MAPPLETHORPE (2018)

February 28, 2019

 Greetings again from the darkness. Writer-director Ondi Timoner goes head on (so to speak) with the story of Robert Mapplethorpe, the immensely talented and endlessly controversial photographer whose work in the 70’s and 80’s was often considered scandalous, if not pornographic. Ms. Timoner and star Matt Smith (PRIDE AND PREJUDICE AND ZOMBIES) are unflinching in this look at the artist, his personal life, and his work … although I personally flinched a few times.

The opening scene is quite unusual as Mapplethorpe is shown alone in his small dorm room, attired in full Pratt Institute uniform, just prior to dropping out. We next see his NYC meet with Patti Smith (Marianne Rendon), and watch the two oddball youngsters connect. Their relationship develops as Robert shifts from drawing to photography, stating, “I’m an artist. I would have been a painter, but the camera was invented”. The couple wriggles their way into the Chelsea Hotel and soon Mapplethorpe is focused on male nudes not just as artistic models, but also as personal pleasure. His interests send Patti Smith packing … and understandably so.

Mapplethorpe’s career takes off when Sam Wagstaff (John Benjamin Hickey) becomes his benefactor and lover. Sam’s connections in the art world lead to gallery shows and work that Robert might never have attained. The film never shies away from Mapplethorpe’s daddy issues, his promiscuity, his drug use, or his intolerance of those who didn’t “get” his work. His fascination with male genitalia in both art and personal life is on full display, as many of his actual photographs are shown throughout.

Once diagnosed with HIV/AIDS, his sexual irresponsibility probably should have been emphasized, but other than that, filmmaker Timoner never tries to sugar coat the man. He seemed to crave attention, yet so many wanted love from him – Patti Smith, Sam Wagstaff, his father (Mark Moses, “Mad Men”), and his brother (who worked with him), all tried to establish that bond, but things just never quite clicked.

Other fine supporting work is provided by Hari Nef, Mickey O’Hagan (TANGERINE), Brian Stokes Mitchell, and Brandon Sklenar. Mapplethorpe’s story would likely be best handled via documentary, but Mr. Smith’s performance is worthy of attention. The film does a nice job of relaying the two sides to Mapplethorpe’s work – the provocative and the portraits. He took some iconic photos of celebrities including the cover of Patti Smith’s debut album “Horses”.

Ms. Smith’s 2010 memoir “Just Kids” paints a more complete picture of their relationship, and it’s interesting to note that although he died in 1989, Mapplethorpe’s work continues to generate emotional responses. In fact, his work inspired a national debate about whether the government should fund the arts. Ms. Timoner’s film has been well received at LGBTQ festivals, and the Robert Mapplethorpe Foundation is devoted to protecting and promoting his work, while raising millions of dollars for AIDS research. His legacy is much more than some black and white photographs of nude models.

watch the trailer:


FOREVER MY GIRL (2018)

January 18, 2018

 Greetings again from the darkness. To determine if this is your type of movie, you need only answer one question: Are you a Nicholas Sparks fan? Even though this is based on a novel by Heidi McLaughlin and not Nicholas Sparks, no normal person would be able to tell the difference, as the formula and story structure is very familiar (even the marketing campaign capitalizes on this). Perhaps that is the key to the success of movies like this – the stories are like a warm, comfy blanket to some folks.

Picturesque (and fictional) St Augustine, Louisiana is the setting for the love story of Liam and Josie. Things get off to a rocky start as the jilted bride is stranded on her wedding day. The film jumps ahead 8 years and we find that Liam (Alex Roe, THE 5TH WAVE) is now a country music superstar with a drinking problem and a duct-taped flip phone, while Josie (Jessica Rothe, HAPPY DEATH DAY) is a successful business owner and single mom. It’s at this point where you could most assuredly guess what happens next, as predictability and commitment to the formula are the mission.

Bethany Ashton Wolf is the writer/director and her film benefits from the presence of star-in-the-making Alex Roe and the precocious Abby Ryder Fortson as Josie’s daughter. Mr. Roe spends much of the movie in various stages of sweat (I guess that’s supposed to be sexy?), but the camera loves him and he has a unique approach that sets him apart from the endless line of pretty boy actors. Young Miss Fortson has already played the daughter of ANT-MAN and she has the ability to come off as normal kid, rather than an actress playing a kid.

John Benjamin Hickey (Liam’s dad), Gillian Vigman (publicist), Tyler Riggs (Josie’s brother), and Peter Cambor (Liam’s agent) fill the supporting roles, and it’s Travis Tritt who adds an all-too-brief touch of authenticity to the music and local saloon. The movie is exactly what it portends to be … nothing more, nothing less. If it’s to your taste, it’ll be that soft comforter that brings you serenity. If it’s not your style, it will likely be as itchy and scratchy as a new wool horse blanket.

watch the trailer: