Movie Reviews from the Dark

Greetings again from the darkness. The second annual IT CAME FROM TEXAS FILM FESTIVAL was held September 13-15 at the Plaza Theatre in Garland, Texas. The festival salutes films made in Texas illustrating the Independent Texas spirit. This year’s showcase included three Oscar-winning films: TENDER MERCIES (1983), THE LAST PICTURE SHOW (1971), and GIANT (1956). Although I was out of town and unable to attend, the festival’s director, Kelly Kitchens, was kind enough to provide screeners for three documentaries scheduled for the festival. Al three speak to the pride of Texas.

A FAIR TO REMEMBER (2008)

Co-directors: Allen Mondell, Cynthia Salzman Mondell, and Phil Allen

For so many kids who grew up in Texas, and certainly for those in the Dallas-Ft Worth area, a trip to the Great State Fair of Texas was an annual event, and remains so today. This hour-long documentary serves up details on the rich history of the largest State Fair in the U.S., including the rough beginnings dating to 1886. Author Nancy Wiley, historian Steven Butler, and actress and local celebrity Rose-Mary Rumbley recount personal stories and historical facts related to the Fair.

Narrated by beloved character actor (and Texan) Barry Corbin, segments cover early horse racing that transitioned to auto racing that later morphed into the popular Auto Show. Also receiving time are the Livestock auction, and the games and rides of the infamous Midway (including ‘guess your weight’). The old Wild West Show featuring Native Americans is discussed, as is the 1936 Centennial Fair, and the use of the fairgrounds during WWI and WWII. A brief history of the architectural changes is provided.

I was aware that Elvis played the Cotton Bowl in 1956, yet as many times as I’ve attended, I never knew the first electrical lights in Dallas, as well as the first local airplane flight can be traced to the Fair … or that there was once a Klan Day (exactly what you think) or a Negro Achievement Day. And yes, details are provided for butter sculpture, Fletcher’s Corny Dogs and Big Tex, the world’s tallest cowboy – all popular Fair traditions. The clips and photos provide the visual history and nostalgia that makes this a must-see for Texans.

HORTON FOOTE: THE ROAD TO HOME (2020)

Director: Anne Rapp

Playwright and Screenwriter Horton Foote was born in Wharton, Texas in 1916. You likely don’t know where Wharton is, but the distinguished Mr. Foote won a Pulitzer Prize, two Oscars, an Emmy, was nominated for a Tony, and was awarded the National Medal of Arts by President Bill Clinton.

We hear from those who worked with him, those who acted for him, and those who directed and respected his work … and even his daughter (an actor). Yet what sets this one apart is that we hear directly from 90-year-old Horton prior to his passing in 2009. His reflections on his process and his career are fascinating, even though he’s about the most humble man you’ll ever see interviewed.

His Oscars were won for his screenwriting on TO KILL A MOCKINGBIRD (1962) and TENDER MERCIES (1983), and he may be best known for his original script, THE TRIP TO BOUNTIFUL (1985). Some writers are renowned for their creativity, and Horton certainly possessed that trait, but apparently his greatest gift was that of absorbing and observing those he spent time around. His work is known for being grounded by real characters. He wrote the truth about people and became known as “America’s Chekhov”.

CHILDREN OF GIANT (2015)

Director: Hector Galan

Director George Stevens’ 1956 feature film GIANT received ten Oscar nominations and was based on the novel by Pulitzer Prize winning novelist and playwright, Edna Ferber. Yet, after all these years, it’s still best known as James Dean’s final film (he received a posthumous Oscar nomination). The film also starred Rock Hudson, Elizabeth Taylor, Dennis Hopper, Mercedes McCambridge, Carroll Baker, Sal Mineo, Earl Holliman, Chill Wills, Paul Fix, and Elsa Cardenas. The focus of this documentary, however, is not on the all-star cast, but rather on the tiny west Texas town of Marfa, where the exterior shots of Reata were shot.

Living up to the film’s title, we hear from many of the locals who were mere tykes when the movie stars and film crew hit town sixty years prior. This allows us to better understand that Stevens was intent on exposing more than ego and greed from Texas ranchers of the day. Racism was still rampant at the time, and though there are many obvious moments in the film where this plays a role, the viewpoint here digs even deeper.

Narrated by former San Antonio mayor Henry Cisneros, we hear from Earl Holliman, Stevens’ son, the film’s dialect coach, and the fascinating German on-set caterer, who offers up her own backstory that includes Dachau. We also learn how author Ferber was influenced by meeting the Kleberg’s of King Ranch, and there is speculation that oil tycoon Glenn McCarthy inspired Dean’s Jett Rink character. There is a terrific sequence where actor Elsa Cardenas returns to Marfa, and is saddened that only a few two-by-fours remain from the frame of the mansion’s set. A documentary that captures this much emotion while also enlightening us to a filmmaker’s out-of-the-box commitment is truly something special.