Greetings again from the darkness. It’s unusual for a documentary to credit three directors, but these three have been involved with some of the best Texas-based documentaries. Sam Wainwright Douglas, David Hartstein, and Andrew Alden Miller have each worked on at least one of these: HONKY TONK HEAVEN: THE LEGEND OF THE BROKEN SPOKE (2016), TOWER (2016), FADERS UP: THE JOHN AIELLI EXPERIENCE (2024), and ALONG CAME KINKY … TEXAS JEWBOY FOR GOVERNOR (2009). This time, their collaboration gives us a history lesson on legendary football coach O.A. “Bum” Phillips.
The film opens with a stream of acclamations for Bum from a lineup of folks who would know: former opponents, former players, league coaches, and even an owner. The raving compliments in the opening and throughout the runtime are delivered by such football luminaries as Terry Bradshaw, Dan Pastorini, Earl Campbell, Jerry Jones, Wade Phillips, Wes Phillips, JJ Watt, Archie and Peyton Manning, Billy “White Shoes” Johnson, Elvin Bethea, Mike Barber, Mike Renfro, Gary Kubiak, and Von Miller. Dennis Quaid serves as the narrator.
The title would lead us to believe that this is a documentary on Bum Phillips, and while he and his career are profiled, this is every bit as much about the Houston Oilers, the rabid fan base, and Bum’s influence on players and coaches, and his son and grandson. It’s clear that Nederland High School football coach Bum Phillips learned a great deal from then A&M coach Bear Bryant, and the impressive thing about Bum’s career is how he took the knowledge from Bryant and Bum’s other coaching gigs and turned it into his own style … and a successful professional coaching career.
Archival footage captures the excitement of the ‘Luv ya Blue’ period in Houston, as Bum guided the Oilers into prominence. During Bum’s tenure (1975-1980), the Oilers fans were the envy of the league as they waved their banners from a sea of blue in the Astrodome. They even had a Houston Oilers anthem (surely annoying for fans of any other team). The Oilers rivalry with the dominant Steelers is discussed, and numerous players offer insight into what it was like to play for Bum. There is even a full segment on former Longhorn and all-time Oiler great, Earl Campbell. We hear from Earl and see footage of some of his amazing runs. Bum’s famous quote about Earl, “I don’t know if he’s in a class by himself, but I do know that when the class gets together, it sure don’t take long to call the roll.” And of course, the Mike Renfro catch/non-catch is shown.
With his familiar Stetson and Texas drawl, Bum Phillips was a popular icon. Clips of interviews with his son Wade and grandson Wes, both successful NFL coaches (and each with a Super Bowl ring) demonstrate just what an influence Bum was for them … even after he retired to his ranch. While we leave this viewing understanding that Bum was an excellent coach and well-respected, we also are confident he was a class act. For a man who had nearly as many memorable quotes as Yogi Berra (although Bum’s made a bit more sense), the film leaves us with this one: “Winning is only half of it … having fun is the other half.”
Winner of the 2025 SXSW Documentary Spotlight Audience Award, the film is set to premiere in select theaters across the country on October 24, 2025, followed by a digital release on November 25
Posted by David Ferguson 
Greetings again from the darkness. If the Hallmark Channel produced a Western Romance movie, it would likely look much like this one from writer-director John Schimke, who along with co-writer Mike Maden, adapted the 2009 novel from Caroline Fyffe for the silver screen. Filmed in Montana, there are some terrific landscape shots displaying the vastness of the 19th century frontier.
Greetings again from the darkness. Watching this film is how I imagine it would be to view a poem. It’s meditative and slow … somehow calming us as we contemplate the topics broached. Director Charlie McDowell (THE ONE I LOVE, 2014) and screenwriter Robert Jones have adapted the 1972 novel by Tove Jansson. Granted, it’s an unusual set up for a film shown anywhere outside of a film festival, yet because it is poignant and relatable, it’s an easy one to recommend.
Greetings again from the darkness. Real life doesn’t offer too many opportunities for ‘do-overs’. Fortunately, movies do. Dallas born-and-raised (now Los Angeles-based) Adam Saunders wears many hats for this film that was inspired by his own life. Mr. Saunders wrote the story, directed and produced the film, and takes the lead role.
Greetings again from the darkness. I’m not sure if pumpkins get short-changed with most of their attention coming only during one season, or if perhaps they receive more attention than deserved during that season. Either way, pumpkins are rarely at the center of a cinematic event … despite having their moments during animated TV specials like “It’s the Great Pumpkin, Charlie Brown” and “Spookley, the Square Pumpkin”. Director John McPhail (the excellent ANNA AND THE APOCALYPSE, 2017) sets out to change that with a screenplay by a trio of writers: Nick Guthrie (MINI’S FIRST TIME, 2006), Ruth Fletcher (“Hawaii Five-O”), and Ruth’s husband and writing partner, Christos N. Gage.
Greetings again from the darkness. Co-directors Philip Delaquis and Barbara Miller opt against an on-camera Q&A session with the Dalai Lama and instead allow His Holiness (the 14th Dalai Lama) to speak directly to the camera on topics pertinent to what’s happening in the 21st century. This approach allows the film and his words to wash over us like a meditative event … calm and soothing. His words not only guide us on ways to chill out, but also inspire us to pay close attention to the current situation.
Greetings again from the darkness. We all love a thrilling whodunit murder mystery. The best ones offer a magical blend of creative story, interesting setting, and fascinating characters. Writer-director Simon Stone (THE DIG, 2021) has delivered a film adapted from the best-selling 2016 novel by Ruth Ware. Frequent writing partners (SEBERG,2019) Joe Schrapnel and Anna Waterhouse collaborated with Stone to adapt the novel into a movie that looks great, and for the most part, fulfills the above listed requirements.
Greetings again from the darkness. You know those days when it feels like you are being pulled in all directions, and nothing seems to go right? Welcome to 24 hours in the life of Steve, the headteacher at Stanton Wood, a reform boarding college for troubled/challenging young men. This is one of those days that feels like a week. Even before he walks through the front door, he’s already getting pulled this way and that – a minute here, a quick decision there, a request for a sidebar, a need to run something by him. It’s a relentless job, heightened by the presence of a BBC documentary crew.
Greetings again from the darkness. Every one of us wants to look good and feel good. But how far will we go? What if our livelihood depended on looking young? There is no denying that societal pressures favor those who are pleasing to the eye, and of course, Hollywood is the poster child for rewarding beauty and youth … and penalizing, or at least ignoring, the other end of the spectrum. The second film from director Max Minghella (his first was TEEN SPIRIT, 2018) features a screenplay from Jack Stanley (THE PASSENGER, 2023), and it likely pays a price for coming on the heels of last year’s THE SUBSTANCE (2024), a body horror film with a similar theme, but one that was far more extreme.
Greetings again from the darkness. When we first meet Mr. Blake, he’s tidily packing a small suitcase and informing an anxious phone caller that he will not be attending the ‘Man of the Year’ award ceremony, even as he’s being introduced as the guest of honor in the background. We realize Blake is leaving London because he takes one last forlorn glance at his long-time apartment before heading “back to where it began.” It’s rare for the author of the source novel to adapt and direct a film, but that’s the situation here with Gilles Legardinier and his 2012 book, “Complètement cramé !” Co-writer Christel Henon helped with the screenplay.
Movie Reviews from the Dark 