BACK TO THE OUTBACK (2021, animation)

December 7, 2021

Greetings again from the darkness. Capturing a kid’s attention is difficult enough, but these days, it’s a real challenge to hold that attention for 90 minutes. You best offer something extremely entertaining, which is exactly what first time (co-) directors Harry Cripps and Clare Knight have done. Ms. Knight previously worked as the Editor on the MADIGASCAR and KUNG FU PANDA movies, and is married to actor Wayne Knight (Newman from “Seinfeld”). Mr. Cripps previously wrote the screenplay to THE DRY (2020) and here he co-wrote the script with producer Gregory Lessans. Of course making animals the center of a kids’ story is nothing new, and neither are the central topics of respect and family, yet this is quite an entertaining way to do so.

While watching the film with a four and five year old, I was able to witness first-hand the reactions and whether or not attention lapsed (theirs, not mine). The film opens at Australian Wildlife Park where Chaz Hunt (voiced by Eric Bana) is a Steve Irwin-type trainer who entertains the crowds and his son Jessie (Diesel La Torraca) with personal adventure stories that may or may not have a sprinkle of truth. But it’s the animals who are the main attractions here. The park features the world-famous cutest animal, Pretty Boy (Tim Minchin), a Koala who excels at posing for pictures. In contrast, the “ugly” ones, or the deadliest ones, include Nigel the neurotic scorpion (Angus Imrie), Zoe the wise-cracking thorny devil lizard (Miranda Tapsell), Frank the funnel web spider who breaks out in dance when attraction strikes (Guy Pearce), and the newest addition, Maddie a taipan snake (Isla Fisher). Acting as a mother-figure to these creatures is Jackie the crocodile (Jackie Weaver).

After a dangerous event caused panic and misunderstanding, Jackie is shipped off away from the park. The other “ugly” animals decide to escape and head home (check the title). Pretty Boy accidentally gets caught up in the escape, and he ends up being quite obnoxious – in constant need of catering and compliments. This stands in stark contrast to the other animals who are quite likable and charming. That’s the gag here, as well as our lesson in ‘beauty is on the inside’.  The road trip through the city and into the desert and mountains is quite an adventure and filled with things that don’t go quite right for this band of misfits. Along the way, they learn of the U.S.S. – the Ugly Secret Society, which is a rescue operation run by animals for other animals that aren’t lovable pets. They even have a funny catchphrase/password! Two of the most fun sequences involve Tasmanian Devils and a couple of toads named Doug and Dorene, who sing “When a Man Loves a Woman”.

The film is obviously aimed at kids who are fascinated with animals, and it’s charming and funny and entertaining for both kids and adults – exactly what you hope for with animated movies. The morals of the story about not judging a book by its cover, and the importance of family, are always good lessons to reinforce for kids. We should all be this ugly.

Available December 10, 2021 on Netflix

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THE DRY (2021)

May 20, 2021

Greetings again from the darkness. Remember when an exonerated OJ Simpson vowed to dedicate his time to finding “the real killer” of Nicole Brown Simpson and Ronald Goldman? For some reason that memory came back in the early stages of this film as a Melbourne-based Australian Federal Police agent returns to his isolated hometown after his childhood friend is implicated in a murder-suicide. See, that agent left town as a teenager when he was suspected of being involved in the murder of a local teenage girl.

Eric Bana (MUNICH, 2005) stars as that AFP agent Aaron Falk. He’s been gone for 20 years, but agrees to return for the funeral of his friend Luke (Martin Dingall Wall) at the request of Luke’s parents (Bruce Spence, Julia Blake). The parents don’t believe Luke would have killed his wife and one of his two kids and then committed suicide, and they want Luke to investigate. Of course, the rest of the town believes Luke did it, and most are none too happy that Aaron has returned, as they haven’t forgotten the suspicion tied to him for the tragedy that took the life of his friend Ellie (BeBe Bettencourt) so many years ago.

The stark contrast of glass and steel Melbourne towers and the drought-stricken cracked soil of (fictional) Kiewarra are as distinct as the comparison of today’s Kiewarra with Aaron’s flashbacks to those carefree days of swimming in the river with Ellie, Luke and their friend Gretchen – who is now a single mom played by Genevieve O’Reilly, and one of the few to welcome Aaron back. The film is based on the 2016 international best-selling novel by Jane Harper, and there is a lot to keep up with, despite a pace that never feels rushed. The two cases may be separated by twenty years, but they seem connected, even though we aren’t sure how murder and suicide and a slew of suspects all fit together. Aaron works with local police officer Greg Raco (an excellent Keir O’Donnell) in an attempt to make sense of what’s happened.

There are angry and suspicious people throughout the town. William Zappa plays Mal, Ellie’s grudge-bearing father, while Matt Nable plays her obnoxious and quick-to-accuse cousin Grant. James Frecheville (ANIMAL KINGDOM, 2010) is local farmer with a motive Jamie Sullivan, while John Polson plays school Principal Scott Whitlam who isn’t quite as put together as he’d like everyone to believe. Farmer Sullivan remarks (with the film’s best line), “You think you’re gonna get the truth in a town like this?”  And by that time, we know exactly what he means.

The flashbacks to Aaron’s teenage years provide much of the context to the story and his character, and they are handled beautifully. It’s a small town whose residents hold an abundance of secrets, rumors, and grudges, creating a web of misinformation that challenges Aaron and Officer Raco. The two cases (past and present) collide, and cinematographer Stefan Duscio does terrific work with the vast, dusty landscape, as well as the many interior shots where the characters reveal their true selves. Writer-director Robert Connolly (a heavy TV workload recently) co-wrote the script with Harry Cripps and Samantha Strauss, and they have created a suspenseful and entertaining whodunit. With the heavy dose of crime shows on TV these days, it’s a pleasure to see a well done film with high production value and a cohesive story. Just remember to use an alibi other than “shooting rabbits”, if you are ever working on a cover story.

Opening in theaters and on VOD on May 21, 2021

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