THE PACT (2022)

February 10, 2022

Greetings again from the darkness. It’s a bit embarrassing to admit, but prior to this movie, I was unfamiliar with Birthe Neumann. Most of her 50-year career has been spent in Denmark projects (film, TV, stage), but her screen presence here is such that I feel compelled to seek out some of her early work in order to catch up on what now feels like a gap in my movie watching. Ms. Neumann stars as writer Karen Blixen (pen name Isak Dinesen), who published her 1937 memoir, “Out of Africa”. The adapted book became a Best Picture Oscar winner starring Meryl Streep and Robert Redford. A couple of years later (1987) the film adapted from Blixen’s story “Babette’s Feast” won the Oscar for Best Foreign Language film.

Director Bille August (PELLE THE CONQUEROR, 1987) and screenwriter Christian Torpe bring Thorkild Bjornvid’s memoir to the screen. You might ask why then the opening paragraph was not about Mr. Bjornvid, a noted Danish writer and poet. The answer is derived from the fact that while the process of writing doesn’t translate well to the big screen, complicated relationships definitely do … and the bond between Blixen and Bjornvid (played here by Simon Benebjerg) was about as complicated and convoluted as one can get. Ms. Blixen was somewhat of an isolated literary icon when she first met the 30ish Bjornvid in 1948. What followed can only be described as a Faustian deal where she promised to make him a great writer if he followed her every direction to a “T”. She says to him, “Have faith and I will protect you.” The stipulations included moving into her compound and being apart from his wife Grete (Nanna Skarrup Voss) and child for long stretches.

Of course, we all dream of having someone bankroll our hobby so that we may leisurely pursue our passions. This was more than that. Blixen was living with the long-term effects of her syphilis and the loss of her friend/lover/companion (detailed in her memoir). Her bitterness filled her with contempt for anything other than the sole pursuit of artistic passions, and Ms. Neumann’s performance is so authentic we are taken aback at times (just like Bjornvid). We know the price to pay for such a deal is sure to be high. Soon enough, Bjornvid becomes infatuated with Benedicte Jensen (Asta Kamma August, the daughter of the director), the wife of Neumann’s friend Knud (Anders Heinrichsen) and the temptation is too strong.

The situation and the film raise many questions. Should one follow their gift, regardless of the cost to others? Is selling the soul a fair price for reaching greatness? Is risk and pain and sacrifice necessary to reach one’s artistic peak? It’s painful to watch the young poet surrender to his elderly patron, but it’s fascinating to see how Karen Blixen spurs the writer to improvement. How far would you go to achieve your dreams?

Opening in NYC on February 11, 2022 and expanding on February 18, 2022

WATCH THE TRAILER


BLACKBIRD (2020)

September 17, 2020

 Greetings again from the darkness. Even though death is imminent for each of us, we don’t all get the opportunity to say goodbye to loved ones. For those who do, it may not go as smoothly as they’d imagined. This is especially true if they are choosing to end things on their own terms due to a terminal illness. Roger Michell (NOTTING HILL, 1999; VENUS, 2006) directs this remake of the 2014 Danish film SILENT HEART (directed by Bille August), both written by Christian Torpe.

Family matriarch Lily (Oscar winner Susan Sarandon) has a terminal illness, and has arranged for the family to return home for one final get-together. See, Lily, with the assistance of her doting doctor husband Paul (Sam Neill) is planning to ‘go’ on her own terms, while it’s still physically possible for her to take the medicinal potion. “Death with dignity”, or euthanasia, is becoming a more frequent topic in films and conversation, despite still being illegal in most states. Of course, the legal and moral questions are heavily debated, but when it’s a family member, it’s the emotions that heat up.

First to arrive is eldest daughter Jennifer (Oscar winner Kate Winslet) and her husband Michael (Rainn Wilson, “The Office”) and their son Jonathan (Anson Boon, CRAWL). Kate is the uptight, demanding type who is always judging others – including her nerdy well-meaning husband, and her free-spirited son. The younger daughter Anna (Mia Wasikowska) arrives with her partner Chris (Bex Taylor-Klaus, “The Killing”), and it’s immediately clear that Jennifer and Anna are personality opposites (with some baggage), and that Anna is carrying an unspoken burden. Last to arrive is long-time family friend Liz (Lindsay Duncan), who is so close to Lily and Paul, that the family photographs show her on many family vacations and events over the years.

This has the look and feel of a stage presentation, as most of the scenes are filled with dialogue and occur within the confines of the stunning east coast home, apparently designed by Lily. There is a family walk along the beach and dunes, but most of the run time is filled with interpersonal interactions – some pleasant, some not pleasant at all. In fact, an early (by a couple of months) Christmas family dinner is sprinkled with pot smoking and emotional outbursts. It turns out, not surprisingly, that some of the secrets previously kept, find their way out into the open causing a few bumps in Lily’s farewell weekend.

The complexities of family dynamics are amplified in this situation. Who is ready and who isn’t, and why, becomes a topic of multiple discussions. We never really learn the meaning of the film’s title, but we do enjoy the work of so many fine actors. You might recall Susan Sarandon played a dying woman more than 20 years ago in STEPMOM (1998), and this movie blends two memorable and recent films: FRANKIE with Isabelle Huppert, and HERE AWHILE with Anna Camp. Saying goodbye is never easy, but it sure beats missing the chance.

In theaters and On Demand beginning September 18, 2020

watch the trailer: