FLIGHT (2012)

November 4, 2012

 Greetings again from the darkness. What is a hero? There have certainly been no shortage of super hero movies these past few years, but those are mostly comic book characters brought to life through the magic of Hollywood. Can a heroic act turn a flawed man into a hero? Should his flaws change how we treat him after the heroic act? All these are questions raised by the script from John Gatins. The easiest answer of all? If you are a movie producer looking to cast a flawed hero … the obvious choice is Denzel Washington.

Director Robert Zemeckis returns to live-action after more than a decade of experimenting with animation. Of course, Zemekis is firmly entrenched in Hollywood lore thanks to his Back to the Future trilogy, as well as Forrest Gump (for which he won an Oscar). This is quite dark material for Zemeckis and he handles it very well. The trailer tells us what we need to know about the premise. Denzel plays a pilot who, under extreme circumstances, “inverts” the commercial jet he is flying so it can be crash-landed in an open field. Yes, invert means to fly the plane upside down. If you are queasy about flying, this is one to avoid. And don’t count on this being the in-flight movie on your next business trip.

The first 30 minutes of this movie are as strong as any seen on screen this year. We quickly get a sense of Whip Whitaker the flawed man, and then we see the remarkable Captain Whip Whitaker and his actions during an incredibly well filmed crash sequence. Unfortunately, I found the second half of the film played like a heavy-handed advertisement for AA (not American Airlines). Whitaker is exposed for his absurdly high blood alcohol level and existence of cocaine … so clearly presented in the film’s opening. Over the years, many films have tackled addiction: Leaving Las Vegas, Clean and Sober, When a Man Loves a Woman. Rarely have we seen the expert talent of deception and lying that Capt Whitaker displays.

There is little doubt that Denzel’s performance will warrant Oscar consideration … and it should. The film depends on an actor skilled enough to reach the depths necessary for us to believe this guy, despite his cocky pilot strut and unmatched flying skills, is little more than a mentally weak addict.  This is no Sully.  In fact, Denzel’s chubby, bloated Whitaker is impossible to like or respect as a man.

 There are a couple of outstanding supporting performances here: John Goodman as Harling Mays, a colorful and energetic, free-wheeling dealer who works miracles with Whitaker when he appears too gone to function; and Kelly Reilly (Mary Watson from the “Sherlock Holmes” movies) as fellow addict Nicole, who connects with Whip and tries to help him. We also get solid work from Don Cheedle, Brian Geraghty, Tamara Tunie, Peter Geraty and Melissa Leo. There is also an odd scene featuring James Badge Dale as a cancer patient/philosopher.

The Alan Silvestri score is effective, as is the soundtrack featuring the somewhat obvious songs from Joe Cocker, The Rolling Stones and Cowboy Junkies. The issues with the script are minor, though the inconsistencies with Whitaker’s “limp” were bothersome.  This is one to recommend in spite of the Bruce Greenwood factor. Every frequent movie goer has their acting nemesis and Greenwood’s presence usually indicates a disappointing movie for me … not the case here.

**Note: couldn’t help but chuckle at one of the VHS tapes stacked by Whitaker’s TV … Top Gun

SEE THIS MOVIE IF: you can handle a ferociously realistic plane crash sequence OR you want to see one of Denzel Washington’s best ever performances

SKIP THIS MOVIE IF: 2 hours of severe alcoholism is not the kind of entertainment you desire OR your fear of flying needs no ammunition

watch the trailer:

http://www.youtube.com/watch?v=lhUrWRV1cxs


THE GUARD

August 14, 2011

 Greetings again from the darkness. Writer/Director John Michael McDonagh is the brother of Martin McDonagh, who brought us the excellent In Bruges (which also starred Brendan Gleeson). I figured it best to say that upfront because there is no way to avoid comparisons of the two films. Clearly these men grew up in the same house and share the brilliant dialogue gene.

Brendan Gleeson delivers a powerful and hilarious performance as a local cop (Garda) in rural Ireland. His Sgt Gerry Boyle is quite an enigma – he gets along great with locals, yet struggles to fit into society. This is never more apparent than when FBI Agent Wendell Everett (Don Cheadle) hits town on a drug smuggling investigation. The key to their relationship is crystallized at the moment an exasperated Agent Everett says to Boyle, “I can’t tell if you are really smart or really dumb”. Of course, I am paraphrasing because the F-word gets literally worn out in this movie. There aren’t many lines I can actually quote in print. But the word rolls off Gleeson’s tongue as if it’s a work of art … especially in conversation with his ailing, equally colorful mother, played well by the always terrific Fionnula Flanagan.

 The international drug smugglers being chased are a trio led by Liam Cunningham and the always interesting Mark Strong. The endless rips, insults and jokes are fired rapidly at Americans, Brits and anyone unfortunate enough to hail from Dublin. Boyle uses his Irish background as a crutch for his racism and insensitivity. But he leaves no doubt about his expertise as a cop. Heck he even recognizes the importance of some 9 year old kid riding around on a pink bicycle. That’s just another example of the off-center approach to story telling offered by McDonagh.

 If you are a fan of In Bruges; Snatch; or Lock, Stock and Two Smoking Barrels, I think you will enjoy this one. It falls just short of that level, but not by much. Gleeson is outstanding and the story is simple enough, yet with plenty of twist, turns and hilarity.  However, it should come with a warning to viewers: tune in your ears quickly or the Irish/Gaelic dialect will leave you behind.

SEE THIS MOVIE IF: you enjoy the off-color cynicism of In Bruges, Snatch and Lock, Stock and Two Smoking Barrels

SKIP THIS MOVIE IF: you are easily offended OR you need movie dialogue to be easily understood

watch the trailer: