MARTY SUPREME (2025)

December 22, 2025

Greetings again from the darkness. We give thanks to the movie Gods for filmmakers like Josh Safdie, as there is zero chance that he will ever make a movie that bores us. This is his first solo movie in many years after frequent collaborations with his brother, Benny (UNCUT GEMS, 2019; GOOD TIME, 2017). But fear not, because working alongside the writer-director are other frequent collaborators: screenwriter Ronald Bronstein, cinematographer Darius Khondji, composer Daniel Lopatin, and costume designer Miyako Bellizzi.

The film opens in 1952 New York City where Marty Mauser (two-time Oscar nominee Timothee Chalamet) is working as a shoe salesman, barely managing to stay a half-step ahead of bill collectors. Marty uses the shoe storage room for quickies with childhood friend Rachel (Odessa A’zion, SITTING IN BARS WITH CAKE, 2023), who is married to a stereotypical inner-city brute named Ira (Emory Cohen). Rachel much prefers Marty, while also realizing his big dreams of greatness and grandeur prevent him from ever settling down for family life. It’s startling how quickly we come to understand the personalities here.

Marty manages to get himself to the table tennis championship tournament where his skill in the game is almost as obvious as his too-big-for-his-britches persona. He’s all American in that his arrogance shines through his fast-talking entitlement … diametrically opposite to his Japanese opponent in the finals. Marty’s hustler instincts score him a luxury hotel upgrade as well as an introduction to once-popular movie star Kay Stone (Oscar winner Gwyneth Paltrow) and her husband (played by “Shark Tank” investor Kevin O’Leary). Marty smooth-talks one of them into bed, while attempting to fast-talk the other into a business deal.

If you’ve seen previous Safdie films, you know he thrives on a frenetic pace and characters who create chaos. As an example, we are subjected to a cringe-inducing honey-licking visual, as well as a bathtub accident and related dog incident, both succeeding in generating shock value. This is a hectic story about a chaotic guy (supposedly loosely based on real life ping pong player/entertainer Marty Reisman). After losing in the tournament finals, our Marty endures a crazy year that includes ping pong against a seal and performing halftime showboating at Globetrotters games – his work properly described as a vaudeville act.

Safdie sprinkles in some familiar faces throughout, including NBA legend Geroge Gervin, Fran Drescher (as Marty’s mom), Larry Sloman, Sandra Bernhard, and film director Abel Ferrera (in a key role as a dog owner). We even get (musician) Tyler the Creator as Marty’s hustling cohort. Sharp-eyed basketball fans might spot Kemba Walker and Tracy McGrady as Globetrotters. Marty’s crazy year does culminate with him finding a way to Japan for the next world championship tournament, where kissing a pig becomes the big risk. Some of Marty’s antics may sometimes be in the mold of the Three Stooges, but he’s clearly very talented at table tennis … it’s just the ‘life with integrity’ thing that he finds difficult – even drawing in Rachel and Kay. The ending is not unlike many sports movies, but the path Marty and Safdie lead us down is absolutely unique and entertaining.

Opens in theaters on Christmas Day 2025

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SONG SUNG BLUE (2025)

December 22, 2025

Greetings again from the darkness. ‘Do what you love’ and ‘Pursue your passion.’ That’s the traditional advice we give youngsters, so they won’t grow up to live a mundane life filled with regrets. Perhaps there is no better example of living your dream than the real-life love story of Mike Sardina and Claire Stengl-Sardina. These two Milwaukee residents not only found a path to sing on stage, they also found true love with each other.

Writer-director Craig Brewer (the underrated DOLEMITE IS MY NAME, 2019) was inspired by watching the 2008 documentary by Greg Kohs with the same title and same subject. Speaking of inspired, the casting of Hugh Jackman as Mike (or as he prefers to be called, Lightning) and Kate Hudson as Claire certainly qualifies. Their harmony is obvious in both their singing and their acting. We first see Mike at an AA meeting, celebrating 20 years sober. He then heads to the Wisconsin State Fair where he is scheduled to take part in a musical legends program. Only he refuses to fulfill his duties as Don Ho, but does take notice of Claire and her performance as the great Patsy Cline.

It’s Mike who envisions the two being billed as Lighting (him) and Thunder (her), but it’s Claire who pitches the idea of a Neil Diamond ‘interpretation’ … as opposed to an impressionist. If you are fan, you know that Neil Diamond was a prolific songwriter with hundreds of songs from his career spanning more than five decades. Even if you aren’t a Neil Diamond fan, you are likely to know many of the songs – especially “Sweet Caroline”, which is a bit of a running gag in the film (and in real life as well).

Filmmaker Brewer brilliantly mixes the pursuit of stage fame with the blended personal family life – two teenage daughters, Rachel (a terrific Ella Anderson) and Angelina (King Princess), and a young son, Dana (Hudson Hensley). The family moments ground the film and allow us to accept the human side of Mike and Claire – especially after tragedy and near tragedy strike. Other supporting work is provided by Jim Belushi, Fisher Stevens, Michael Imperioli, and Mustafa Shakir.

There is an excellent sequence where Mike and Claire get to open for Eddie Vedder and Pearl Jam when the grunge band’s tour hits Milwaukee. This is one of the feel good moments – and there are a few of these, as well as a few that don’t feel quite so good. Mental issues, physical issues, and personal issues all create obstacles for these folks, and yet the dreams stay alive. Hugh Jackman is all in as Mike, and yet it’s Kate Hudson who is the memorable one with both her performance and her surprisingly elite singing voice. Ms. Hudson’s performance in ALMOST FAMOUS (2000) will always be iconic, however, she built a career doing many films of which I’m not particularly fond. Her work here is awards-worthy … or as Mike would say, “Huge”. The film is a crowd-pleaser that’s neither corny nor lame. Brewer includes a closing shot of the real Mike and Claire as the credits roll.

Opens in theaters on Christmas Day, December 25, 2025

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OUR HAPPY PLACE (2025)

December 20, 2025

Greetings again from the darkness. Horror films are a dime a dozen (meaning there is no shortage from the genre), so it’s a revelation when a filmmaker has a legitimate feel for psychological horror – the kind that creeps us out and (likely) causes a nightmare or two. Such is the case for writer-director Paul Bickel. The scariest place on Earth is between our ears, and Bickel attacks the space by keeping us guessing as we attempt to solve the mysterious events occurring on screen.

We open on nearly indistinguishable flashes of memory until we zero in on Raya (the film debut of Raya Miles) waking up in the forest. She’s filthy, has an injured foot, and her clothes are in tatters. She’s a bit disoriented, yet finds her way home thanks to the barbed wire fence and local road. Once home, her hot shower is accompanied by flashbacks unrelated to her mysterious forest awakening. After the shower, she enters a bedroom where her partner, Paul (the film’s director Paul Bickel), is bedridden and non-communicative. She cares for him by spoon-feeding oatmeal, giving his beard a trim, and keeping the oxygen in stock. Mostly, she frets about this new life.

Well, ‘mostly’ is not the right word since the awakenings in the forest and staggering march home have become regular occurrences for Maya … and she’s still not understanding why or how. She Facetimes with her friend Amy (Tracie Thoms, GRINDHOUSE: DEATH PROOF, 2007) who expresses concern at the situation, but Maya tells her not need to visit. This is all filmed at Grout Creek in Big Bear, so the scenery is gorgeous (if you aren’t the one waking each morning oblivious to how you ended up in the forest), and the snow fall and Maya’s exhaustion are bonus elements to the overall atmosphere created by a nightmare situation she must interpret in order to bring about an end.

Maya’s daily existence manages to get worse as the nightmares become more intense (she wakes up in ever-deepening graves) and real – thanks to her own detective work and some truly frightening and unexpected developments. Missing women, pieces of gifted jewelry, and a recurring axe are crucial elements to the story. And even though we are forced to guess our way through most of the film, the ending is excellent … even the closing credits have flair. Much of this was filmed during the COVID pandemic as Bickel and Miles were secluded in the cabin. Other scenes were filmed once the world re-opened, and I believe most everyone will appreciate the camera work and individual shots throughout. Here’s hoping Raya Miles continues acting and Paul Bickel continues making movies for us.

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COUNTING CROWS: HAVE YOU SEEN ME LATELY? (2025, doc)

December 18, 2025

Greetings again from the darkness. The next entry in the HBO Music Box documentary series comes from director Amy Scott and provides a textbook example of what can happen when a band hits it big ‘overnight’. It’s not always pretty, and sometimes it’s downright uncomfortable. Counting Crows’ popularity exploded with the release of their 1993 debut album, “August and Everything After”. The hit single, “Mr Jones” was all over the radio, only to be followed by an even better song, “Round Here”. The band and their music were ubiquitous.

Director Scott allows band leader, lead singer, and songwriter Adam Duritz to spend a good amount of time explaining what happened after the band’s follow-up album, “Recovering the Satellites” hit big … but not as big as the first album. Adoration was met with vitriol. Duritz admits to his struggles with mental illness and the delay in a proper diagnosis. We also hear from band members, as well as musicians Cindi Lauper and Chris Martin (Coldplay) on the impact of the music, as well as the strain of celebrity and pressure on artists. At times, we feel we are in a Duritz therapy session, although the music reminds us otherwise.

Additionally, NBA coach Steve Kerr, actor Mary-Louise Parker (once romantically involved with Duritz), and comedian Jeffrey Ross also contribute to the insight of celebrity. Their input helps us understand why success and criticism were both so tough on Duritz. There are some fascinating bits to the Counting Crows story. This little band from Berkeley put together a demo tape that spurred a bidding war by record labels and led to the great T-Bone Burnett producing their first album. The importance of MTV is discussed, and a spectacular clip of the band performing on “Saturday Night Live” is included – along with the story of why there never invited back.

Despite the backlash and internal battles, the band continued to make music. Duritz was ultimately properly diagnosed, and his current partner, Zoe Mintz, offers insight into the man. This is certainly not one of those fairy tale stories, as it seems the band endured as much pain as success … but for a guy who spent some time bartending at the Viper Room, Adam Duritz has delivered some beautiful songs and vocals.

Debuts on HBO on December 18, 2025

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THE HOUSEMAID (2025)

December 18, 2025

Greetings again from the darkness. Director Paul Feig hit it big with the outrageous comedy BRIDESMAIDS in 2011, and then he got a lot more interesting as a filmmaker by directing screen adaptations of Darcey Bell novels that were so popular with Book Clubs – A SIMPLE FAVOR (2018) and ANOTHER SIMPLE FAVOR (2025). There’s no need to mess with a good thing, right? This time he’s directing another Book Club favorite, Frieda McFadden’s 2022 novel. Adapted for the screen by Rebecca Sonnenshine, the movie subjects three gorgeous actors to some off-the-chart twisted and devious turns.

Sydney Sweeney stars as Millie, a young parolee who we see arrive at a stunning mansion (fabricated resume in hand) to interview for a live-in housemaid position. Amanda Seyfried is Nina, the lady of the house, and she has prepared a lovely charcuterie board for the interview before taking Millie on a tour of the place … including the attic room where Millie will be living as she cleans the house, does some light cooking, and sometimes cares for ice-cold young daughter, Cece (Indiana Elle). Millie sleeps in her car until the phone rings with Nina’s job offer.

Now, Nina was the dreamboat perfect host and potential employer during the first meeting, but upon Millie’s arrival, her temperament has shifted – full bore psychotic mood shifts, replete with throwing dishes, screaming, and false accusations. Of course, Millie must take the abuse and uncertainty or face serving out the rest of her prison sentence – the details come out much later in the film. Still, Millie might just crack if not for the calm, supportive nature of Nina’s rich male model-type husband, Andrew (Brandon Sklenar, MIDWAY, 2019).

Common sense would tell you that the crazy wife vs the desperate housemaid would be enough for a wild story, but oh, how wrong you would be. Things only get crazier from here, and if we’ve learned one thing sitting through bizarre movies, it’s that the best way to execute a preposterous and outlandish story line is to play it (mostly) straight. And that’s what we get here. Of course, many of the twists and turns are easy to predict, but that doesn’t cut down on the demented fun – even though it jumps the shark a bit.

It’s a fun, wild ride – despite the gaps and the unfortunate lack of substance for supporting characters like Elizabeth Perkins as Andrew’s mother, and Michele Morrone as Enzo the groundskeeper. More from either character would have been welcome, although the real star here is Amanda Seyfried who shows incredible range, and never once backs away from the psycho side. I haven’t read the book, but for those who have, this film version is more spicy than erotic (save for one hotel scene), and it easily qualifies as a guilty pleasure – especially for those book clubs out there.

Opens in theaters beginning December 19, 2025

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WAKE UP DEAD MAN: A KNIVES OUT MYSTERY (2025)

December 10, 2025

Greetings again from the darkness. The phrase ‘Third time’s the charm’ loses impact when the first two times were also charmed. Such is the case for writer-director Rian Johnson and his ‘Knives Out’ trilogy (so far). The filmmaker has really tapped into the joy of whodunits for those of us who are big fans of the genre. This third one has a darker tone and feel than the first two, but many of the elements remain in place – including a stellar ensemble of well-known actors, some whom only appear briefly.

Rising star Josh O’Connor plays troubled young Priest Jud Duplencity. If you are unfamiliar with O’Connor, I highly recommend REBUILDING (2025) and EMMA. (2020). After a physical confrontation, this Priest gets reassigned to Chimney Rock, where arrogant Monsignor Jefferson Wicks (Josh Brolin) rules over his loyal flock which includes devoted assistant Martha (Glenn Close), depressed Dr. Nat Sharp (Jeremy Renner), stressed out lawyer Vera Draven (Kerry Washington), best selling sci-fi author Lee Ross (Andrew Scott), cellist Simone (Cailee Spaeny), groundskeeper Samson Holt (Thomas Haden Church), and ambitious politician/social media influencer wannabe Cy Draven (Daryl McCormack). As I previously stated, it’s quite an ensemble … and it also includes Mila Kunis, Bridget Everett, Annie Hamilton, Jeffrey Wright, and James Faulkner.

Having this set at a church with two rival Priests make ‘The Good Friday Murder’ one for the Knives Out pages. When superstar detective Benoit Blanc (Daniel Craig)  arrives on the scene, he calls it “The Holy Grail” of murder and a “perfectly impossible” crime. A ‘closed room’ murder with all suspects seated in the church pews – except Priest Duplencity, who is front and center at the altar, creates quite a conundrum for Blanc and the Priest. Of course, that’s where the fun comes in for Rian Johnson and his writing. He excels at weaving a tapestry of confusion sprinkled with just enough witty humor to prevent the mood from sinking too low.

A secret that’s been held for 60 years leads to another contemporary secret, as well as a few more between characters. Eve’s Apple and the religious inserts are a welcome addition, and mostly this is designed as yet another fun treat for the ‘Knives Out’ fan base. There’s even Tom Waits singing “Come On Up to the House” to close things out.

Opens on Netflix on November 12, 2025

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DUST BUNNY (2025)

December 10, 2025

Greetings again from the darkness. Raise your hand if you were once a kid. Well then, you likely had some experience with a monster under the bed or in the closet. You may have even had an imaginary friend. It no longer matters how your parents handled scary bedtime for you during childhood, but writer-director Bryan Fuller offers a fantastical tale on what could happen if you don’t believe your kids! Mr. Fuller is best known as the creator of the terrific (and dark) TV series “Hannibal”, and he once again collaborates with Mads Mikkelsen, the titular star of that show.

A tense and dialogue-free opening is so cinematically perfect that I immediately wondered if the rest of the film was going to be a letdown. This plays out like a ‘scary’ children’s story twisted through the mind of a grown-up intent on sending this message to parents: bedtime can be scary time for kids. Sophie Sloan plays Aurora, a ten-year-old girl living with foster parents who lack the understanding and comforting skills that Aurora believes they should possess. The dust bunny from the opening scene is the reason Aurora often warns folks to stay off the floor … advice she heeds herself.

A traumatic event occurs when the foster parents ignore her warning, and soon Aurora is negotiating with a mysterious neighbor on the same floor of her building. She believes he can kill the monster, and she’s not above helping herself to the offering plate of the local church to convince him to help. The neighbor is played by Mikkelsen with his customary style – only the first time we see him he’s wielding nunchucks while wearing a 1970’s style track suit. Since he’s a real-life hitman, he’s convinced there are bad guys after him, and they’ve mistaken Aurora’s apartment for his.

Since I mentioned that filmmaker Fuller was likely inspired by childhood stories, I should also make clear that this movie is R-rated and most definitely NOT for kids. Even though the monster appears to be directly from the mind of Jim Henson’s demented uncle, the film spins off into a wild ride of CGI, action sequences, and violence … all done with tongue planted firmly in cheek. There is some wry humor mixed in, but this is a bizarre fantasy on steroids.

Special mention goes to the set directors and costume designers, as this is one of the funkiest and most elaborate apartment buildings we’ve seen on screen, and even Aurora’s bedroom with zany stuffies looks like something out of a dream. Supporting work is provided by Sigourney Weaver as Mikkelsen’s handler, and one not overly sympathetic to Aurora’s situation – although her specialized high heels add to the ambiance; David Dastmalchian as a confused participant; and Sheila Atim as an FBI agent stunned by developments. If your youngster knows the word “procure” or provides details about the monster under their bed, it’s best to believe them.

In theaters on December 12, 2025

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WIZKID: LONG LIVE LAGOS (2025, doc)

December 10, 2025

Greetings again from the darkness. There may be no more effective way to change the outside world’s perspective of a culture or country than through music. That’s the path Wizkid is taking to re-introduce the world to his home country of Nigeria and transform the image. Documentarian Karam Gill continues his focus on those in the music industry who have loftier goals than just hit records.

The globalization of music has made it possible for just about anyone to listen to music from most any country and from most any artist. Wizkid, Nigerian born Ayodeji Ibrahim Balogun, certainly looks the part … fancy clothes, plenty of bling, and fashion shades. More importantly, he’s a talented performer who connects with an audience through his Afrobeats. He’s been a star for about 15 years and broke through in the United States about five years ago.

Director Gill uses a scheduled concert at Tutenham Hotspur Stadium as structure for the film. The countdown to the big show includes Wizkid’s preparations as well as the challenge his mother faces with a cancer diagnosis. We see Wizkid as an Ambassador for Nigeria and begin to understand why he is held as a beacon of hope. The payoff for the build-up is that we see him in concert and watch as his fans groove en masse. The question is asked, “What do you stand for?”. It seems clear Wizkid is working to change the perception of Nigeria.

Premieres on HBO on December 11, 2025 as part of the Music Box Series

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SINNERS (2025)

December 8, 2025

Greetings again from the darkness. My apologies for this review posting months after it should have. The tardiness of the post has nothing to do with the quality of the movie, which I found quite entertaining and creative. It might be best described as an innovate storytelling approach to an age-old tale … with some very cool twists and turns. Ryan Coogler previously directed BLACK PANTHER: WAKANDA FOREVER (2022), BLACK PANTHER (2018), CREED (2015), and FRUITVALE STATION (2013); however, this is his first fully original film as writer-director, and it certainly doesn’t lack ambition.

You likely know that Michael B Jordan starred in all of Coogler’s films mentioned above, and he’s back here as both “Smoke” (Elijah) and his twin brother “Stack” (Elias). The boys are fresh from Capone’s gang in Chicago, and intent on setting up a juke joint in their old Mississippi hometown stomping grounds. An abandoned sawmill that has seen its share of slaughters will do just fine (and no, you definitely shouldn’t read any foreshadowing or irony into the setting. Wink. Wink.). Since I mentioned the twins, you should know that the technical aspects are astounding (in addition to Jordan’s terrific performances). An early scene where the brothers share a cigarette amazed me in its execution and detail. This was the first of many.

Young, bloody Sammie (the film debut of Miles Caton) staggers to his preacher father’s alter carrying the neck of a shattered Charley Patton guitar. And this may be the closest Coogler’s film gets to a serene scene. What follows is a unique blend of too many bits to list, but definitely includes horror, monsters, blues music, biblical references, southern racism, historical events (Robert Johnson’s crossroads), mythology, mobsters, Mississippi Delta black culture, and enough violence for a few films. You may think you’ve seen all there is to see about vampire mythology, but Coogler doesn’t shy away from new blood (so to speak). Now, is all that just too much for one movie to tackle? Many will likely think so, however, those that go with it will likely find it as entertaining as I did.

The supporting cast is massive and filled with familiar faces and talented actors – too many to list here, but know that each contribution adds to the overall dynamic. I will mention Hailee Steinfeld, who plays Mary, a “dangerous” multi-racial woman who is the bridge between black and white (and perhaps good and evil). There are at least eleven other actors who excel in their role and have a memorable, and often surprising or shocking impact, but the only other one I’ll call by name is the legendary Buddy Guy who appears in the 1992 Epilogue. From a technical standpoint, acknowledging those who created the Southern Gothic horror atmosphere are Cinematographer Autumn Durald Arkapaw, Editor Michael P Shawver, and Composer Ludwig Goransson (a two-time Oscar winner). Filmmaker Ryan Coogler has established himself as one who combines a strong technical team, a stellar cast, and a sharp script to create films that have broader appeal than one might expect (superheroes, vampires, and culture clashes). His films are now must-see cinema.

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HAMNET (2025)

December 7, 2025

Greetings again from the darkness. Watching so many movies each year usually raises my defense mode against cinematic emotional manipulation. However, all hope is not lost for me as the best filmmakers and talented writers and top notch actors can still get to me, as evidenced by this latest from writer-director Chloe Zhao (two Oscars for NOMADLAND, 2020; plus the underappreciated THE RIDER, 2017) and novelist-screenwriter Maggie O’Farrell (her 2020 novel is the source material).

The actors who manage to elevate this extraordinary work to new heights are two of the best actors working today: Jessie Buckley (highly recommend WILD ROSE, 2018) and Paul Mescal (AFTERSUN, 2022). Mr. Mescal plays Will Shakespeare as a tutor at a rural school. He aspires to be a writer (spoiler alert: he succeeds). Ms. Buckley plays Agnes, a local who is labeled as a child of the forest witch, and she actually possesses the spirit of nature and healing. The meet-cute of Will and Agnes is anything but. Spotting Agnes out the window as she carries her pet hawk back to the barn, Will abandons his students and rushes outside to meet her. Yada-Yada … she’s pregnant … the families are not happy … the young couple begins their life together.

Even in the late 16th century, succeeding as a playwright was no easy task. Will often took leave from his family to travel to London for work. A second pregnancy for Agnes bore twins, including daughter Judith who was weakened, and son Hamnet. All in all, this was a close-knit family who experienced joy together despite the challenges – quite a contrast from Will’s family where his dad called him “useless”.

It should be noted that this does not come across as the story of the great William Shakespeare. Instead, it’s the story of a family whose heart is Agnes, and it’s told from her perspective. We are informed that names of the time often had various spellings, so you might be more familiar with Agnes as Anne Hathaway, and son Hamnet as Hamlet, the inspiration for one of Shakespeare’s greatest works. To say more on this would be a spoiler I’m unwilling to provide. You should know that son Hamnet is played by Jacobi Jupe (PETER PAN & WENDY, 2023) and the stage character Hamlet is played by his real-life brother Noah Jupe (FORD V FERRARI, 2019). Emily Watson and Joe Alwyn also have supporting roles.

To be or not to be … a tearjerker … is no question. Director Zhao is a master and Mr. Mescal and especially Ms. Buckley cut right to the heart of a story that will have quite an impact on most every viewer. Grief is such a powerful emotion, and the contrast in how a couple handles it … even a couple deeply in love … makes for a story and a film that is surely one of the year’s best.

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