BIUTIFUL

January 30, 2011

 Greetings again from the darkness. If anyone tells you this film is a bit of a downer, never trust them again. It may be the bleakest, most dismal film I have ever seen (and that’s saying a lot!). A bit of downer does not do it justice. Still, I couldn’t take my eyes off the screen. Javier Bardem is captivating and truly encompasses the character of Uxbal – a father of two, who has a connection to the dead, and is headed there himself (quickly).

Already I am sure many are turned off by the subject matter and the fact that it’s not an inspirational, feel-good movie. I would make the point that despite the despair, it does show the journey of a man seeking redemption and trying, with everything he has, to do right by his kids.

Director Alejandro Gonzalez Inarritu is a master filmmaker as evidenced by his work in 21 Grams and Babel. He gives us a real feel for the grungy and claustrophobic world that these people inhabit. We absolutely feel their pain and resolve and desperation and panic. We feel it for the entire 2 and a half hours running time.  I should also mention that the film has what may be the most unusual score/soundtrack of any film in recent memory.  There is no real continuity, it’s as if music was written for individual scenes, rather than for the entire film.  Very effective, but very non-traditional.

 If you can take the filmed depression, the pay off is watching Bardem work. I have often recommended his fascinating work in The Sea Inside, but as much as it pains me to agree with Julia Roberts, his performance here is somehow better. It’s no wonder why he felt the need to escape with Eat Pray Love after filming this one. It should be noted that Bardem is the first ever Lead Actor nominee for a full Spanish speaking role.

SEE THIS MOVIE IF: you want to see a masterful performance by Javier Bardem OR you thought 21 Grams and Babel were just a bit too funny and light-hearted.

SKIP THIS MOVIE IF: you couldn’t care less about acting proficiency and just want your movies to be feel good and uplifting


EAT PRAY LOVE (2010)

August 22, 2010

 Greetings again from the darkness. Though I secretly hoped the tongue-in-cheek comparison of this movie to The Expendables would get me off the hook from writing what I really thought, some of you have requested full comments.  The reason I avoided putting any comments down about the film version of Elizabeth Gilbert’s best selling novel was honestly that the movie just really annoyed and even angered me … and my reasons aren’t very politically correct.

Julia Roberts stars as a woman who is on a mission to find meaning for her life. “Logically”, the route to self-discovery is a one year sabbatical with 4 month stints in Italy, India and Bali. Already, I am irritated … Rarely does one need to GO somewhere to FIND their self. If this were necessary, the world would be even a more screwed up place because “dropping out” for a year means we leave our responsibilities, friends and loved ones behind.

Speaking of loved ones. Julia’s character is on a mission to prove she has worth beyond that derived from being partner to a man. So here is her track record over the 2 and a half hours: She dumps her husband who loves her. She dumps the boy toy whose bed she immediately fell into after the divorce. She spurns her Italian interpreter and a lonely Texan and finds herself on a beach with a naked party boy. She spurns Javier Bardem … at least until she reconsiders and realizes that this is JAVIER BARDEM! For someone trying so hard to prove a man isn’t necessary, she spends an inordinate amount of time WITH men.

I realize this was an Oprah-blessed book, but the amount of whining, self-indulgence and narcissism was beyond my tolerance level. Even the choice of director seems pre-fab: Ryan Murphy of “Glee” fame. Talk about going with the flavor of the day.

Caught in the web of thankless supporting roles were Billy Crudup, James Franco, Richard Jenkins, Viola Davis and Hadi Subiyanto as Ketut, the toothless guru. This guru reads Julia’s palm and she immediately decides to throw away  her life. When they meet again, this guru doesn’t even remember her! Seriously, you don’t need a guru to tell you to follow the golden rule, that if you give love it will come back to you, and make some time for yourself.

OK, I will admit the film captured the beauty of Italy and Bali. And the music mixture of Neil Young and Mozart (The Magic Flute) helped ease my pain. But overall, this was a year long journey and I felt every single moment sitting in that theatre.