GROW (2025)

October 16, 2025

Greetings again from the darkness. I’m not sure if pumpkins get short-changed with most of their attention coming only during one season, or if perhaps they receive more attention than deserved during that season. Either way, pumpkins are rarely at the center of a cinematic event … despite having their moments during animated TV specials like “It’s the Great Pumpkin, Charlie Brown” and “Spookley, the Square Pumpkin”. Director John McPhail (the excellent ANNA AND THE APOCALYPSE, 2017) sets out to change that with a screenplay by a trio of writers: Nick Guthrie (MINI’S FIRST TIME, 2006), Ruth Fletcher (“Hawaii Five-O”), and Ruth’s husband and writing partner, Christos N. Gage.

Common sense tells us that if you are going to have a family-friendly, heartwarming story, then you best include a kid worthy of attention. When we first meet young Charlie Little (Priya Rose-Brookwell, “The Lazarus Project”), she’s trying to escape from a home for abandoned kids so that she can track down her mother … a mother who left her behind to pursue the bright lights of Hollywood. Instead of locating her mother, Charlie gets connected with her Aunt Dinah (Golda Rosheuvel, “Bridgerton”). It’s not a smooth transition because Charlie is a precocious child who wants to be loved, and Aunt Dinah is a very reserved woman trying to make ends meet on her struggling Little Farm.

Mugford, the local village, is known as the Pumpkin Capital of the World, and Charlie immediately dedicates herself to winning the cash prize at this year’s contest for the biggest pumpkin. See, Charlie is not just a spirited kid, she is also one with plants – she converses with them, and feels what they feel. Charlie and Dinah enlist the help of Arlo (Nick Frost, The Three Flavours Cornetto trilogy), a local with some past success in the contest. What’s surprising here is the nefarious activities of those involved with the contest – secrets, vandalism, and outright cheating. In other words, the pumpkin contest turns into a life lesson for young Charlie who always sees the best in others – even Toby the dog.

Charlie pampers ‘Peter’, her prize pumpkin, while we get riffs on PSYCHO and THE GODFATHER, and even a use for lion dung. Supporting work comes from Joe Wilkinson (“After Life”) as Dinah’s former farmhand, Jane Horrocks and Tim McInnerny as local pumpkin legends, and Jeremy Swift (“Ted Lasso”) as a lab technician under intense pressure. The film reminds me of some of the Disney movies from the 1960’s, as it’s charming and funny, and offers up some life lessons – complete with emotional depth as the relationship between Charlie and her Aunt Dinah develops. I don’t get many full-blown family films to review, and it’s nice to see one that works on multiple levels.

Opens nationwide on October 17, 2025

WATCH THE TRAILER


ANNA AND THE APOCALYPSE (2018)

December 7, 2018

 Greetings again from the darkness. It’s this time of year when the slew of ultra-heavy dramatic Oscar hopefuls fill the movie-watching schedule, so this zany little flick is a welcome diversion … despite, or perhaps due to, defying traditional movie genres. An accurate description would be ‘Zombie Apocalypse Christmas Musical Comedy’, though that’s likely to draw in fewer viewers than it frightens off.

Beginning like many teen flicks, we meet the teenagers who each believes they are the center of the universe, and during this opening act, we only get a single fake zombie tease (but it’s a good one). Anna (Ella Hunt) is a high school senior preparing to take a year and travel to Australia – against the wishes of her protective widower dad (Mark Benton). Anna constantly hangs out with her friend-zone buddy John (Malcolm Cumming), whether at school or at the bowling alley where they both work. Their friends are lovebirds Chris (Christopher Leveaux) and Lisa (Marli Siu), and Steph (Sarah Swire) the American-social activist- recently dumped lesbian who is an outsider to both her peers and the tyrannical school principal Savage (Paul Kaye).

Ms. Siu takes center stage at the school’s Christmas production and beautifully performs one of the more double-entendre laden Santa songs you’ve likely ever heard. The other musical highlight occurs the next morning as Anna and John skip off to school blissfully unaware of the carnage occurring all around them … a nice statement on how teenagers view the world. What follows are some gruesome and creative zombie kills, especially those featuring a snowman and the bowling alley. The jokes, pop songs and grizzly kills keep things zipping along as the teenagers try to save themselves and their loved ones, although when the school Principal veers towards maniacal psychopath, he becomes a bit of a distraction.

Ryan McHenry passed away in 2015, and his 2011 short film ZOMBIE MUSICAL has been adapted to feature length by director John McPhail and writer Alan McDonald. The songs are co-written by Tommy Reilly and Roddy Hart, and the result is a delightfully entertaining movie that will likely find a long shelf-life in the midnight slot for many holiday seasons to come. It likely would have benefited from another song or two, and remains an oddball mash-up of “Glee”, HIGH SCHOOL MUSICAL, SWEENEY TODD, and SHAUN OF THE DEAD. The film certainly deserves bonus points for creativity, and just keep in mind those footsteps on the roof might not be Santa. You best be prepared to sing and swing a candy cane, as there are no Hollywood endings.

watch the trailer: