MOONRISE KINGDOM (2012)

June 5, 2012

 Greetings again from the darkness. Not many people think like Wes Anderson. That’s probably a good thing in real life. It’s definitely a good thing for movies. He is a creative and distinct filmmaker, though not one with mass appeal. My two personal favorites of his are The Royal Tenenbaums and Rushmore. His previous film, Fantastic Mr Fox, was a solid hit and critically lauded. Now he delivers one that will probably only click with his core fans. It’s a thing of beauty … if you keep in mind that beauty is in the eye of the beholder.

Set on the fictional New Penzance Island off the coast of New England in 1965, the movie opens with terrific visuals of the Bishop family’s lighthouse/home. Our tour is conducted as if the home were a dollhouse, and our eyes struggle to keep up with the detailed decor. We are struck by the color palette of tans, greens and splashes of red. This will continue throughout the movie.

The story centers around two 12 year old misfits: Sam and Suzy. Sam is an orphan and outcast in his Khaki Scouts troop, and Suzy is misunderstood and ignored by her selfish parents, who communicate with a bullhorn and through legalese at bedtime (they are both lawyers). Sam and Suzy are attracted to each other’s misery and decide to run away together (yes, they are on an island). This ignites a flurry of activity on this quiet island and showcases two first time actors with remarkable screen presence: Jared Gilman (Sam) and Kara Hayward (Suzy).

 The “grown-ups” on the island include Suzy’s parents played by Bill Murray (a Wes Anderson regular) and Frances McDormand. The island police chief is played Bruce Willis, who we soon figure out is also a social outcast. The Scoutmaster is played by Edward Norton with a regimented weirdness that will have you laughing in confoundment. For such serious topics, Mr. Anderson and co-writer Roman Coppola provide us many comedic moments – both through dialogue and site gags.

During the search, other colorful supporting characters get involved. Social Services is pursuing Sam. Tilda Swinton plays Social Services. In one of the few gags I’ll give away, Swinton’s character only introduces herself as Social Services. This is a gut punch to a system that is often under-staffed and forgetful of it’s true mission. We also get Jason Schwartzman as a very helpful, though slightly seedy, Cousin Ben. Harvey Keitel plays the senior Scoutmaster who is unhappy with Norton for losing a scout. Bob Balaban makes periodic appearances as a narrator … either for a documentary or for the movie, depending on the moment’s need.

The script does a wonderful job of capturing how the 12 year old brain works. Some of the scenes with Sam and Suzy are almost like looking a photo album … exactly the way our childhood memory works. Flashes of moments. The Alexandre Desplat score is heavy on percussion, but it works well with the minimalistic look of the film. It’s also interesting to note that this is one of the few movies where it makes sense to have a soundtrack with Benjamin Britten, Hank Williams and Mozart! If you go to this one, keep your eyes open and moving, and your ears receptive. The payoff is worth it.

SEE THIS MOVIE IF: you are a devoted fan of Wes Anderson OR you are ready for an example of what makes indie films so intriguing to those of us who crave them

SKIP THIS MOVIE IF:  your movie preferences lean towards straightforward entertainment rather than off-beat dialogue from disturbed characters

watch the trailer:


THE INTOUCHABLES (France, 2011)

June 5, 2012

 Greetings again from the darkness. Sometimes acting elevates material to a level far beyond what a film might have otherwise deserved. Such is the case with this based-on-a-true-story effort from co-writers and co-directors Olivier Nakache and Eric Toledano. Despite the elements of truth, the core material here is a sentimental tale that seems quite familiar. Francois Cluzet (from the excellent thriller Tell No One) as Philippe and Omar Sy as Driss turn it into an extremely entertaining story with characters we quickly connect with.

Philippe is a wealthy quadriplegic widower who is interviewing candidates for a caregiver. Driss is a recently released from jail street hustler who is just trying to qualify for state benefits by going on the required interviews. Philippe is struck by Driss’ direct approach and energy level, and chooses Driss over the room full of more qualified types.

The rest of the movie is really a buddy flick where the polar opposites bring much to the other. Philippe slyly gets Driss to use his sharp mind a bit more effectively, and Driss taps into Philippe’s hidden lust for life. Though the supporting cast is strong, the film’s best scenes are those featuring Philippe and Driss.

This is a film from France and much as been made of the filmmakers’ decision to change the caregiver from the real life Arab to a more cinema-friendly Black man. The Earth, Wind & Fire dance may be a bit too much, but I choose to believe the casting of Omar Sy was the deciding factor, not his race. He lights up the screen and draws us right into his world and his choices – some of which are better than others.

The film shares much with The Sea Inside, Scent of a Woman, and The Diving Bell and the Butterfly, but this one has much more humor and bonding than any of those. It doesn’t shy away from the melodramatic moments and isn’t above trying to generate tears in viewers. There will be a U.S. re-make of this one, but the two lead actors here (especially Mr. Sy) make this one worth seeing.

SEE THIS MOVIE IF: you thought all buddy movies were over-the-top laugh fests or cop flicks OR you appreciate the small scope of French films (that’s a compliment)

SKIP THIS MOVIE IF: a subtitled French film featuring a rich guy in a wheelchair trusting a street thug to drive his Maserati seems a bit far-fetched

watch the trailer:


BIZARRO STEPFORD: No Town Left Behind

June 3, 2012

Note: this is quite a detour from the movie commentary one normally finds on this site.  Recent personal experiences and observations provided the motivation to veer from the typical content.

 Rural America is often fodder for entertainment writers.  The best, such as Harper Lee’s To Kill a Mockingbird, provide such clear insight that we find ourselves connected to the characters and believe we understand the fabric of the community.  “The Andy Griffith Show” ran for more than a decade, stressing the humanity, humor and nuances of small town life.  Movies such as Deliverance, Texas Chainsaw Massacre and Children of the Corn offer a glimpse into the dark side of those who are shut off from mainstream society.  The results, though often exaggerated by Hollywood, are often quite grisly.

My son recently lost his campaign bid to become District Attorney in a rural Texas community.  This is not a rant about his loss … it was a close race … but rather some observations about the wide chasm that exists with the citizenry, and why “community” is a misnomer when describing this area.  While our largest cities are celebrated for their convergence of varying cultures and multitudes of special interest groups, small towns thrive only if the community strives to keep up with the times, and not remain isolated from societal advancements.  To paraphrase … No Town Left Behind.

There are plenty of colorful debates to be had on whether a District Attorney, or even a Judge, should be a populace-elected position.  At the core, these are positions designed to uphold the existing laws, not draft or amend.  Logically, the optimal choice would be the best qualified candidate, not necessarily the best known.

Logic, objectivity and reasonableness seem to be the factors that divide this particular rural community.  There is certainly the group that pays attention to things such as experience, personality, endorsements, campaign platform and overall approach and vision.  This is the group that consists of individuals with whom most of us would enjoy conversing, even debating issues of substance.  Unfortunately, this group doesn’t make for interesting observatory writing.

 The “other” group is the one that so fascinates me.  What matters to these people, and why? Above all else, “one of us” is the top priority in selecting a candidate.  This was most evidenced in the State Representative race which had four candidates.  The local candidate dominated voting in this, his home county.  After all, he is “one of us” … as is his dad and his dad’s dad.  Despite his local landslide, this candidate received almost no support in the sixteen other counties that comprise this district, and did not qualify for the run-off.

What’s next on this community’s priority list?  Try church membership. Forget what you think you know about separation of church and state.  The strongest campaigning and political fundraising occurs within the church. This unspoken sphere of political influence could be exposed with minimal effort, and the sham of tax-free status would be gone for the offending church. How strong is the church bond?  When a local woman was arrested for murdering an infant by violent shaking, her fellow church members came out in mass support during the trial claiming she was a “good Christian woman”, and attended church regularly.  Of course, the jury also included some of her church members.  Do you think those jurors were strong enough to stand up to that almighty peer pressure?  Hardly.

 Surely experience and campaign issues are up next, right?  Stop thinking logically.  Next up would be marital status and procreation success.  In this area, you dare not be over age 18 and still single, lest the whispers begin about your sexual preference.  Unmarried translates into some type of character flaw to this side of the chasm. It matters not if you spent 7 frivolous years in college and law school.  The winning candidate in the DA race actually ran with his family as his campaign platform … well that, and a Dr. Seuss quote.  His obedient wife (by his side, one step behind) and four daughters were on public display and all the evidence many needed to determine he was worthy of a vote.  This despite his quoted importance of offering “a helping hand” to criminals who sometimes make a mistake.  Oh, I failed to mention that this is a FELONY-only DA position.   Second chances are fine for those with speeding tickets, but how many of us are in favor of lending “a helping hand” to those who sexually molest our child or murder our brother?

This area is filled with tough, strong people.  People who have survived tough times caused by the collapsed economy, the wrath of Mother Nature, the loss of farming and ranching income, and just an overall “land that time forgot” feeling.   Some in the area have found success by selling oil and mineral rights to their land.  Others manage to scrape out a living one way or another … or even multiple ways.  There is a group that has managed to maintain an ability to think and make mature decisions, while this other side wallows in closed-mindedness and refuses to consider any hint of progress. Drugs, especially Meth, have created an economy of their own. Luckily for those dealers, “a helping hand” is on the way.  It appears some small towns actually vote to be left behind … as long as it’s with one of their own.


SNOW WHITE AND THE HUNTSMAN (2012)

June 3, 2012

 Greetings again from the darkness. After suffering through the miserable Mirror Mirror earlier this year, my fairy tale palate needed cleansing. The original Brothers Grimm tale was actually pretty dark and first time director Rupert Sanders has some success going heavy into ominous with his version. The movie has some flaws, but is actually quite fun to look at.

Early on, we get a taste of Charlize Theron as the wicked stepmother/evil queen. Her calm voice and unforgiving stare prove quite chilling and one of the best parts of the movie. The magic mirror (on the wall) shows signs of life and we understand quickly that this Queen’s power will not be used for the greater good. The palace itself is quite a site and Snow White’s escape provide us a behind-the-walls pass, including the medieval sewer system.

My favorite parts of the movie are the foreboding Black Forest and its polar opposite fairyland. The art decoration for both is excellent and fairyland even offers a nod to the Disney cartoon version. Both sets offer some stunning visuals … the forest ogre, the dwarfs and the white buck with a matrix rack. Ahh, the dwarfs. Can’t have Snow White without them. This group (originally eight) have the superimposed heads of actors we all recognize: Bob Hoskins, Ian McShane, Ray Winstone, Nick Frost, Eddie Marsan, Toby Jones, Johnny Harris, and Brian Gleeson. This camera trick allows us to connect pretty quickly with the group.

 Kristen Stewart brings her successful Twilight run to fairy tale land. She isn’t given much to do other than fight and gaze. Her Joan of Arc look serves the film’s purpose, but does any guy really think she is “fairer” than Charlize? Chris Hemsworth (Thor) plays the titular Huntsman and serves the cause admirably, as does Sam Claflin as Snow’s lusty, trusty childhood friend. Sam Spruell plays the Queen’s henchman brother, but is most memorable for one of the worst haircuts in Hollywood history … straight out of Dumb & Dumber.

The battle scenes are well done, the soundtrack is not overbearing as one would expect, but there seems to be something missing here. The film is fun to look at it, but just doesn’t deliver on any type of emotional level. Perhaps the material is just too familiar after all these years of hoping the first bite of an apple doesn’t render us unconscious.

SEE THIS MOVIE IF: you prefer the darker, sinister version that the Brothers Grimm intended OR you are just trying to wash away the memories of Julia Roberts cackling as the wicked Queen earlier this year

SKIP THIS MOVIE IF: you are expecting something in line with the classic animated Disney version

watch the trailer:


MEN IN BLACK III (2012)

June 3, 2012

 Greetings again from the darkness. Uninspired sequels often prove quite annoying for a true movie fan. However, dedicated followers of a franchise often overlook the flaws and are just happy to see their familiar heroes back on screen. Back for a third time in 15 years, Agents J (Will Smith) and K (Tommy Lee Jones) show they can do this in their sleep … actually I think Mr. Jones really did doze off a couple of times.

Fortunately there are a couple of things that make this one entertaining enough. Josh Brolin‘s spot on imitation of Tommy Lee Jones may be better than the real thing. Brolin seems to be enjoying himself and realizes he is the featured attraction here. There is also a very creative segment that takes place at Andy Warhol’s Factory … with Bill Hader pulling off the Warhol look and voice quite well.

 Obviously with the Warhol segment, time travel is involved. That’s the real disappointment here. Outside of the Apollo 11 segment and listening to Status Quo play “Pictures of Matchstick Men”, the trip to 1969 is really a wasted opportunity for plot and humor. Also scarce is the use of aliens that were so prevalent in the first two. This time around, we get an overdose of Boris the Animal played by the always interesting Jemaine Clement (“Flight of the Conchords”).

Also back is Emma Thompson in a couple of brief scenes as Agent O. In addition to Brolin, we get new life from Alice Eve (a young Agent O) and Michael Stuhlbarg as Griffin … a less annoying version of Joe Pesci from the Lethal Weapon series. Director Barry Sonnenfeld has stuck with this franchise for all three entries. Let’s hope it’s now allowed to rest in peace.

SEE THIS MOVIE IF: you are a huge fan of the MIB franchise OR you want to see Josh Brolin’s impersonation of Tommy Lee Jones

SKIP THIS MOVIE IF: you were hoping after 15 years, there might be something new … heck, even Will Smith looks exactly the same!

watch the trailer:


TMI (5-27-12)

May 27, 2012

TMI (Today’s Movie Info)

5-27-12

 The Cinemark Theatre chain is running a Classic Film Series this summer.  One of the films in the series is the Alfred Hitchcock classic North By Northwest (from 1959)

The film stars Cary Grant, Eva Marie Saint and James Mason (as a bad guy).  With a little Hollywood magic (and Grant’s ever-youthful appearance), Grant’s mother is played by Jessie Royce Landis, who is actually only 7 years older than Grant. 

You’ll have to be quick to catch Hitchcock’s cameo in this one … it occurs during the opening credits at a bus stop.  You might also notice Edward Platt, who went on to TV fame as The Chief in “Get Smart“.  This was Hitchcock’s only movie for MGM.  The famous scenes taking place on Mt. Rushmore are actually filmed on a replica of the national monument.

Highly recommend catching this one on the big screen if you can …  both the crop duster chase scene and Mt Rushmore sequence are worth the price of admission.


BERNIE (2012)

May 24, 2012

 Greetings again from the darkness. It’s 1997 in Carthage and a shocking discovery hits smack dab in the middle of town square. That’s rural east Texas where everyone knows everything about everyone. Well almost everything and almost everyone. A year later, Skip Hollandsworth wrote an article for Texas Monthly about the fascinating, too-strange-to-believe story that shook this community. Now, 16 years after the murder, Hollandsworth co-wrote a screenplay with director Richard Linklater and they present a visual representation that allows us to wrap our heads around the events.

Linklater is always an interesting filmmaker. His resume includes Dazed and Confused, and School of Rock. Here he re-teams with Jack Black, who stars at Bernie Tiede, the nicest man in Carthage. You need not take my word for it. Linklater interviews several actual Carthage residents who swear Bernie was the sweetest, most generous man they ever met. Some even state they will never believe he committed the murder … despite his confession. Whatever you think of Mr. Black as an actor, his performance here is unlike any of his previous work. He is somehow subtle and believable while playing a real life over-the-top assistant funeral home director. His walk, speech pattern, mannerisms, interests and singing style tell us all we need know about Bernie Tiede.

The basic story is that Bernie befriends the wealthiest, wickedest widow in town. They become very close as friends, travel partners and even live together. Bernie gains Marjorie Nugent’s trust and is eventually in charge of her finances and written in as her sole beneficiary. What makes this odd? Well, Bernie is 38. Marjorie (played by Shirley MacLaine) is 81. Oh, and he is gay. This odd arrangement somehow is accepted in this community for one reason … he is just so a nice man! He truly is nice. Right up until the point where he’s not so nice.

 This is one of those movies where the links are stronger than the chain. Black’s performance is stellar and worth the price of admission. Equally entertaining are the “interviews” with the local townspeople. And adding intrigue to all of that is the best ever supporting performance from Matthew McConaughey as local DA, Danny Buck Davidson. Those three elements make this oddball movie a sight to behold. There is humor to make us laugh and oddity to raise eyebrows.

The downside is that the docudrama approach actually takes away from what should have been the key aspects of the story. More screen time watching the relationship between Bernie and Marjorie could have proved enlightening. Instead, the development is reduced to snapshots of vacations and a snippet of a couples massage. The dark elements are only hinted at until the shock of the deed.  The filmmakers choose not to dwell on the “other” side of Bernie, and instead play along with the locals version of the nicest man in town.

Movies based on truth are all the more enticing when the characters are themselves quite interesting and different. That’s certainly the case with Bernie Tiede, Danny Buck Davidson, and the locals in Carthage. For a taste of small town East Texas living and dying, questionable morals, battles between legalities and religion, and the hypocrisy and clouded judgment that occurs when a nice guy gets dirty … this is as good as it gets.

SEE THIS MOVIE IF: black comedy immersed in real life tragedy is your thing OR you don’t want to miss a wonderfully odd and touching performance from Jack Black (and lots of hymnal singing)

SKIP THIS MOVIE IF: you don’t apprecaite a murderer being portrayed as a nice guy – even if that’s the TRUE part of the story!

Watch the trailer:


MY WAY (Mai wei, Korea 2011)

May 21, 2012

 Greetings again from the darkness. Was anxious to see a big-budget Korean take on WWII, and overall came away impressed … despite the shortcomings and annoyances. My history with Korean films has been limited to small, intimate stories told with quiet manner, or frenetic action flicks with sub-standard stunt work. Director and co-writer Je-kyu Kang attempts to combine an intimate story of two young men with an epic war film with a record body count and an excruciatingly frequent number of cuts/edits.

The movie starts off by showing us how the lives of two boys first intersect. Jun-shik Kim (by Dong-gun Jong) is a farmer’s son whose dad works on the estate of Tatsuo Hasegawa’s (Jo Odagiri) grandfather. A wide class difference separates the boys, but their love of running generates a severe feud … a rivalry that won’t die easily. All of this takes place in Japan-occupied Korea, and it’s clear early on that the filmmaker sets out to defend all Korean actions.

Inspired by a real life 1944 photo that shows Korean soldiers being captured while wearing a Nazi uniform, the fictional story here is as strange and complex as any you have seen … unfortunately, it is handled with the manipulative touch of Kathy Bates swinging a sledge hammer. As their marathon-running rivalry reaches a crescendo, both boys are drawn into the Japanese Army, albeit via substantially different routes. Tatsuo is an officer, while Jun-shik is an enslaved line soldier. Their bitter rivalry does not stop for a little thing like WWII and it leads to many moments of near insanity.

What really is impressive about the film is the three main battle scenes, especially the storming of Normandy Beach. If you have seen Saving Private Ryan, then you know the model … however, this one takes it even further. It is intense, loud and brutal. The question of whether the rivalry can survive capture by Russians and then Nazi’s, or whether survival instincts take over is really the heart of the story.

As terrific as the battle scenes are, it is impossible not to mention the hyper-editing that lasts most of the film’s 142 minutes. It is hard on the senses and makes the action difficult to follow … which is a shame for a film that offers so much realism in war scenes. Still, it’s not an easy film to watch, yet we care enough about the two characters to put up with the eyeball attack we get in most scenes.

SEE THIS MOVIE IF: you would like to see war footage from Korea that is as epic as any ever seen on film

SKIP THIS MOVIE IF: you don’t wish to read subtitles for two and a half hours

Watch the trailer:


DARK SHADOWS (2012)

May 21, 2012

 Greetings again from the darkness. If anyone ever asks “What was the name of that late 60’s goth, supernatural soap opera with the cult following?“, it’s safe to assume they mean the TV series “Dark Shadows“. It ran from 1966-1971 for a remarkable 1225 episodes. For those who remember it, the image they recall tends to be actor Jonathan Frid as Barnabus Collins … the first vampire most of us ever saw outside of a Friday night horror film. The series made quite an impact on two young boys in particular: Tim Burton and Johnny Depp.

There are many reasons that movies get made. Pet projects or labors of love are not as common these days because of high production costs. But that’s exactly what this movie is – a pet project for Burton and Depp. They clearly have fun with the characters, and the film dallies ever so closely to the parody line. The initial set-up is brilliant and dark and ominous, leading us to believe this film will be in line with Burton’s Sleepy Hollow or Corpse Bride. Instead, the rest of the movie is more in line with Beetlejuice. Definitely not a bad thing – just different than what we were prepped for.

 Johnny Depp gives a wonderful performance as Barnabus Collins, the rich young man cursed by Angelique, the witch he spurns in love. His curse is to be turned into a vampire and buried alive. When his casket is discovered 196 years later, the world of 1972 is quite different than the one he left. He comically struggles to fit in and make sense of it all … not the least of which is his remaining family. At his beloved Collinswood Manor lives Elizabeth Collins Stoddard (Michelle Pfeiffer), Roger Collins (Jonny Lee Miller), Carolyn Stoddard (Chloe Grace Moretz), David Collins (Gulliver McGrath), the live-in child psychiatrist Dr Hoffman (Helena Bonham Carter), and their recently hired nanny Victoria (Bella Heathcote). While he was buried, the wicked witch Angelique (Eva Green) becomes the most powerful figure in town.  Ms. Green holds nothing back in her over-the-top jealous witch fun.

 Burton does a nice job poking fun at the 1970’s with comedy that won’t mean much to today’s youngsters, but will hit home with those from the era. The art direction and sets are terrific, especially Collinwood Manor. The music of the 70’s is used to comic effect, including a live performance by Alice Cooper. Michelle Pfeiffer does the best job at capturing the look and feel of the original series, but her daughter’s character (Moretz) takes an unnecessary turn as Burton tries to cram as much in as possible. In fact, the film is actually quite fun to watch, but is lacking real substance in the story department … not dissimilar to the original series.

 This is the 8th film collaboration between Burton and Depp. They make a wonderful team, and Depp has added another entertaining character to his Captain Jack Sparrow, Edward Scissorhands, Mad Hatter legacy. His movements and speech pattern are especially entertaining as we are mesmerized by his milky white complexion. His dialogue (written by Seth Grahame-Smith) demands attention and is both comical and majestic simultaneously. Burton’s tribute to the TV series includes cameos by four of the original actors: Kathryn Leigh Scott, Lara Parker, David Selby, and the recently deceased Jonathan Frid (pictured left) as guests at the ball. It’s a classy touch. Danny Elfman’s score is a bit overwhelmed by the use of numerous 70’s classics, and it was disappointing to hear The Killers version of “Go All the Way” rather than The Raspberries as the closing credits rolled.

Burton is one of the more visual directors and even though the story is a bit lacking, each scene gives us plenty to absorb. The ghosts are especially well done, as is the fishing town of Collinsport which was built just for the movie. It has many similarities to Bodega Bay, which film lovers will recognize as the setting for Hitchcock’s The Birds. Lastly, Burton gives us another scene with the great Christopher Lee – this time as a boat captain caught between Angelique and Barnabus. Good stuff.

SEE THIS MOVIE IF: you are a fan of the original TV series OR you enjoy Burton/Depp collaborations OR you “get” 1970’s humor

SKIP THIS MOVIE IF: in your mind, the 1970’s have as much relevance as 1870

watch the trailer:


TMI (5-16-12)

May 16, 2012

TMI (Today’s Movie Info)

Odd Movie Factoid:

 CLARK GABLE was in the final movies of Hollywood’s two greatest sex symbols: Jean Harlow (Saratoga, 1937) and Marilyn Monroe (The Misfits, 1961).  Harlow died at age 26 of uremic poisoning, and Monroe’s death was caused by whatever theory you subscribe to.