NIGHT SWIM (2024)

January 4, 2024

Greetings again from the darkness. Over the years, there have been many movies reinforcing why we should “be afraid of going in the water.” This includes CREATURE FROM THE BLACK LAGOON (1954), DEEP SEA BLUE (1999), OPEN WATER (2003), and of course, the all-time classic, JAWS (1975). Beyond the ocean, swimming pools always create a level of anxiety for parents, because most kids can’t imagine something that’s so much fun carrying any type of danger. Thanks to horror producers Jason Blum and James Wan, writer-director Bryce McGuire and co-writer Rob Blackhurst have expanded their 4-minute 2014 short film and try their darndest to make a backyard pool the source of supernatural evil.

Fresh off her Oscar nomination for THE BANSHEES OF INISHERIN (2022), Kerry Condon stars as Eve Waller, and Wyatt Russell (EVERYBODY WANTS SOME, 2016) co-stars as her husband Ray, whose major league baseball career has been cut short due to the early onset of a degenerative disease. The family finds a spacious home with a swimming pool in the backyard, and the kids, 15-year-old Izzy (Amelie Hoeferle, THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES) and her younger brother Elliot (Gavin Warren, “Fear the Walking Dead”) are thrilled to leave the gypsy life of baseball behind and finally settle down and make friends. As viewers, we know something the family doesn’t. The opening scene (expertly filmed) shows us a tragic event that occurred in this same pool a few years back. Nothing is given away, but it’s an ominous start featuring some fuzzy bunny slippers.

Once the Wallers move in, each of them have their own encounters while swimming. Eve, Izzy, and Elliot each get spooked, while Ray immediately begins to feel better and more energetic. Ben Sinclair (SPIN ME ROUND, 2022) adds a dose of humor as the pool servicer, while also informing the family that it’s a natural spring-fed pool. For some unknown reason, Sinclair’s character only gets one scene – a definite flaw in the filmmaking. The Wallers throw a neighborhood party and, no surprise, it goes sideways. From here, things get progressively worse (and sillier) as a supernatural entity or demon is clearly having its way with the family.

Cinematographer Charlie Sarroff (SMILE, 2022) does nice work with the pool, especially the underwater scenes at night … although the night isn’t the only time bad stuff happens. Other than the kinda funny idea that a swimming pool can possess evil, the film clunks along by touching on numerous ideas, some of which are creative, only to leave us hanging on most. The backstory of the house and swimming pool is investigated by Eve, and that alone could have injected a heavy dose of drama and creepiness. Instead, we get a couple of glimpses of a hokey looking presence … and we can’t help but wonder why this family keeps sticking their hands in every skimmer and drain opening – much less why they insist on swimming alone at night.

It feels like a pretty intense and more complete story is lurking just beneath the surface here … as there are some good ideas, as well as believable performances from Condon, Russell (who nails a couple of punchlines), Hoeferle, and Warren. Similarities to the horror classic POLTERGEIST (1982) are evident, and that’s a pretty lofty goal. Producers Jason Blum and James Wan have recently finalized the merger of their two production studios, Blumhouse and Atomic Monster, so we can expect regular releases of horror films from the group. The expectation is there will be more hits than misses.

Opens nationwide in theaters on January 5, 2023

WATCH THE TRAILER


RELIC (2020)

July 10, 2020

 Greetings again from the darkness. Anyone who has a friend or relative afflicted with dementia knows it’s often like living in a real life horror film. It’s frustrating and claustrophobic and guilt-inducing and above all, frightening. The first feature film from director Natalie Erika James deals with dementia, amongst other topics, in the guise of a horror film. Is it a haunted house movie? Is it a demonic presence movie? Well, yes to both. The script from Ms. James and Christian White blends multiple familiar aspects of horror films into something that ends up quite original.

“Ends up” is the key, because the first two-thirds of the story moves slower than a glacier in the middle of winter. Don’t get me wrong, the film looks great – the house and the atmosphere are ultra-creepy. It’s just that almost nothing happens during that span, and that’s an eternity for set up. Kay (Emily Mortimer) receives a call that a neighbor hasn’t seen her mother in a while. Kay and her 20ish daughter Sam (Bella Heathcote, PRIDE AND PREJUDICE AND ZOMBIES, 2016) take the drive over the hills and through the woods to grandmother’s house. Their initial measured walk-thru of the house tells them (and us) much. Post-it notes are stuck everywhere, including one that says “Don’t follow it”. Spoiled fruit on the counter, a favorite chair moved, and food for a pet long ago passed, are all indicators that something is off. If that’s not enough, the house that grandma is missing from has mold on the walls and ceiling, and strange locks on doors.

After an unsuccessful search party through the nearby woods, Grandma Edna (Robyn Nevin) reappears with no recollection of where she’s been. Of course, this doesn’t really improve things for anyone. We sense that workaholic Kay and her mother have never really been close, and the same can be said for Kay and Sam. Generational disconnect is on display. And poor Edna has lost her husband, her pet dog, and most of her essence … except for the few moments when she snaps back to lucidity.

Dread and impending doom dominate every scene for the first hour. Kay has dreams of an old cabin from her past, and Edna has an unexplained bruise on her chest.  The stained glass window on the front door is a key, and the sounds coming from the walls are unable to be tracked down. As disoriented as Edna is, the house itself has that impact on us and Sam. Is it the house that’s haunted, or the characters?

The cinematography from Charlie Sarroff plays well off the stillness and unknown, and the sound design and music (Brian Reitzell) work hand-in-hand in establishing the creepy atmosphere. The three actresses are superb, and I especially enjoyed Ms. Nevin and her piercing eyes, as she is known mostly for her live theatre work (and also as Councillor Dillard in The Matrix movies). For her first feature, Ms. James has delivered a high-concept Australian horror/suspense film with a very original (and weird) ending. Others may be a bit higher on the film, but we likely all agree that Ms. James is an intriguing filmmaker.

IFC Films will have this available VOD beginning July 10, 2020

watch the trailer: