PRESCRIPTION THUGS (doc, 2016)

January 21, 2016

prescription thugs Greetings again from the darkness. United States citizens are living in a culture of addiction. That’s the key message that director Chris Bell and his co-directors Josh Alexander (also the film’s writer) and Greg Young wish to get across. Of course, this one’s not about cocaine or heroin, but rather the more rampant societal problem of overmedication via prescription drugs. It’s not really a revelation or shock-inducing theme, but it’s certainly a worthy and important topic.

The movie begins with Chris Bell introducing himself and reminding us of his first movie, the well received documentary Bigger Stronger Faster (2008). In that one, he focused on the use of steroids and Performance Enhancing Drugs (PED’s) throughout competitive bodybuilding – including him and his brother. Bell connects the two docs by explaining that the steroids lead to pain killers and other prescription drugs … legal drugs prescribed by doctors. To the detriment of the message, he chooses to focus on this for an extended period by speaking with WWE wrestlers, MMA fighters and by explaining that he believes the drugs are at least partially responsible for the death of his brother, known in the wrestling world as Mike “Mad Dog” Bell.

It’s this overly-personalized approach that limits the film’s effectiveness. Chris Bell takes the Michael Moore/Morgan Spurlock approach by putting himself smack dab in the middle of most every segment, and even using cutesy sidebars like animation and a Scarface clip. The result is a somewhat amateurish look and feel to a topic that deserves better.

In case there are doubters, Bell provides some startling statistics … the U.S. is 5% of the world’s population, but consumes 75% of the prescription drugs. One in ten American adults are on antidepressants. Keep that last statistic in mind the next time you stroll through your office, church or the neighborhood shopping mall.

Bell devotes time to “Big Pharma” and its army of lobbyists. He takes us back to the deregulation initiatives of the 1980’s which kicked off what has become the onslaught of “ask your doctor” TV ads that permeate the airwaves. The implied message is simple: if your doctor says the drug is OK, then it must be safe and effective. Our society is being marketed right into addiction. Oxycontin, Vicodin, and Codeine are all part of the Opiate family … the same as heroin. The reality is that the business of prescription drugs has evolved into a money-printing industry. Profits are the goal, which is why treatment is emphasized over cure. An addicted patient is profitable patient, and in a best case scenario for Big Pharma, the side effects of one drug lead that patient right into another drug … sometimes both are produced by the same pharmaceutical manufacturer!

The second half of the film is structured significantly better than the first, and includes what is the most impactful sequence. Bell visits with California Congressman Ted Lieu, who is jolted into action when he is sees that Oxy is readily available on Craigslist. This section also leads to a not-so-surprising confession from Bell – a confession that helps explain why he is so intent on being the center of the movie. A key point that is mentioned, but underplayed, is the admission by a doctor that an entire generation of medical school graduates has been taught that there is no downside to prescribing whatever level of pain medication is required for a patient, and even more frightening is the concern that doctors are being misled by drug companies in regards to efficacy and side effects. It’s another link in the seemingly unbreakable chain that doesn’t address the underlying issue.

This culture of addiction is now self-perpetuating. Pressure to maintain profits far outweighs the rewards of curing a disease, and the FDA approval process is highly politicized. This despite the high-profile celebrity deaths of which Bell reminds us: Michael Jackson, Heath Ledger, Whitney Houston. Prescription drugs played a role in each those deaths, as well as countless others who never had a hit record or movie. While much has been made of the failures of the “War on Drugs”, you may question why more focus isn’t given to the Rx addictions. To help in dealing with this conundrum, there are probably drugs available … just “ask your doctor.”

watch the trailer:

https://www.youtube.com/watch?v=KTasHHcucSI

 

 


BIG STAR: NOTHING CAN HURT ME (2012, doc)

August 4, 2013

big star1 Greetings again from the darkness. The best filmmakers can be described as visual storytellers. However, what can we expect from a film if the story has no real climax or even a definitive ending? Well if the story is early 70’s power-pop band Big Star and if the filmmakers are co-directors Drew DeNicola and Olivia Mori, and Producer Danielle McCarthy, the answer is an incredibly interesting and enthralling tale of how sometimes the universe just doesn’t line up the way it should.

Mythical stories involve such things as unicorns and the lost city of Atlantis. It’s tempting, though incorrect, to label Big Star as the mythical great band of the 1970’s. In fact, they were all too real. For the past 40 years, their influence has worked its way through the musical world and is obvious in the works of such bands as R.E.M. and The Replacements … just as the influence of The Beatles, The Byrds, The Kinks and more can be heard in the songs of Big Star. The mystery and confounding question is why did the beautiful music of Big Star big star2never “make it” to the big time like those others?

This documentary is a technical and structural and visual and auditory marvel. It captures and holds our attention just like any other well made historical drama would. A doc on The Rolling Stones or Bruce Springsteen would revel in the big time success achieved or the legendary live performances or recording sessions. Instead, with Big Star, we get a much more personal look at the creative genius of its two leaders: Chris Bell and Alex Chilton. They are described as flashing comets passing in the sky. Their all too brief time together produced something special that, still to this day, deserves to be heard. Their tragic personal stories need to be told. This film does both things very well. A large part of the Big Star catalog is heard throughout, and the abundance of meaningful interviews paints a clear picture of the band and its members.

big star band One would be challenged to name any artist or creative endeavor that has been more critically acclaimed, yet commercially unsuccessful as Big Star. It absolutely makes no sense … except for the cursory explanation given to the record labels: Ardent Records and Stax Records, and their ultimate failure in gaining retail distribution and radio airtime. Could it really be as simple as horrendous business execution? At this point, none of it really matters. The real interest … the real story … is the personal insight provided by lone surviving band member Jody Stephens, record producers John Fry (Ardent founder) and Jim Dickinson, and of course, the brother and sister of Chris Bell.

If you are asking yourself why you have never heard any music by a band that occupies 3 slots in “Rolling Stones'” 500 Greatest Albums of all time, I encourage you to seek out the songs … or pay attention the next time you are watching the opening of “That 70’s Show“. Yes, that is Cheap Trick doing a cover of a Big Star song. There is much to be gained from seeing this documentary and discovering Big Star … even all these years later.

**NOTE: Alex Chilton was barely 16 when he sang lead on the hit song “The Letter” for The Box Tops.

You can learn more about the band and the documentary at http://www.bigstarstory.com/

watch the trailer:

http://www.youtube.com/watch?v=gxAbkqRGxqY