Greetings again from the darkness. If not for a few bizarre (and interesting) visual metaphors tossed in, one might mistake this film from Icelandic filmmaker Hlynur Palmason (GODLAND, 2022) as a documentary. After all, we are mostly watching one family’s life over the course of a year. There are no car chases or criminal masterminds – just a few people living their lives.
A simple story or film does not necessarily mean boring or dull. Anna (Saga Gardarsdottir) is an artist striving to get her work displayed in a gallery. Magnus (Sverrir Gudnason) works at sea on a commercial fishing vessel. The two longtime lovers are working through the boundaries of their recent separation. While they keep things very cordial and familiar for their three kids, it seems Magnus (“Maggi”) holds hope that they can reconcile, while Anna is trying her best to maintain the break.
We watch as these normal folks go about their normal days. The kids act like kids – playing and exploring and joking around. Anna meets with an annoying museum curator, and Maggi takes his shifts aboard the ship. Another key player is the family dog – perfectly named Panda. There are times the dog seems to have more personality and energy than the others, but of course, life can be that way … we just go about our daily rituals.
The fragility of relationships is front and center here … even though love still exists. Director Palmason includes some stunning shots displaying the beauty of the Icelandic countryside, and the phrasing of one particular piece of dialogue stuck with me: “A relentless monologue of death.” It’s a toss-up whether this movie is more about normal life or whether it’s as much about being lost at sea (both proverbially and actually). American audience may find the pacing a bit slow, but as you might guess, there’s plenty going on.
Opens in NYC theaters on January 30, 2026 and expands regionally in February.
Posted by David Ferguson