Greetings again from the darkness. It’s a stretch to say this is the rare, animated kids’ action movie grounded in reality, yet we can say it is based on John Wilson’s 2018 YA novel, which in turn was inspired by the Bronze Masks of Sanxingdui unearthed by archaeologists in Sichuan, China back in 1986. The film is directed by Sean Patrick O’Reilly, known for his work on the “Howard Lovecraft” franchise, and twelve contributing writers are noted, including creator Xiaoming Yao.
This one is for the younger kids, probably ages 5 to 10, who enjoy action-adventure stories where the screen is flooded with colors. Older kids would likely be disappointed in the animation and overall look of the film. Most parents will approve since there is a message delivered by the end. A quintet of Chinese superheroes who get their special powers from the ancient masks they don, are defending their kingdom of Sanxingdui from Kunyi, an evil would-be conqueror. In the battle, the group’s leader is killed, and his daughter Li takes a mystic portal to modern day Chicago (?), so the mask can choose it’s new hero.
Charlie is a wise-cracking street urchin who survives on this wits and instincts (stealing). Local gangster Rizzo is pursuing Charlie when, for some reason, the mask picks Charlie and he and Li transport back to her homeland. She begins to train and mentor Charlie, even though she has little faith that this rebel can be transformed into a hero. Charlie even doubts it himself, and has his own plan to undermine the team and reap the reward.
Soon enough, Kunyi and his band are attacking the city on their quest to steal the mystical Jade Blade and obtain the enhanced powers it brings. Of course, the quintet in masks, now including Charlie, engage in battle. The message here is obvious: being a team player, rather than a selfish loner, allows for a more fulfilling life … and it’s important that we each find our own place.
This will be marketed as Christopher Plummer’s final film (he passed in 1991), and the voice acting he provides as gangster Rizzo, is not the silky-smooth Plummer voice we expect. Ron Perlman does admirable work as the villain Kunyi, while Natasha Liu Bordizzo is Li, and Patton Oswalt is recognizable as the voice of Aesop. The director’s son, Keifer O’Reilly, is age appropriate as the voice of Charlie, but it’s the action and color palette that will most appeal to kids, rather than the characters. While not especially memorable, the film will likely entertain a particular age group on a rainy day.
On digital platforms beginning June 9, 2023
Posted by David Ferguson 
Greetings again from the darkness. In a perfect world we would judge each other by character, personality, integrity, and accomplishments. Unfortunately, too many still judge the book by its cover, and therein lies the only explanation for why Yogi Berra was not on the field at the 2015 All-Star game with Hank Aaron, Willie Mays, Sandy Koufax, and Johnny Bench as one of the greatest living players. Berra, though he never cut the imposing athletic figure as those players, certainly fulfilled the four attributes listed above … including his accomplishments in the very game that was offering tribute to the greats of the game. Director Sean Mullin expertly proceeds to prove that Lorenzo Pietro “Yogi” Berra was not just one of the best baseball players of all-time, he was also a war hero, beloved father, grandfather, husband, public figure, and above all, a world-class person.
Greetings again from the darkness. It’s borderline unfathomable that someone who has worked for almost 20 years as a cinematographer and a decade as a TV director could be “unfamiliar” with the work and career of one of the industry giants, yet that’s the claim of director James Adolphus (“Soul of a Nation” mini-series) when it comes to Mary Tyler Moore. His film does play a bit as if he’s opening a Christmas present that everyone else in the room knows what’s under the wrapping, and it’s because of this, the film works as not just a retrospective of her career, but also a tribute to a woman who influenced so many.
Greetings again from the darkness. The tough road this film faces could be blamed on the unfortunate timing of release on the heels of a similar story in GUY RITCHIE’S THE COVENANT; however, that’s not the only reason the latest collaboration between Gerard Butler and director Ric Roman Waugh (ANGEL HAS FALLEN, GREENLAND) will likely struggle to find an audience. Other obstacles include a script with entirely too many storylines and character arcs that dead end, as well as an overall lack of intensity when it was necessary.
Greetings again from the darkness. The word of the day is “awkward.” Every character, every situation, every moment, and every conversation in this film can be described with that word. An attempt will be made to not overuse that adjective here, but yours truly offers no guarantees. Paul Schrader has had a long and impressive career as both writer and director. His early successes include screenplays for TAXI DRIVER (1976), ROLLING THUNDER (1977), RAGING BULL (1980), and THE LAST TEMPTATION OF CHRIST (1988), as well as directing AMERICAN GIGOLO (1980) and AFFLICTION (1997). The past few years have been a bit of a resurgence for Schrader with the excellent FIRST REFORMED (2018) and THE CARD COUNTER (2021).
Greetings again from the darkness. “It’s Always Sunny in Philadelphia” is in its 18th year, having aired 165 episodes, not counting endless reruns in syndication. A huge part of the series’ success is the comedic talent and writing ability of Charlie Day. That success has put him in a position to direct his first feature film, and how does he proceed? By attempting to skewer and mock the same Hollywood system that has made him rich and famous. Fortunately for Day, many of his friends have joined in, and most of the mocking falls pretty flat. So, he hasn’t jeopardized the likelihood that he will, in fact, work in this town again.
Greetings again from the darkness. With his Oscar winning AN INCONVENIENT TRUTH (2006), and follow-ups including WAITING FOR SUPERMAN (2010) and HE NAMED ME MALALA (2015), Davis Guggenheim has proven to be one of the most important and effective documentarians working today. With his latest, he adds a creative touch that blends well with the emotional and personal aspects of this Michael J Fox biography.
Greetings again from the darkness. There aren’t too many companies who have reached the pinnacle of their industry, only to later flop due to lack of innovation or a stubborn insistence on holding on to the past. Tremendous success and absolute failure are not typically associated with the same company. Blockbuster Video and Pan Am Airlines come to mind as examples of industry leaders whose refusal to adapt, culminated with closure, and it’s likely that Blackberry belongs in the category, at least as presented here by writer-director Matt Johnson and co-writer Matthew Miller, adapting the book by Jacquie McNish.
Greetings again from the darkness. The emotional strain associated with being estranged from one’s family reaches a level only those involved can comprehend. In this touching film from writer-director Andrea Pallaoro and co-writer Orlando Tirado, we focus on the return and attempted re-connection of one such person.
Greetings again from the darkness. Imagine if Liam Neeson’s character in TAKEN had also been a skilled trauma surgeon … and a woman. If so, the result would be similar to the main character here, Michelle, played by Leah Gibson. Michelle is that rare former military doctor with special ops skills. She’s also a mother to a young son, and experiences a traumatic event in the opening scene in this film from director Tony Dean Smith and writer Alex Wright.
Movie Reviews from the Dark 