THE THURSDAY MURDER CLUB (2025)

August 27, 2025

Greetings again from the darkness. This is the type of movie that almost begs to be criticized, while at the same time, deserves to be enjoyed for being exactly what it tries to be. Author Richard Osman now has five books in this series, and the first has been adapted by co-writers Katy Brand (GOOD LUCK TO YOU, LEO GRANDE, 2022) and Suzanne Heathcote (“Fear the Walking Dead”). It’s directed by Chris Columbus, known for HOME ALONE (1990), MRS DOUBTFIRE (1993) and a couple of the Harry Potter movies. These are professionals who know how to entertain … and just as importantly, they know how to cast.

Take two Oscar winners, a former James Bond, a few British acting stalwarts, and add in a stunning English countryside manor and a murder mystery, and the result is low-key, crowd-pleasing entertainment (even if it panders a bit to its target audience). The setting is Cooper Chase, a scrumptious estate serving as a much-desired retirement home. Hobbies among the residents include the expected crafts, archery, crosswords, sudoku, jigsaw puzzling, and various committees. The most unusual is the Thursday Murder Club, where Elizabeth (Oscar winner Dame Helen Mirren), Ron (former 007 Pierce Brosnan), and Ibrahim (Oscar winner Sir Ben Kingsley) meet up to discuss an open police case provided by Elizabeth’s now comatose ex-cop friend.

It doesn’t take long for new resident Joyce (Celia Imrie, THE BEST EXOTIC MARIGOLD HOTEL, 2011) to be accepted into the club, where her nursing experience perfectly complements the diverse skills of former union leader Ron, former psychiatrist Ibrahim, and the mysteriously clever Elizabeth (whose background takes a while to come to light). Greedy owner Ian Ventham (David Tennant) wants to transition the home into luxury condos, and this irritates the residents while putting a spotlight on the other two owners, Tony Curran (Geoff Bell) and Bobby Tanner (Richard E Grant). 

When the murder occurs, the TMC springs into action with a “real” case. If they can solve it, they may even save Cooper Chase for all residents. The story unfolds in the manner of most whodunits, and our attention is on the main characters as well as others who come into play: Stephen (Jonathan Pryce) is Elizabeth’s dementia-stricken husband, DCI Chris Hudson (Daniel Mays) doesn’t appreciate the talents of TMC, while his assistant, Officer Donna de Freitas (Naomie Ackie) certainly does.

The clues, the research, and the disclosure of mastermind Elizabeth’s past are all fun to watch, and Joyce’s obsession with baking fancy cakes provides a necessary distraction at times. Fifteen-time Oscar nominee Thomas Newman provides the score, and we also get a bit of T Rex (“Bang a Gong”), a Springsteen ‘The River’ t-shirt, and a finale featuring an on-the-nose Cat Stevens’ “Oh Very Young”. One blink and you’ll miss it one-liner occurs when Stephen tells his wife, “You look like the Queen”. Gray cinema murder mystery is definitely having a moment thanks to “Only Murders in the Building”, the “Matlock” reboot, and the recently announced reboot of “Murder She Wrote.” It’s interesting to note that Helen Mirren, Pierce Brosnan, and Geoff Bell were all key players in the recent “MobLand”, a much darker limited series. I’m sure Dame Helen Mirren is enjoying the resurgence … just don’t call her “feisty”.

Opens on Netflix beginning August 28, 2025

WATCH THE TRAILER


MARY QUEEN OF SCOTS (2018)

December 6, 2018

 Greetings again from the darkness. The history of monarchs goes back more than a thousand years. These days we view British royalty as little more than telegenic subjects for gossip sites, though for hundreds of years, the crown carried real power. Of course, the system never made any logical sense. Why should a baby born to the “right” family be pre-ordained to rule the country? These birthrights even caused much confusion and debate … and wars … when there was uncertainty about which kid was the most important. And yes, kids is the proper term. Mary Stuart (Mary Queen of Scots), was six days old when her father King James V died, and she ascended to the throne (though the actual ruling was done by regents until she was older).

Saoirse Ronan stars as Mary and Margot Robbie is Queen Elizabeth I (daughter of King Henry VIII and Anne Boleyn). The two were cousins (not sisters), and the film examines many aspects of this era: the struggle for the throne between the two, the unusual circumstances that found two women in power, the behind-the-scenes maneuvering by men in an effort to wrestle power from the women, the importance of marriage and heirs, the conflicts between Catholics and Protestants, and the bizarre arrangement that caused Mary to spend nearly half her life in custody.

Director Josie Rourke is best known for her stage productions, some of which have been broadcast live in cinemas. This is her debut feature film, and her talent is quite obvious. She gets “big” with stunning sweeping vistas, and intimate with dark chamber meetings. The castles look and feel like castles, and not the sound stage sets we often see in costume productions. The film is a thing of beauty and the two lead actresses are sublime … and with much more screen time, Ms. Ronan delivers a ferocious performance.

The screenplay from Beau Willimon (creator, producer and head writer of “House of Cards”) is based on the John Guy book “Queen of Scots: The True Life of Mary Stuart”. This matters because Mr. Guy theorizes that the two sovereigns actually met in real life, something very much doubted by historians. Either way, it makes for an interesting (if not a bit hokey) segment in the film, as Elizabeth and Mary wander through billowing curtains in a clandestine spot. The costumes from Oscar winner Alexandra Byrne are so beautiful, they are nearly a character altogether.

Beginning at the end, we get an early look at Mary’s “martyrdom” march to her execution on 1587 at age 44. If you’ve ever read about the actual execution, you’ll be relieved to know it’s not shown on screen. Supporting work comes courtesy of Jack Lowden, Guy Pearce, Joe Alwyn, Gemma Chan, and an explosive David Tennant as a fire-breathing priest. This version plays up the inner-turmoil and challenges in power faced by the women – more so than the 1974 version starring Vanessa Redgrave and Glenda Jackson (the film received 5 Oscar nominations). Ms. Ronan and Ms. Robbie really help us understand the challenges these women faced – challenges that men on the throne wouldn’t have faced.

watch the trailer: