Greetings again from the darkness. The reality of today’s world is that some folks aspire to ‘go viral’ on social media, while others struggle to imagine anything worse. There are those who dream of being famous – even if it’s for only a moment in time. Others value anonymity to the point where they can’t imagine giving that up. This first feature film from writer-director Gustavo Martin and co-writers Matt Anthony and Vishy Ayyar touches on this very topic. By drawing from Ayyar’s real life (he also stars), we see how one of the reluctant types can use unsolicited fame as an advantage … a means to an end.
The film opens on a brutal MMA fight and then flashes back seven weeks. That’s where we find Jai (the film’s co-writer Vishwanath ‘Vishy’ Ayyar) working as a janitor at Marcella’s Gym. Jai is a quiet, hard-working man – one whose recent history includes a prison stint. Cell phone video of his actions at a local market goes viral, resulting in Jai getting his 15 minutes (Warhol fame). This motivates him, as a 45-year-old, to train hard for an upcoming fight. His goal is not so much to relive the glory days of his twenty years ago fighting, but rather to re-gain self-respect and that of his estranged family. Gym owner Marcella (Veronica Falcon) agrees to support him in his unlikely comeback.
Jai tracks down Dennis (Danny Trejo), his old trainer and friend. Dennis is skeptical of the goal considering Jai’s age and the short timeline, but agrees to help. Complicating matters is the mutual attraction between Jai and Melissa (Taylor Treadwell), as well as Jai’s sister working behind the scenes to get him welcomed back into the family. These are developments that Jai needs, yet distractions that keep him from focusing on training – keeping Dennis a bit exasperated.
Stories of redemption are well-worn topics in the movie world, yet we find the character of Jai and his man of few words (and fewer smiles) to be a guy we can root for. Fans of MMA will enjoy the fight scenes and the twist to Jai’s opponent, and those who appreciate a second chance for a decent man will also find plenty to like.
Releasing in select city theaters and on-demand streaming platforms by Quiver on 29 Aug 2025.
Posted by David Ferguson 
Greetings again from the darkness. This is the type of movie that almost begs to be criticized, while at the same time, deserves to be enjoyed for being exactly what it tries to be. Author Richard Osman now has five books in this series, and the first has been adapted by co-writers Katy Brand (GOOD LUCK TO YOU, LEO GRANDE, 2022) and Suzanne Heathcote (“Fear the Walking Dead”). It’s directed by Chris Columbus, known for HOME ALONE (1990), MRS DOUBTFIRE (1993) and a couple of the Harry Potter movies. These are professionals who know how to entertain … and just as importantly, they know how to cast.
Greetings again from the darkness. Put me down as one of those saps who struggles mightily watching kids in peril … even if ‘it’s only a movie.’ Writer-director Dan Kay taps right into my weakness in the opening scene. Two sisters find their mother on the floor of the rural house – dead from an overdose. It’s a situation where initially we have hope. Perhaps the girls will be better off without a druggie mom. But life is rarely that simple.
Greetings again from the darkness. Kate Beecroft’s first feature film as writer-director can be accurately described as a biographical-drama, yet we can’t help but wonder if a straight documentary could have been equally interesting. In no way is that meant as a criticism of the film, it’s just that most of the cast (with only a couple of exceptions) is made up of non-actors playing versions of their real-life selves … and each one of them holds our attention, leaving us wanting to know even more.
Greetings again from the darkness. What a downer this one is! That may seem a harsh thing to say about a movie, but it’s actually a compliment to writer-director Sasha Nathwani on his first feature film, co-written by Helen Simmons. Few films take on the reality of life that can sometimes be cruel or even savage. This film, and the young(ish) performers never shy away from the tough stuff, and the result is a film that’s not a pleasure to watch in the traditional sense, but quite so from a human perspective.
Greetings again from the darkness. One of the benefits of watching so many movies each year is the exposure to various generations negotiating their way through a variety of genres. That ‘benefit’ can sometimes be painful, as in this latest from writer-director Sophie Brooks (THE BOY DOWNSTAIRS, 2017). Despite cringing at the trailer, I agreed to watch this because I’m a fan of the two lead actors.
Greetings again from the darkness. It’s frightening to see how societal norms and individual behavior have shifted over the past five years. It seems clear that the COVID Pandemic was a turning point … or at a minimum, an accelerant. Writer-director Ari Aster (MIDSOMMER, 2019; HEREDITARY, 2018) uses this as a theme in this Neo-noir Western that takes place in a small fictional town in 2020 New Mexico as the pandemic was kicking into gear.
Greetings again from the darkness. Once it became a bumper sticker, it also became a cliché. “Stuff” happens. It happens to each of us. Of course, the degree to which something bad affects us is a personal matter, and how we deal with it determines the impact on our life. A traumatic event will stick with us forever in what’s best described as the aftermath. Although we get some backstory, first time writer-director Eva Victor focuses on the aftermath, and the result is a realistic, grounded, and emotional perspective of one woman’s journey to trudging forward.
Greetings again from the darkness. It might seem dangerous or even cruel to look at war through the eyes of a child. However, this time, it’s a brilliant approach because most of the story is personal … following the villagers on the edges of the Rhodesian Bush War – a Civil War meant to overthrow White colonialism and restore power to the local Black populace. Long admired for her acting career, Embeth Davidtz takes on the director’s chair for the first time, and also adapted the screenplay from Alexandra Fuller’s best-selling 2001 memoir.
Greetings again from the darkness. After reading the synopsis, I was tempted to pass on this one and move on to the next film on the list. What could possibly be appealing about another fading boxer whose life is in shambles? Co-directors Bjorn Franklin (also the screenwriter) and Johnny Marchetta are frequent collaborators on music videos, and this, their first feature film, is a solid action-melodrama with some moving parts that all (OK, mostly) come together. It also has a surprisingly effective lead performance.
Movie Reviews from the Dark 