DARK HORSE (2012)

September 11, 2012

 Greetings again from the darkness. Director Todd Solondz is the master of film uncomfortableness. If you have seen his Happiness or Welcome to the Dollhouse, you won’t debate whether that’s a real word or not. Mr. Solondz has a way of finding the worst in his characters and then taking it even darker and more negative. And yet, somehow, his latest (and maybe his simplest film to date) could be called a comedy.

We are first introduced to Abe (Jordan Gelber) and Miranda (Selma Blair) as they share a table at a wedding, though obviously aren’t remotely together. He is oblivious to her near silent attempts to nicely avoid providing her phone number to him. The film moves quickly to provide proof that Abe is the epitome of arrested development. A mid-thirties something who not only “works” for his dad, but still lives with his parents (Mia Farrow, Christopher Walken) in a bedroom decorated with action figures. It’s difficult to look at someone who takes up as much space as Abe and categorize them as a kid, so I believe the better term is “not an adult”. He stalks Miranda and doesn’t seem to mind/notice that she is a heavily medicated depressed individual who looks at him like he’s a circus act.

Abe’s work environment is no better than his personal life. He brings nothing of value to his dad’s company, yet somehow thinks he is always being mistreated. This carries over to his feelings toward his brother Richard (Justin Bartha), who is a doctor. Abe, who dropped out of college, believes the only difference is that Richard was the favorite son and received special privileges. It’s very easy to label Abe a “loser”, but somehow Solondz manages to maintain our interest with small sparks of hope (very small).

 The hope quickly fades and Abe’s life heads on a fast downward spiral. There are some bizarre fantasy/dream sequences that involve the quiet, much older co-worker Marie (Donna Murphy), and a conversation in the car with his mother and brother that plays like something directly out of a Woody Allen movie (made even creepier with the presence of Mia Farrow), plus another odd sequence featuring Miranda’s ex (Aasif Mandvi) and the source of her Hep B.

There are some funny moments, but as Mr. Solondz would prefer, the laughs are tainted with guilt. We can’t help but wonder why we laugh at a guy for whom we have such little respect … actually bordering on disgust. I must admit to being pretty tired of Abe by the end of the movie, and couldn’t help wondering if it might have been more effective as a short film. Still, the acting was superb, and unfortunately Abe isn’t that much of a stretch from someone you probably know in real life.

SEE THIS MOVIE IF: you don’t mind a dose of guilt mixed with some humor

SKIP THIS MOVIE IF: you prefer to avoid the depressed and the losers amongst us.

watch the trailer:

 


PREMIUM RUSH (2012)

August 28, 2012

 Greetings again from the darkness. This one gets bonus points because it is simply fun to watch. Though it fades from memory rather quickly, the film actually has surprisingly strong bones. It stars Joseph Gordon-Levitt and Michael Shannon … two very well respected and high profile actors for a movie that has such basic and cartoonish elements. David Koepp directed and co-wrote the script, and he too has an impressive status in Hollywood. Mr. Koepp directed the underrated Ghost Town, and his writing impact can be seen in movies such as Panic Room, War of the Worlds, and the following franchises: Spider-Man, Jurassic Park, Mission: Impossible, and Indiana Jones.

JGL plays Wilee, the “best” of the Manhattan bicycle messengers. If you have ever visited NYC, you surely have seen these seemingly fearless riders as they zip between taxis and people and delivery trucks. Wilee works out of an office run by Raj (Aasif Mandvi), and has a on/off relationship with fellow rider Vanessa (Dania Ramirez), and a slightly friendly rivalry with Manny (Wole Parks). Seriously, none of that really matters and the script could have been a group project in a community college film class.

What does lend the film it’s point of difference are the action-filled chase scenes through the busy streets of Manhattan. Since a movie needs some kind of plot, there is a purposefully absurd ticket with a hand-drawn smiley face that absolutely, positively has to be delivered by 7:00 pm. Otherwise, the child of Nima (Jamie Chung) doesn’t get to join its mother in the United States. See, Nima has been working 3 jobs to raise the fee the Chinese mafia demands for shipping people.

The chase scenes have a nice twist with CGI effects that demonstrate how the cyclists “see” the best route to take. We even get the dramatic and sometimes humorous results of a wrong decision. The chase that lasts pretty much the entire length of the movie is that of dirty cop and horrible gambler Bobby Monday (played by Michael Shannon). He is a desperate man and not even remotely clear thinking most of the time. It’s quite a different Shannon than we are used to … the silent simmering of his usual roles makes no appearance. Instead, we get full-throttle Michael Shannon – screaming, cussing, and over the top. Very odd to watch.

It seems as though every stunt person in New York was employed for the film, but the stand-ins are not easy to spot. The chase scenes are well filmed and quite entertaining. It’s an adrenaline rush that begins and ends with The Who’s “Baba O’Riley”. Just don’t expect the rush to last … they never do.

** NOTE: If you ever make a movie, keep in mind that if the story takes place within a 2 hour window, much money can be saved in the wardrobe budget.

SEE THIS MOVIE IF: you are just looking for a fun, high speed ride through the traffic of Manhattan

SKIP THIS MOVIE IF: simple stories annoy you even if they are a mechanism for frenetic action

watch the trailer: