DON’T WORRY, HE WON’T GET FAR ON FOOT (2018)

July 20, 2018

 Greetings again from the darkness. Being neither an alcoholic, an artist nor a quadriplegic, I found myself wondering if I would be able to connect at all with the real life story of John Callahan. At most, I figured another stellar, oddball performance from Joaquin Phoenix might keep me engaged. It turns out, director Gus Van Sant (GOOD WILL HUNTING, 1999) focuses more on the quite interesting road to sobriety … a road that also happens to lead directly to a reason to live.

Based on Mr. Callahan’s autobiography, the film stars the enigmatic Mr. Phoenix. First seen as a 21 year old (a bit of a stretch) slacker who constantly needs a “fix” of alcohol, no matter the time of day, the talented actor excels after the alcohol-induced car accident that robs Callahan completely of the use of his legs, leaving him only minimal function with arms and hands. Even this doesn’t inspire Callahan to give up the bottle. However, a vision of his mother does. Callahan’s mommy issues are a key element of the story, as she gave him up for infant adoption – leading to many years of drowning his self-pity in whatever type of alcohol was in the glass.

The film picks up some momentum once Callahan begins attending AA group therapy sessions conducted by Donnie (Jonah Hill). Donnie is part Zen sponsor and trust fund guru. It’s a wonderful performance from Mr. Hill, who makes the most of each of his scenes. Others in the group include a terrific (musician) Beth Ditto, Kim Gordon (of Sonic Youth fame), (German icon) Udo Kier, Ronnie Adrian and Mark Webber. Individually they don’t have much to do, but they do make for a fascinating group. Also appearing are Tony Greenhand as Callahan’s attendant, the fabulously talented Carrie Brownstein (“Portlandia”), and Rooney Mara as Callahan’s physical therapist-turned-girlfriend. Ms. Mara is especially short-changed in the script.

It was 1972 and Callahan was 21 when the car accident left him a quadriplegic. Slowly, he discovered his talent as a cartoonist – albeit a controversial and darkly funny one. In today’s climate of political correctness, it’s likely Callahan would find no audience, but at the time, he developed a national following. This was the time of other single panel cartoonists like Gary Larson and Bill Watterson.

Attempting to avoid the traditional and familiar biopic structure, director Van Sant (who has a cameo) chops the movie into bits that work better individually than as a whole. At times it plays like an advertisement for Alcoholics Anonymous. But some of the bits are outstanding. The film is somehow both funny and sad, and includes a terrific scene near the end with Callahan and Jack Black’s Dexter reuniting for the first time since the accident. It’s a powerfully honest scene.

A destructive lifestyle doesn’t always lead to good things, and substance abuse is not very entertaining – though, the road to recovery can be. Getting of glimpse of the 12 step program, we see that not drinking is merely the beginning. It’s like a runner who must first lace up his shoes before beginning the actual run. Callahan died in 2010 at age 59, but his impact continues.

watch the trailer:


BERNIE (2012)

May 24, 2012

 Greetings again from the darkness. It’s 1997 in Carthage and a shocking discovery hits smack dab in the middle of town square. That’s rural east Texas where everyone knows everything about everyone. Well almost everything and almost everyone. A year later, Skip Hollandsworth wrote an article for Texas Monthly about the fascinating, too-strange-to-believe story that shook this community. Now, 16 years after the murder, Hollandsworth co-wrote a screenplay with director Richard Linklater and they present a visual representation that allows us to wrap our heads around the events.

Linklater is always an interesting filmmaker. His resume includes Dazed and Confused, and School of Rock. Here he re-teams with Jack Black, who stars at Bernie Tiede, the nicest man in Carthage. You need not take my word for it. Linklater interviews several actual Carthage residents who swear Bernie was the sweetest, most generous man they ever met. Some even state they will never believe he committed the murder … despite his confession. Whatever you think of Mr. Black as an actor, his performance here is unlike any of his previous work. He is somehow subtle and believable while playing a real life over-the-top assistant funeral home director. His walk, speech pattern, mannerisms, interests and singing style tell us all we need know about Bernie Tiede.

The basic story is that Bernie befriends the wealthiest, wickedest widow in town. They become very close as friends, travel partners and even live together. Bernie gains Marjorie Nugent’s trust and is eventually in charge of her finances and written in as her sole beneficiary. What makes this odd? Well, Bernie is 38. Marjorie (played by Shirley MacLaine) is 81. Oh, and he is gay. This odd arrangement somehow is accepted in this community for one reason … he is just so a nice man! He truly is nice. Right up until the point where he’s not so nice.

 This is one of those movies where the links are stronger than the chain. Black’s performance is stellar and worth the price of admission. Equally entertaining are the “interviews” with the local townspeople. And adding intrigue to all of that is the best ever supporting performance from Matthew McConaughey as local DA, Danny Buck Davidson. Those three elements make this oddball movie a sight to behold. There is humor to make us laugh and oddity to raise eyebrows.

The downside is that the docudrama approach actually takes away from what should have been the key aspects of the story. More screen time watching the relationship between Bernie and Marjorie could have proved enlightening. Instead, the development is reduced to snapshots of vacations and a snippet of a couples massage. The dark elements are only hinted at until the shock of the deed.  The filmmakers choose not to dwell on the “other” side of Bernie, and instead play along with the locals version of the nicest man in town.

Movies based on truth are all the more enticing when the characters are themselves quite interesting and different. That’s certainly the case with Bernie Tiede, Danny Buck Davidson, and the locals in Carthage. For a taste of small town East Texas living and dying, questionable morals, battles between legalities and religion, and the hypocrisy and clouded judgment that occurs when a nice guy gets dirty … this is as good as it gets.

SEE THIS MOVIE IF: black comedy immersed in real life tragedy is your thing OR you don’t want to miss a wonderfully odd and touching performance from Jack Black (and lots of hymnal singing)

SKIP THIS MOVIE IF: you don’t apprecaite a murderer being portrayed as a nice guy – even if that’s the TRUE part of the story!

Watch the trailer:


THE MUPPETS (2011)

December 6, 2011

 Greetings again from the darkness. Since I recently selected an animated film as my favorite movie of the year (Toy Story 3), it is to be expected that I would make the time to see the first Muppets movie produced in 12 years. Since the driving forces behind this one were Jason Segel and director James Bobin, who was the creator of “Flight of the Conchords”, one of my favorite cult TV shows … I wasn’t sure what to expect.  Although Bret and Jermaine don’t make an appearance (Bret McKenzie did write the hilarious songs), there are still laughs for adults, as well as the expected gags for kids.

 Jason Segel and Amy Adams star, along with Chris Cooper, Rashida Jones, Jack Black and a long list of celebs who I won’t name here … it’s much more fun to spot them as they arrive on screen. The old gang is back, including Kermit, Miss Piggy, Gonzo (now owner of plumbing company Royal Flush), Fozzie Bear (in a casino act), Animal (straight out of Anger Management) and of course, my favorites, Statler and Waldorf.

 There are a couple of tributes to the genius that was Jim Henson, creator of the Muppets. You will notice a poster of him outside the studio and a photograph on the wall of Kermit’s office. No real need to go into the story, but I think most will be satisfied not just with the cameos and songs, but also the depth of the story. There is a reason for the Muppets revival, and I am very happy to see the band is back together!

On the downside, there were more than a few times that I felt the filmmakers rushed through in a sloppy manner or were just plain lazy with the script.  There is also a touch of Hollywood left-wing propaganda, as the bad guy is an oil man. Most of the cameos seem more like a flash, and they offered much potential for improvement.  That said, I laughed a few times and the kids in the theatre seemed quite entertained.  So ….. Mahna Mahna

SEE THIS MOVIE IF: you are a Muppets fan OR would like to introduce a new generation to the gang and the genius of Jim Henson

SKIP THIS MOVIE IF: you prefer not to tap into the “kid” side of your personality

watch the trailer: