Greetings again from the darkness. It might seem dangerous or even cruel to look at war through the eyes of a child. However, this time, it’s a brilliant approach because most of the story is personal … following the villagers on the edges of the Rhodesian Bush War – a Civil War meant to overthrow White colonialism and restore power to the local Black populace. Long admired for her acting career, Embeth Davidtz takes on the director’s chair for the first time, and also adapted the screenplay from Alexandra Fuller’s best-selling 2001 memoir.
It’s 1980 in Rhodesia (now known as Zimbabwe) and a revolution is occurring, pending the upcoming election … you are likely familiar with Robert Mugabe, long-time President and Prime Minister of the country. For this story, Bobo (stunning work from first time actor Lexi Venter) is our protagonist and narrator. She’s a curious and observant 8-year-old with a free spirit and a constantly dirty face. The POV of a kid makes sense once you learn that director Davidtz had a childhood in South Africa with many similarities to what Bobo experiences (it is Alexandra Fuller’s memoir after all).
Bobo’s big sister Vanessa (Anina Hope Reed) and their mother Nicola (director Davidtz) share the home with Bobo. Dad is a soldier and is often away for extended periods of time. Nicola sleeps with a rifle and obsessively guards the family’s farmland, while desperately hoping the Whites don’t lose power in the country. Bobo spends a good amount of time with Sarah (Zikhona Bali), who becomes a pseudo-mother, filling the emotional gap left by Nicola’s alcoholism, and brewing breakdown over the possible changes coming.
As you would expect, racism is on display here. It supports the theory that racism is passed down from generation to generation. Bobo is warned to “watch out for terrorists”, which is another word for black Africans, while Sarah’s husband Jacob (Fumani N Shilubana) is regularly warning his wife about getting too close to Bobo or being seen in public with the white girl. Bobo is blatantly told that Africans and Whites are not the same.
Watching young Bobo trying to make sense of the world can be uncomfortable to watch, yet it drives home the point about racism, violence, and growing up in a war. Sarah does her best to guide the youngster, but that parental force can be quite strong. Obviously, this was a personal film for first-time director Embeth Davidtz, and she shows the right stuff with her first feature film. We understand the family wanting to hold onto their land, while at the same time we witness how racism can be spread so easily … and at such a young age.
Opening in theaters on July 18, 2025
Posted by David Ferguson