck fusion surgery could easily be categorized as foolish rather than courageous. But much of the story revolves around the internal make-up and competitive drive that made Vinny the man and the boxer that we see.

The film has more in common with The Fighter than either of the movies mentioned in the first paragraph, but it’s even more character study than boxing movie. This proud, driven, egotistical local from Providence held world titles at three different weight classes, refusing to be limited by the opinions of others. Rather than end with a classically Hollywood shot of victorious Paz celebrating in the ring, the film ends with an odd interview centered on his debate against the phrase “it’s not that easy”. It’s a stance that makes us question whether he ever learned the lessons of gamble vs risk. Mostly though, we marvel and agree that he’s a guy who deserves to be on a box of Wheaties.

watch the trailer:

 

 

Leave a Comment » | Drama | Tagged: , , , , , , , , | Permalink
Posted by David Ferguson

DARK HORSE (2012)

September 11, 2012

 Greetings again from the darkness. Director Todd Solondz is the master of film uncomfortableness. If you have seen his Happiness or Welcome to the Dollhouse, you won’t debate whether that’s a real word or not. Mr. Solondz has a way of finding the worst in his characters and then taking it even darker and more negative. And yet, somehow, his latest (and maybe his simplest film to date) could be called a comedy.

We are first introduced to Abe (Jordan Gelber) and Miranda (Selma Blair) as they share a table at a wedding, though obviously aren’t remotely together. He is oblivious to her near silent attempts to nicely avoid providing her phone number to him. The film moves quickly to provide proof that Abe is the epitome of arrested development. A mid-thirties something who not only “works” for his dad, but still lives with his parents (Mia Farrow, Christopher Walken) in a bedroom decorated with action figures. It’s difficult to look at someone who takes up as much space as Abe and categorize them as a kid, so I believe the better term is “not an adult”. He stalks Miranda and doesn’t seem to mind/notice that she is a heavily medicated depressed individual who looks at him like he’s a circus act.

Abe’s work environment is no better than his personal life. He brings nothing of value to his dad’s company, yet somehow thinks he is always being mistreated. This carries over to his feelings toward his brother Richard (Justin Bartha), who is a doctor. Abe, who dropped out of college, believes the only difference is that Richard was the favorite son and received special privileges. It’s very easy to label Abe a “loser”, but somehow Solondz manages to maintain our interest with small sparks of hope (very small).

 The hope quickly fades and Abe’s life heads on a fast downward spiral. There are some bizarre fantasy/dream sequences that involve the quiet, much older co-worker Marie (Donna Murphy), and a conversation in the car with his mother and brother that plays like something directly out of a Woody Allen movie (made even creepier with the presence of Mia Farrow), plus another odd sequence featuring Miranda’s ex (Aasif Mandvi) and the source of her Hep B.

There are some funny moments, but as Mr. Solondz would prefer, the laughs are tainted with guilt. We can’t help but wonder why we laugh at a guy for whom we have such little respect … actually bordering on disgust. I must admit to being pretty tired of Abe by the end of the movie, and couldn’t help wondering if it might have been more effective as a short film. Still, the acting was superb, and unfortunately Abe isn’t that much of a stretch from someone you probably know in real life.

SEE THIS MOVIE IF: you don’t mind a dose of guilt mixed with some humor

SKIP THIS MOVIE IF: you prefer to avoid the depressed and the losers amongst us.

watch the trailer:

 

Leave a Comment » | Comedy, Drama, Fantasy | Tagged: , , , , , , , | Permalink
Posted by David Ferguson