Broadway Dallas: MAMMA MIA! (2025)

April 17, 2025

Music Hall at Fair Park

April 15-27, 2025

Sometimes a getaway to a Greek isle is meant only to be a good time. Such is the ongoing popularity of the stage production “based on the songs of ABBA”. The Swedish band’s global success was first derived through these songs in the 1970’s. In 1997, British playwright Catherine Johnson wrote the story that led to the smash stage musical (1998), followed up by the blockbuster film in 2008 (starring Meryl Streep and Amanda Seyfried). Both the stage production and the film were directed by Phyllida Lloyd. The most recent of many incarnations of the stage musical continues this year with a United States tour, a six-month stint on Broadway (beginning in August 2025), and finally, an international tour.

For those local to the area, Broadway Dallas features a two-week run of the production and if the audience from the April 16 show is any indication, the immense popularity of the show remains in place thanks to a blend of the comedy and music. You likely know the story of Donna Sheridan, a single mom who has raised her daughter Sophie while running a hotel on a picturesque Greek island. Twenty-year-old Sophie is preparing for her wedding to Sky, and unbeknownst to her mother, has invited three of Donna’s former lovers … one who is most likely Sophie’s unnamed father.

This talented cast consists of Christine Sherrill (Donna), Amy Weaver (Sophie), Carly Sakolove (Roxie), Jalynn Steele (Tanya), Rob Marnell (Harry Bright), Jim Newman (Bill Austin), Victor Wallace (Sam Carmichael), and Grant Reynolds (Sky). Although much of the focus is on Donna and Sophia, it’s really Donna’s friends, Roxie and Tanya, who steal the show as Donna and the Dynamos and in individual scenes that elicit roars from the appreciative audience. I found Ms. Steele’s Tanya to be especially entertaining (and energetic). Of course, the three men all have their moments in the spotlight, ensuring a love-love connection with those in attendance.

The music composed by Benny Andersson and Bjorn Ulvaeus (both of ABBA) is obviously an integral part of the production. Unfortunately, during this show, the vocals were often drowned out by the too-loud instrumentation of the band’s guitars, organs, and drums. This was especially disappointing during highlight moments for featured solos by Ms. Sherill and Ms. Steele. The distraction was lessened during the ballads, and when the ensemble was in full force, the choreography delivered rousing fun for all.

White walls and blue doors make up the simple set design, evoking the familiar images of Santorini. The only shifts occur when a bed is added for ‘indoor’ scenes or a boat (named “Waterloo”) takes us briefly to the shore – and a terrific ensemble number with flippers and snorkels. Overall, the show is quite the crowd-pleaser and the familiar songs (“Dancing Queen”, “Mamma Mia”, “S.O.S.”, “Super Trouper”) generated a bit of unsolicited audience sing-along and clapping-in-time. You will likely notice a few dedicated fans dressed in sparkles and spandex, fully committing to their adoration of “Mamma Mia!” … a show designed to deliver a good time for all.

https://broadwaydallas.org/shows/mamma-mia/

@BroadwayDallas


MAMMA MIA! HERE WE GO AGAIN (2018)

July 19, 2018

 Greetings again from the darkness. It’s been 10 years since director Phyllida Lloyd presented the crowd-pleasing MAMMA MIA! movie. It was a box office hit (over $600 million worldwide) and was, for a few years, the highest grossing musical of all-time. Most importantly, it was extremely entertaining and a joyous cinematic romp for viewers. This year’s sequel is directed by Ol Parker (THE BEST EXOTIC MARIGOLD HOTEL and husband to actress Thandie Newton), and though the melancholy is slathered on a bit too thick, it also fulfills its number one priority – entertaining the fans.

The story begins with Sophie (Amanda Seyfried) putting the final touches on the house-turned-hotel in preparation for the upcoming Grand Opening. It’s named Hotel Bella Donna in honor of Sophie’s mother (Meryl Streep). What looks to be a straight-forward story surprises us with a flashback to Donna’s 1979 graduation, which features not only the first song-and-dance number “When I Kissed the Teacher”, but also the first of two ABBA cameos … Bjorn Ulvaeus as a professor. The young Donna is played brilliantly by Lily James, and she effortlessly captures the free-spiritedness that led to the conundrum of the first movie – 3 possible dads for Sophie.

Those 3 dads return not only as Pierce Brosnan (Sam), Stellan Skarsgard (Bill), and Colin Firth (Harry), but also as Jeremy Irvine (young Sam), Josh Dylan (young Bill), and Hugh Skinner (young Harry). In fact, most of the run time is dedicated to the backstory of these characters and how they first met as youngsters. Each has a segment (and song) with young Harry featured in “Waterloo” accompanied by Benny Andersson (ABBA cameo #2) on piano. Young Bill is the charming sailor who saves the day for Donna, while young Sam assists her with saving a storm-shaken horse (kind of humorous since Mr. Irvine starred in WAR HORSE).

Also back are Dominic Cooper as Sky, Sophie’s true love, who can’t decide between romance and career, and Donna’s life-long friends Tanya (Christine Baranski) and Rosie (Julie Walters), who are also part of the flashback as Jessica Keenan Wynn (excellent as young Tanya) and Alexa Davies (as young Rosie). New to the cast are Celia Imrie in the graduation number, Andy Garcia as the hotel manager, and drawing the biggest applause of all … Cher as Sophie’s grandmother (and as my viewing partner commented, an early peek at what Lady Gaga will look like as a grandma)! It’s best if you experience Cher for yourself, and it should be noted that this is her first big screen appearance since BURLESQUE in 2010.

Of course, the songs are key and many of the ABBA numbers from the first movie are featured again this time. In particular, “Dancing Queen” is a nautical standout, and “Fernando” is a show-stopper. While it may not be quite as raucous as the first, it’s a treat watching Lily James, and there is a wonderful blending of “old” and “new” in the finale. The only real question remaining is, did the casting director do the math before casting Cher (age 72) as Meryl Streep’s (age 69) mother?

*As a special treat, there is a “most interesting” cameo near the end of the film

watch the trailer: