QUEEN OF THE RING (2025)

March 7, 2025

Greetings again from the darkness. Even among sports fans and women’s activists, Mildred Burke is not a household name. Writer-director Ash Avildsen and co-writer Alston Ramsay set out to correct this by adapting Ms. Burke’s own writing and the 2010 book “The Queen of the Ring: Sex, Muscles, Diamonds and the Making of an American Legend” by Jeff Leen. Avildsen is the son of Oscar winning director John Avildsen (ROCKY, 1976; THE KARATE KID, 1982)

Mildred Burke was a three-time World Champion in Women’s Wrestling, and the first million dollar female athlete. Her career spanned the 1930’s into the 1950’s, and the film opens in the ring during the brutal 1954 Women’s World Championship match. Rather than finish that match, filmmaker Avildsen holds that until the finale and instead flashes back to Burke’s early obsession with her desire to wrestle. Emily Bett Rickards (“Arrow”) stars as Mildred, and she possesses the physicality and charm to pull off what we’d expect from a pioneer in women’s sports. She displays toughness, determination, and talent in the ring – plus the savvy needed for marketing herself and the sport.

There are some issues with the movie. At times it’s difficult to follow the timeline and it is uncomfortably choppy in its storytelling approach. However, the dynamics of this woman and her true story are such that we focus on the good stuff and appreciate her accomplishments. Additionally, there are some strong supporting performances. Josh Lucas plays wrestler Billy Wolfe, who recognizes Mildred’s potential and becomes her promoter, her loving husband, her cheating husband, and her business partner. Walton Goggins plays legendary promoter Jack Pfefer, Tyler Posey plays Wolfe’s son and Mildred love interest G Bill, Francesca Eastwood (yes, Clint’s daughter) plays wrestler Mae Young, Adam Demos plays Mildred’s friend and popular wrestler Gorgeous George, and Gavin Casalengo portrays Mildred’s son.

We learn her story dates back to a time when many laws prohibited women from wrestling, and Mildred’s early opportunities took place at traveling carnivals. Her motivation led to her pledge to her toddler son that they would not live an ordinary life … and wrestling got her out of the apron at her mom’s café. There is an obligatory training montage, and there is even a moment when Mildred’s impact is compared to Jackie Robinson breaking the race barrier in baseball. The terrific soundtrack (not quite to the level of AMERICAN GRAFFITTI) helps offset some of the cheesy posing and strutting, even though these were keys in Mildred gaining popularity. Filmmaker Avildsen ends the film with photos and bio profiles on each of the characters as the closing credits begin. It’s a fitting end and tribute for those who drove the early days of Women’s wrestling.

The film opens in theaters on March 7, 2025

WATCH THE TRAILER

Leave a Comment » | Drama | Tagged: , , , , , , , , , , | Permalink
Posted by David Ferguson

OLD (2021)

July 23, 2021

Greetings again from the darkness. THE SIXTH SENSE (1999) and UNBREAKABLE (2000) created a movie bond with filmmaker M Night Shyamalan that will always exist. In other words, I continue to go into each of his projects with hopeful expectations of another classic. Of course, some have been pretty good (SPLIT, 2016), while others are barely watchable (THE LAST AIRBENDER, 2010). His latest lands somewhere in the middle, but does feature a stunning beach setting (Dominican Republic) – one whose tropical beauty hides a sinister reality.

The film’s synopsis is captured in the trailer: tourists experience a mystifying and terrifying phenomenon while on a day trip to a gorgeous secluded beach. The director adapted the film from the 2010 graphic novel “Sandcastle”, written by Pierre-Oscar Levy and Frederick Peeters. Shyamalan specializes in one thing: big and creative ideas. He is a risk-taking filmmaker, but one not always focused on execution, coherence, or details. Especially awkward here is the dialogue. None of these characters talk like real people. Lending to the awkwardness is the attention given to each character’s name and occupation … except for the kids, where age is the significant data.

Due to the nature of the story (and the effects of the beach), the cast is significantly larger than the number of characters. We ride along with one family as they first approach the luxury resort. Insurance actuary Guy (Gael Garcia Bernal) and his wife, museum curator Prisca (Vicky Krieps) are vacationing with their 11 year old daughter Maddox (Alexa Swinton) and 6 year old son Trent (Nolan River). The couple clearly have a strained relationship and appear headed for a break-up. Encouraged by the resort manager to spend the day at a secret remote beach, they are joined by Charles (Rufus Sewell), a surgeon, his calcium-deficient trophy wife Chrystal (Abbey Lee), their young daughter Kara, and the doctor’s elderly mother Agnes (Kathleen Chalfant). Another couple is there as well, nurse Jarin (Ken Leung) and his wife Patricia (Nikki Amuka-Bird), a psychologist. Already at the beach when they arrive is rap star Mid-sized Sedan (Aaron Pierre), replete with bloody nose and the corpse of the woman who accompanied him.

It’s best not to go into specifics about the progression of things for these folks on the beach, but it can be noted that they frantically try to find a way back to the resort. When all attempts prove unsuccessful, that ridiculous dialogue fills in many of the gaps for us, though you should know the science doesn’t hold up … think of it as fantasy instead. As their day at the beach moves forward, other actors take over: Alex Wolff and Thomasin McKenzie are teenage Trent and Maddox, Eliza Scanlen is Kara, and later, Emun Elliott and Embeth Davidtz become Trent and Maddox. It becomes frustrating for viewers as the professions are emphasized: Guy spouts statistics at every turn, Prisca discloses she’s not a pathologist, and Patricia attempts to get everyone to bring their feelings to group. Ugh.

Despite the many missteps and the overall mess of characterizations, Shyamalan (who also appears as the driver who drops them at the beach) does serve up a creative idea – one that will likely get viewers questioning their own mortality and how best to spend time. Mental illness is addressed in a crude manner with Rufus Sewell (a fine actor) bearing the brunt of a poor script, while physical afflictions and the effects of age come off a bit better. The strange looking woman serving up custom cocktails at the resort is Francesca Eastwood (Clint’s daughter), and Shyamalan’s patented plot twist ending does make sense and even has a contemporary feel to it.

Opening in theaters on July 23, 2021

WATCH THE TRAILER

2 Comments | Drama, Horror, Thriller | Tagged: , , , , , , , , , , , , , , , | Permalink
Posted by David Ferguson