WHAT WE HIDE (2025)

August 22, 2025

Greetings again from the darkness. Put me down as one of those saps who struggles mightily watching kids in peril … even if ‘it’s only a movie.’ Writer-director Dan Kay taps right into my weakness in the opening scene. Two sisters find their mother on the floor of the rural house – dead from an overdose. It’s a situation where initially we have hope. Perhaps the girls will be better off without a druggie mom. But life is rarely that simple.

Mckenna Grace (GIFTED, 2017) is remarkable as 15-year-old Spider. She’s so determined to keep together what remains of her family that she looks forcefully in the eyes of her younger sister Jessie (a terrific Jojo Regina, WHERE THE CRAWDADS SING, 2022) and says, “I’ll die before I let them break us up.” And neither Jessie nor us viewers have any doubt she means it. Yet, the challenges of that promise mount quickly … and start with what to do with mom’s body while keeping her death a secret.

Other challenges include mom’s frightening druggie boyfriend, Reece (Dacre Montgomery, WENT UP THE HILL, 2025), who threatens the girls in order to extort money from them. There is also a social worker (Tamara Austin), and a well-meaning local Sheriff (Jesse Williams, “Grey’s Anatomy), who happens to be the father of Spider’s best friend Alexis (Malia Baker, “The Baby-Sitters Club”). All of this is piled up on the girls attending school and not arousing suspicion … an incredibly stressful task for two youngsters. The emotional strain forces them to deal with a situation way beyond their years.

The interaction between the two sisters is mesmerizing to watch. Both actors are tremendous and create characters that find us believing everything they say and do. Spider has (mostly) pent up anger, while Jessie chooses to remember her mom’s goodness. The dynamics shift a bit when local boy Cody (Forest Goodluck, THE MISEDUCATION OF CAMERON POST, 2018), takes an interest in Spider, using photography as an icebreaker. This acts as a reminder that Spider is a young girl who should be enjoying friends and figuring out relationships, rather than protecting her sister from outsiders.

Filmmaker Kay delivers an ending that fits so well with a story that has put the characters and viewers through immense emotional strain. This is one of the indie gems that has a lot going for it, not the least of which is these two outstanding young actors.

A limited theatrical rollout continues August 22, 2025 and August 29, 2025 in select cities

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WENT UP THE HILL (2025)

August 15, 2025

Greetings again from the darkness. In the Mother Goose nursery rhyme, Jack and Jill not only went up the hill together, they also tumbled down. This latest from writer-director Samuel Van Grinsven and co-writer Jory Anast spin a Jack and Jill yarn that’s not nearly as cutesy, yet does involve some emotional tumbling … and one creepy spirit.

Horror film aficionados are accustomed to possession-themed stories, where someone from beyond takes over the body of one still living. The twist here … and it’s a good one … is that the spirit of Elizabeth actually (and regularly) switches between not one, but two characters who are both important to her. Elizabeth was a renowned artist who opted for a way out, leaving behind her two great loves – her wife Jill (Vicky Krieps, PHANTOM THREAD, 2017) and their stunning mountain lake home (the Southern Alps of New Zealand).

On the day of the funeral, Jack (Dacre Montgomery, very good in the upcoming WHAT WE HIDE, 2025) shows up, claiming Jill invited him by phone. It’s clear Jill has no idea who he is, or that Jack is Elizabeth’s only child – one given up many years ago for reasons that aren’t clear until much later. Elizabeth’s sister, Helen (a terrific Sarah Peirse) has kept the family secret all this time.  Jill invites Jack to stay at the house, despite Helen making it obvious his presence is not appreciated.

Speaking of presence … we never see Elizabeth, but we know she’s there (and there). Jill sleeps next to the coffin, and every time she and Jack fall asleep, Elizabeth’s spirit does her thing. Mood and atmosphere are key here, and everyone (including Jack, Jill, and us viewers) is confused as to what the spirit of Elizabeth is trying to accomplish. Does the spirit want Jack and Jill to have the relationship that mom and son never did? Or is the spirit focused on having her beloved wife, and possibly the long lost son as well, join her in her new locale? The goal isn’t always clear, but it is always a bit creepy … which is good for the movie.

Cinematographer Tyson Perkins likely had a blast working with the combination of skilled actors, a stunning modern house, and the geographic terrain which could be both beautiful and treacherous – although the number of ‘eyeball shots’ were a bit eerie. A not so minor complaint is in regard to the low-level dialogue, which was exceptionally difficult to hear at times. Still, the acting here is superb, as is the piano-based score from composer Hanan Townshend (TO THE WONDER, 2012), and kudos to a horror movie that’s neither slasher, sequel, nor re-tread.

Opening in theaters on August 15, 2025

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