ALICE IN WONDERLAND (2010)

March 6, 2010

(3-6-10) 

 Greetings again from the darkness. A sequel?? How dare they? When I first heard that Tim Burton was taking on Lewis Carroll’s story, I was very excited. What better director to take on this most peculiar work than the man who brought us Edward Scissorhands, Sleepy Hollow, Beetlejuice, Batman Returns and others? The man is a visual genius. But a sequel??

Early in the film, we find an almost 20-year-old Alice being proposed to in front of a large crowd of Victorian high society types. She spots a rabbit in the bushes and excuses herself, chases the rabbit, and quickly falls down the rabbit hole. The wild ride begins.

Mr. Burton’s visual feast takes Alice (Mia Wasikowska) through many of the situations we (and she) are familiar with. The main difference is this is her “return” trip to Wonderland and she is no longer a little girl. She is told her destiny is to defeat the Jabberwocky so that the evil Red Queen’s ruling power can be assumed by her sister, the good white queen. This destiny takes Alice through many sites and characters we don’t often see.

Johnny Depp is cast as her friend the Mad Hatter and delivers yet another unique, full-bodied performance.  His “mad” look is achieved through a bird’s nest of red hair, giant yellow saucer-sized eyes and make-up that would make Lady Gaga jealous. The Red Queen, who captures the Hatter, is played wonderfully by Mr. Burton’s wife, Helena Bonham Carter. She has marvelous voice inflections and is as quick with an “off with their heads” as she is a “I need a pig”. Her sister, the White Queen, is played oddly but beautifully by Anne Hathaway. The sibling rivalry is a hoot.

We are treated to voice work from three of the best ever: Christopher Lee, Michael Gough and Alan Rickman. Unfortunately, Mr. Lee and Mr. Gough have VERY limited lines, but it was nice of them to contribute. Also contributing are Stephen Fry, Michael Sheen, Timothy Spall and Matt Lucas.

Once I adjusted to the fact that this was not a re-imagining of the original works, but rather more of a sequel or next step, the film worked fine for me. What I did miss was the amazing word play of the great Lewis Carroll. Of course, anyone who actually understood his writings will probably be a bit bored with this version. Luckily, that affects very few!

Mr. Burton’s visuals are successful and will probably appeal to most ages. The 3-D seems to have been an after-thought and is most effective with the really cool Cheshire cat. The youngest kids will struggle to follow the Mad Hatter’s accent-heavy dialogue, but the pictures and characters (Tweedle-Dee and Dum) should be enough to keep them entertained.


VALENTINE’S DAY (2010)

February 13, 2010

 (2-12-10) Greetings again from the darkness. Really no need to offer commentary on the story. If you have seen the preview (how could you have missed it?), you know it’s a major chick flick with a long list of Hollywood celebrities who come together and display the trials and tribulations that we have come to celebrate as Valentine’s Day – surely a concoction born of greeting card companies, florists and confectioneries.

For most of the movie, one song kept popping in my head – Marilyn Manson’s “The Beautiful People”. I have never seen so many beautiful people in one film. As you have noticed, the word “actor” has purposefully been avoided – celebrities and beautiful people are a more accurate description of what director Garry Marshall has delivered.

Thankfully, he tossed in Hector Elizonda, Shirley Maclaine and George Lopez or the movie might have done for plastic surgery what Urban Cowboy did for C&W dancing. On top of the beauty, we are subjected to an endless stream of downright SKINNY people! Everyone has noticed Taylor Swift is rail thin, but she doesn’t even stand out here. Jessica Biel, who once had a real-life body, looks cadaverous. Even her character exists on candy and treadmills. Throw in Ashton Kutcher, Topher Grace, Jennifer Garner and Jessica Alba, and one can make the argument that the cost for this cast was offset by the lack of necessity for an on-set lunch buffet.

Look, I realize this is just a chick flick comedy that is designed to poke a bit of fun at our need to love and be loved … or rather just not be alone. But a touch of reality could have helped. Raise your hand if you believe Julia Roberts might be miscast as the soldier returning home on leave from the front lines of war. Or that a brilliant doctor (Patrick Dempsey) might be a little more careful in covering his tracks of indiscretion? Or that Anne Hathaway couldn’t find a slightly more rewarding way to earn a living than her “phone entertainer” job?

Couldn’t help but notice the Pretty Woman connections with Garry Marshall, Julia Roberts, Hector Elizando and Larry Miller. Ms. Roberts even gets in a funny little jab over the closing credits. Some attempt was made to interconnect the multiple story lines and I do appreciate the struggle to show intimacy in the mess of Los Angeles … just too many obvious skits and stereotypes to make this anything more than a half-hearted effort by all involved.  And by “all”, I am including the 10-12 other “stars” that I have not named here.