A BIG BOLD BEAUTIFUL JOURNEY (2025)

September 18, 2025

Greetings again from the darkness. I’m not normally the target market for romantic philosophy-of-life movies, so it seems apropos that one I connect with is likely to be labeled maudlin or sappy by others. Being a big fan of director Kogonada’s underrated COLUMBUS (2017), I was interested to see him team up again with his AFTER YANG (2021) star Colin Farrell, in a blacklist script from writer Seth Reiss (THE MENU, 2022).

Matching Colin Farrell with Margot Robbie means that, at a minimum, beautiful movie stars will fill the screen. Beyond their stunning looks, both are extremely talented actors – Farrell has certainly honed his skill over the years, while Robbie is a modern day Grace Kelly. David and Sarah first meet each other at a wedding. The attraction is there, but this encounter ends awkwardly with each going their separate way. We learn they are quasi-miserable lonely souls who see little hope in finding a true soulmate – the message here being that nothing should be assumed until one’s own soul-searching is complete.

The world’s most bizarre Rental Car counter is staffed by two quirky characters played by Phoebe Waller-Bridge (“Fleabag”) and Kevin Kline. A fantastical GPS system in their matching 1994 Saturns finds David and Sarah ordering the same ‘fast food cheeseburger’ at a roadside diner. This is step one in their titular journey … so named as David screams it while driving. Now traveling in the same Saturn, this GPS directs them to a series of doors – each connected to some past moment of their lives. A red door leads to a lighthouse, another to a high school musical production, one to a special museum, and yet another to hospital visits. It’s part trip down memory lane and part spiritual awakening.

What matters is that David and Sarah are sharing the journey with each other – good memories and bad. Stepping through the doors exposes bits of their life and personality that might take years for two in a relationship to discover, if ever they would. Dealing with one’s own past is a first step in moving forward, much less in accepting another to share a life with. Regrets, missed opportunities, grief, and hurdles are all part of what make us who we are. Supporting cast members include Lily Rabe, Billy Magnussen, Jodi Turner-Smith, and Sarah Gadon. Hamish Linklater nails his one crucial scene as David’s dad … surprisingly, it’s the film’s best scene. Whether it’s viewed as a search for one’s own soul or for a soulmate, the film deals with the baggage that goes with being a grown-up.

Exclusively in theaters beginning September 19, 2025

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Posted by David Ferguson

SWIPED (2025)

September 18, 2025

Greetings again from the darkness. Successful businesspeople always intrigue me – especially visionary founders and true entrepreneurs – those who actually bring something new to the market. Henry Ford, Steve Jobs, Bill Gates, and Elon Musk all fit the description … although to clarify, I do not assume their business acumen translates into moral integrity or empathetic humanity. Writer-director Rachel Lee Goldenberg and writer Bill Parker (previous collaborators on UNPREGNANT, 2020) and writer Kim Caramele take on the somewhat tricky project of profiling Whitney Wolfe.

Ms. Wolfe, played here by Lily James (CINDERELLA, 2015; BABY DRIVER, 2017) was the brains behind two successful dating apps, Tinder and Bumble. While the story is “inspired by actual events”, telling Whitney’s story is complicated by the fact that she remains under the terms of a Tinder NDA … the filmmakers weren’t even allowed to speak with her. Instead, reading the lawsuit documents and researching interviews from those who were around as she made her mark provided the outline of this talented, ambitious woman who rose to the top in a sea of Tech Bros.

The film opens in 2012 Los Angeles when Whitney first crossed paths with Sean Rad (Ben Schnetzer, 7 DAYS IN ENTEBBE, 2017), the founder of Hatch Labs/Tinder. Her ingenuity and creative mind helped Tinder explode in popularity by taking the app directly to the college students she identified as the initial target market. We feel the energy in the room as the Tinder team watches their success literally click off on a digital counter mounted in the office. That euphoric energy is soon replaced by a much different vibe for Whitney and the other female co-workers.

One of the best features of the film is how it portrays Whitney and her experience with the male-dominated Tech Bros. Sexual harassment, misogyny, and a straight-faced mentor who lies to her face lead to her anxiety and paranoia. Even other women in the company are frustrated that she hasn’t used her power – in fact, Whitney has a collision between ambition and wanting to do things the right way. When is the line crossed for toxic behavior? What to ‘let slide’ and when to ‘stand up’ is the dilemma facing Whitney and scores of other women.

When the breakdown finally occurs and Whitney is recruited by Badoo founder Andrey Andeev (Dan Stevens with a Russian accent). Her perfect scenario of creating an app that shifts dating dynamics from a work environment that rewards proper behavior and quality of production is nearly shattered by a repeat of past evils. However, we see how Whitney has grown as a person and takes responsibility for ensuring things are done correctly in her environment. It ends up as a feel-good story of redemption.

An excellent supporting cast also consists of Clea DuVall, an excellent Myha’la, Jackson White, and Pierson Fode. The main criticism would be with the camera work. The bouncing handheld technique is overused for a story that creates its own energy. It would be a mistake to wave this off as a “Me Too” film, despite it fitting squarely in the space. More importantly, it’s a reflection of real-life workspaces and how one trailblazer found the right path and became the youngest female self-made billionaire … certainly a story worth telling.

20th Century Studios’ SWIPED releases on Hulu on September 19, 2025.

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Posted by David Ferguson

WALTZING WITH BRANDO (2025)

September 18, 2025

Greetings again from the darkness. Marlon Brando was a true Hollywood legend. Renowned for his performances in such movies as A STREETCAR NAMED DESIRE (1951), ON THE WATERFRONT (1954), and of course, THE GODFATHER (1972). He was nominated for eight Oscars, winning three. Despite his on-screen fame, Brando was an enigma in life. Sexual escapades, a commitment to causes, a neighbor and friend to Jack Nicholson, and his own French Polynesian island contributed to the mystique. It’s that private island which writer-director Bill Fishman (nearly a 40-year career of music videos) focuses on here.

The film is adapted from the 2011 book, “Waltzing with Brando: Planning a Paradise in Tahiti”, written by Bernard Judge, who is not just a big part of the story, it is in fact, his story being told. We first meet Bernard Judge (played by Jon Heder, NAPOLEON DYNAMITE, 2004) as a California-based architect with an interest in ecologically friendly and sustainable construction. It’s this interest that draws the attention of Marlon Brando (Billy Zane, TITANIC 1997; TOMBSTONE 1993, the underrated DEAD CALM 1989), who wants to develop something special on his remote island, Tetioroa. The two men hit it off and Bernard, with input from Brando, develops a comprehensive master plan and design.

Now if all that sounds a bit serious, you should know that director Fishman takes a light-handed, comedic approach to most of it. Zane’s Brando is both charming and manipulative, while Heder’s acting as Bernard is more suited to the man who finally takes to the relaxed Tahiti lifestyle, rather than the starched-shirt architect we first meet. Zane is made to look very much like Brando, yet he doesn’t limit his performance to posing and side-eyes. He even gets to deliver his Brando in “cuts” from THE GODFATHER, LAST TANGO IN PARIS, APOCALYPSE NOW, and SUPERMAN.

We learn developing a private island is not easy, even for Hollywood royalty. It’s also not cheap, and Brando, despite feeling tired of acting, continued taking jobs to pay for his dream … his restructuring of his “Gangster Movie” (THE GODFATHER) ended up costing him millions of dollars. The supporting cast includes Rob Corddry as Brando’s Business Partner, Richard Dreyfuss as the Money Manager, Alaina Huffman as Bernard’s wife, Camille Razat as a special friend. There are also appearances from Tia Carrere, David Guerira (as Francis Ford Coppola), and Heiae Touniou. Thanks to CGI, we see clips of Brando with Dick Cavett and Johnny Carson, and in keeping with the light-handed approach, there is a significant amount of speaking to the camera (breaking the 4th wall).

Billy Zane makes an excellent Brando (with a unique doorstop), while Jon Heder seems a bit miscast (or trying too hard). The story emphasizes Brando’s relaxed island style, purposefully avoiding the dark side. For Bernard Judge, these four or five years were life-altering, and we even see him looking back in 2010 during an interview for the book. Bernard passed away in 2021, so he didn’t get to see the film. It’s not a movie you can’t refuse, but for movie fans, it’s certainly fun to see Billy Zane as the icon.

Only in theaters on September 19, 2025

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Posted by David Ferguson

QUEEN OF MANHATTAN (2025)

September 18, 2025

Greetings again from the darkness. I recently watched NAKED AMBITION, a documentary on Bunny Yeager – a woman who excelled as a pinup in front of the camera as well as a photographer behind it. This film from writer-director Thomas Mignone (best known for his music videos) made for the perfect follow-up. While Bunny Yeager refused to join in to the shift towards more extreme content in the 1970’s and 1980’s, Mignone’s subject, Vanessa del Rio, not only carved out a career, she also became quite famous for her erotic and explicit films of the era.

Vivian Lamolle (“Grease: Rise of the Pink Ladies”) portrays Vanessa del Rio and works hard to capture her charm and spirit. Filmmaker Mignone kicks things off by stating it’s 1981 and the film is “based on true events … allegedly”. The director conducted many hours of interviews with the real Ms. Del Rio (now in her 70’s), and much of what’s in the film stems from those conversations. By the time the film begins, Vanessa is well-established and well-known as an adult actress. Two of her film sets are referenced here, DRACULA EROTICA and FOXHOLES, making it clear that Vanessa was fully aware of the expectations and embraced this as career.

Supporting work comes from some familiar faces. Drea de Matteo plays Dominique, the club manager, and David Proval plays club owner Mickey. Both are alums of “The Sopranos”. Esai Morales plays Vanessa’s dad in flashbacks to 1960 Cuba, while Taryn Manning (“Orange is the New Black”) and Jesse Metcalf (“Desperate Housewives”) have key roles.  Dita Von Teese also appears. Vanessa became legendary in an industry most of us can’t really relate to, and as you might guess, the expected timeline of popularity is a bit short for most performers.

The grittiness of the era and of New York City specifically is quite clear, as is the demanding pace of work and unfair distribution of revenue. It’s interesting to note that the film presents adult entertainers as real folks – some struggling to make ends meet, while others become marquee names. This is not a documentary, but does profile Vanessa’s career – including her advocacy for sex workers’ rights. The AIDS epidemic (and the accompanying misinformation) of the 1980’s convinced her to end her film career, yet it’s noted that she made over 200 movies in a twelve-year span.

The film will be released IN SELECT THEATRES on September 19th and On Demand October 14th. 

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Posted by David Ferguson

BANG BANG (2025)

September 11, 2025

Greetings again from the darkness. There is no obvious explanation for my connection to and appreciation of Tim Blake Nelson on the big screen … well … other than his talent. He certainly doesn’t possess the traditional attributes of a movie star, yet that’s exactly what he is. Not only is he one of the most dependable character actors around (see O BROTHER WHERE ART THOU and MINORITY REPORT), but he’s also terrific in lead roles (see OLD HENRY and ASLEEP IN MY PALM). With this latest film, director Vincent Grashaw and screenwriter Will Janowitz (who also has a role in the film) benefit from the actor’s audacious and fearless performance.

Bernard “Bang Bang” Rozyski (Tim Blake Nelson) is a bitter man. He’s also an alcoholic. As a former boxer, he appears to be in a race to the bottom with the area of Detroit in which he lives. Both man and city are crumbling and to add insult, the former boxing rival that Bernard views as the reason for his decline is running for Mayor. Darnell Washington (Glenn Plummer) became rich peddling juicers (not countertop grills) and now holds himself up as a guiding light for a city that needs a reason to exist … not unlike Bernard.

Bernard’s estranged daughter (Nina Arianda) surprises him with a knock on the door and a request to watch her son Justin (Andrew Liner) while she gets settled with a new job in a new city. Justin’s ankle monitor prevents him from going with mom until he fulfills his community service. He also shows little interest in Grandpa’s philosophical meanderings … until he learns boxing can lead to money and girls. Bernard begins training him with the help of an old friend (Kevin Corrigan), and it’s at this point when we wonder if Bernard’s new path is one of redemption or revenge.

While the reasoning may be initially unclear, we have no doubt that Bernard is haunted by the past – and he understands this very well. Fighting, family, and his former house all play a role in his bitterness and frustration. We also understand that things don’t tend to get better for a guy like ‘Bang Bang’. Although the film covers familiar ground with some recognizable tropes, Tim Blake Nelson’s performance and the raw aesthetic of the film keep us fully engaged. His final confrontation with Washington may go a bit over the top, but it reminds us that while a hammer sees everything as a nail, a fighter may very well view everything as a fight … or at least as the only way to resolve conflict.

The film opens in select theaters on September 12, 2025 (NYC, LA, Detroit, with additional markets TBA), following its premiere at the Tribeca Festival.

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Posted by David Ferguson

GRIFFIN IN SUMMER (2025)

August 28, 2025

Greetings again from the darkness. For fourteen-year-olds, there’s often very little difference in passion for something and obsession with that same thing. Writer-director Nicholas Colia (reimagining his 2017 short film, ALEX AND THE HANDYMAN) brings us the coming-of-age story of Griffin (a fantastic newcomer in Everett Blunck), whose passion for art is undeniable and plays a role in his newfound obsession (this time we can tell the difference).

A cold opening finds us on stage at the school’s end of year Student Talent Show. Griffin announces he will be performing an excerpt from his ‘latest’ play, “Regrets of Autumn”, which he describes as “Who’s Afraid of Virginia Woolf” and “American Beauty”. The scene, and his performance, are intense and funny, and far beyond the audience of teens since it’s a harsh view of the relationship between an alcoholic housewife and her disinterested and philandering husband.

With summer arriving, Griffin convenes his friends to begin rehearsal on his play. The basement takes some rearranging, and his patient and understanding friend Kara (the talented Abby Ryder Fortson, ARE YOU THERE GOD? IT’S ME, MARGARET, 2023) has agreed to be the director … despite her knowing that things must go according to Griffin’s plan. Of course, not every 14-year-old wishes to adhere to his 60 hour per week rehearsal schedule (don’t be late!), so there is a bit of pushback as kids like to be kids. Griffin is struck by another annoyance – his mother (expert at playing beat down characters, Melanie Lynskey, “Yellowjackets”) has hired a twenty-something handyman named Brad (the always interesting Owen Teague, IT, 2017), and the noise is disturbing Griffin’s creativity.

It’s the dynamic between Griffin and Brad that sets this one apart from so many movies. Stars align when Brad discloses that he’s a performance artist in New York City … the city of Griffin’s hopes and dreams. Soon the two are working together, and the fallout causes other issues that Griffin’s blinders initially prevent him from noticing. Additionally, his attraction to Brad is interrupted by Brad’s girlfriend Chloe (an energetic and funny Kathryn Newton, “Big Little Lies”), generating more unfortunate actions.

Coming-of-age is a term that gets easily tossed around, but the actual process can be quite challenging and often involves the first heartbreak. There’s another interesting aspect to Colia’s screenplay and that’s the similarities between Griffin’s parents’ relationship and that of the couple in his play. It’s never directly mentioned, yet was clearly an influence. This is Everett Blunck’s first lead role, and he’s a unique talent that we will surely see more often in the coming years. The same can be said for filmmaker Nicholas Colia who has delivered a dramatic coming-of-age with plenty of laughs, while also commenting on how one’s passion for art may be easily mocked, making it difficult to sustain.

Available in theaters beginning August 29, 2025

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Posted by David Ferguson

AMERICAN WARRIOR (2025)

August 28, 2025

Greetings again from the darkness. The reality of today’s world is that some folks aspire to ‘go viral’ on social media, while others struggle to imagine anything worse. There are those who dream of being famous – even if it’s for only a moment in time. Others value anonymity to the point where they can’t imagine giving that up. This first feature film from writer-director Gustavo Martin and co-writers Matt Anthony and Vishy Ayyar touches on this very topic. By drawing from Ayyar’s real life (he also stars), we see how one of the reluctant types can use unsolicited fame as an advantage … a means to an end.

The film opens on a brutal MMA fight and then flashes back seven weeks. That’s where we find Jai (the film’s co-writer Vishwanath ‘Vishy’ Ayyar) working as a janitor at Marcella’s Gym. Jai is a quiet, hard-working man – one whose recent history includes a prison stint. Cell phone video of his actions at a local market goes viral, resulting in Jai getting his 15 minutes (Warhol fame). This motivates him, as a 45-year-old, to train hard for an upcoming fight. His goal is not so much to relive the glory days of his twenty years ago fighting, but rather to re-gain self-respect and that of his estranged family. Gym owner Marcella (Veronica Falcon) agrees to support him in his unlikely comeback.

Jai tracks down Dennis (Danny Trejo), his old trainer and friend. Dennis is skeptical of the goal considering Jai’s age and the short timeline, but agrees to help. Complicating matters is the mutual attraction between Jai and Melissa (Taylor Treadwell), as well as Jai’s sister working behind the scenes to get him welcomed back into the family. These are developments that Jai needs, yet distractions that keep him from focusing on training – keeping Dennis a bit exasperated.

Stories of redemption are well-worn topics in the movie world, yet we find the character of Jai and his man of few words (and fewer smiles) to be a guy we can root for. Fans of MMA will enjoy the fight scenes and the twist to Jai’s opponent, and those who appreciate a second chance for a decent man will also find plenty to like.

Releasing in select city theaters and on-demand streaming platforms by Quiver on 29 Aug 2025. 

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Posted by David Ferguson

THE THURSDAY MURDER CLUB (2025)

August 27, 2025

Greetings again from the darkness. This is the type of movie that almost begs to be criticized, while at the same time, deserves to be enjoyed for being exactly what it tries to be. Author Richard Osman now has five books in this series, and the first has been adapted by co-writers Katy Brand (GOOD LUCK TO YOU, LEO GRANDE, 2022) and Suzanne Heathcote (“Fear the Walking Dead”). It’s directed by Chris Columbus, known for HOME ALONE (1990), MRS DOUBTFIRE (1993) and a couple of the Harry Potter movies. These are professionals who know how to entertain … and just as importantly, they know how to cast.

Take two Oscar winners, a former James Bond, a few British acting stalwarts, and add in a stunning English countryside manor and a murder mystery, and the result is low-key, crowd-pleasing entertainment (even if it panders a bit to its target audience). The setting is Cooper Chase, a scrumptious estate serving as a much-desired retirement home. Hobbies among the residents include the expected crafts, archery, crosswords, sudoku, jigsaw puzzling, and various committees. The most unusual is the Thursday Murder Club, where Elizabeth (Oscar winner Dame Helen Mirren), Ron (former 007 Pierce Brosnan), and Ibrahim (Oscar winner Sir Ben Kingsley) meet up to discuss an open police case provided by Elizabeth’s now comatose ex-cop friend.

It doesn’t take long for new resident Joyce (Celia Imrie, THE BEST EXOTIC MARIGOLD HOTEL, 2011) to be accepted into the club, where her nursing experience perfectly complements the diverse skills of former union leader Ron, former psychiatrist Ibrahim, and the mysteriously clever Elizabeth (whose background takes a while to come to light). Greedy owner Ian Ventham (David Tennant) wants to transition the home into luxury condos, and this irritates the residents while putting a spotlight on the other two owners, Tony Curran (Geoff Bell) and Bobby Tanner (Richard E Grant). 

When the murder occurs, the TMC springs into action with a “real” case. If they can solve it, they may even save Cooper Chase for all residents. The story unfolds in the manner of most whodunits, and our attention is on the main characters as well as others who come into play: Stephen (Jonathan Pryce) is Elizabeth’s dementia-stricken husband, DCI Chris Hudson (Daniel Mays) doesn’t appreciate the talents of TMC, while his assistant, Officer Donna de Freitas (Naomie Ackie) certainly does.

The clues, the research, and the disclosure of mastermind Elizabeth’s past are all fun to watch, and Joyce’s obsession with baking fancy cakes provides a necessary distraction at times. Fifteen-time Oscar nominee Thomas Newman provides the score, and we also get a bit of T Rex (“Bang a Gong”), a Springsteen ‘The River’ t-shirt, and a finale featuring an on-the-nose Cat Stevens’ “Oh Very Young”. One blink and you’ll miss it one-liner occurs when Stephen tells his wife, “You look like the Queen”. Gray cinema murder mystery is definitely having a moment thanks to “Only Murders in the Building”, the “Matlock” reboot, and the recently announced reboot of “Murder She Wrote.” It’s interesting to note that Helen Mirren, Pierce Brosnan, and Geoff Bell were all key players in the recent “MobLand”, a much darker limited series. I’m sure Dame Helen Mirren is enjoying the resurgence … just don’t call her “feisty”.

Opens on Netflix beginning August 28, 2025

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Posted by David Ferguson

WHAT WE HIDE (2025)

August 22, 2025

Greetings again from the darkness. Put me down as one of those saps who struggles mightily watching kids in peril … even if ‘it’s only a movie.’ Writer-director Dan Kay taps right into my weakness in the opening scene. Two sisters find their mother on the floor of the rural house – dead from an overdose. It’s a situation where initially we have hope. Perhaps the girls will be better off without a druggie mom. But life is rarely that simple.

Mckenna Grace (GIFTED, 2017) is remarkable as 15-year-old Spider. She’s so determined to keep together what remains of her family that she looks forcefully in the eyes of her younger sister Jessie (a terrific Jojo Regina, WHERE THE CRAWDADS SING, 2022) and says, “I’ll die before I let them break us up.” And neither Jessie nor us viewers have any doubt she means it. Yet, the challenges of that promise mount quickly … and start with what to do with mom’s body while keeping her death a secret.

Other challenges include mom’s frightening druggie boyfriend, Reece (Dacre Montgomery, WENT UP THE HILL, 2025), who threatens the girls in order to extort money from them. There is also a social worker (Tamara Austin), and a well-meaning local Sheriff (Jesse Williams, “Grey’s Anatomy), who happens to be the father of Spider’s best friend Alexis (Malia Baker, “The Baby-Sitters Club”). All of this is piled up on the girls attending school and not arousing suspicion … an incredibly stressful task for two youngsters. The emotional strain forces them to deal with a situation way beyond their years.

The interaction between the two sisters is mesmerizing to watch. Both actors are tremendous and create characters that find us believing everything they say and do. Spider has (mostly) pent up anger, while Jessie chooses to remember her mom’s goodness. The dynamics shift a bit when local boy Cody (Forest Goodluck, THE MISEDUCATION OF CAMERON POST, 2018), takes an interest in Spider, using photography as an icebreaker. This acts as a reminder that Spider is a young girl who should be enjoying friends and figuring out relationships, rather than protecting her sister from outsiders.

Filmmaker Kay delivers an ending that fits so well with a story that has put the characters and viewers through immense emotional strain. This is one of the indie gems that has a lot going for it, not the least of which is these two outstanding young actors.

A limited theatrical rollout continues August 22, 2025 and August 29, 2025 in select cities

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Posted by David Ferguson

EAST OF WALL (2025)

August 15, 2025

Greetings again from the darkness. Kate Beecroft’s first feature film as writer-director can be accurately described as a biographical-drama, yet we can’t help but wonder if a straight documentary could have been equally interesting. In no way is that meant as a criticism of the film, it’s just that most of the cast (with only a couple of exceptions) is made up of non-actors playing versions of their real-life selves … and each one of them holds our attention, leaving us wanting to know even more.

Tabatha Zimiga is a tough-looking mom who runs a 3000 acre horse farm near the Badlands of South Dakota. She’s a horse trainer and trader, and is known as a ‘horse whisperer’ (her abilities are so renowned, some even jokingly refer to her as a witch). The auction prices on her horses have dropped recently, adding stress to Tabatha’s existence. Not only did her husband die, leaving her to run the farm, but she’s also the one who welcomes local kids to live at her place when things don’t go well at their own home. As noted by the signs of blight in the area, poverty is commonplace, and some folks can’t handle the added burden of kids. In fact, Tabatha currently has seven teenagers and her own three-year-old son to care for – so the reduced price for horses puts many in peril.

One of the teenagers is Tabatha’s fourteen-year-old daughter, Porshia, a champion rider who markets the horses on TikTok … while also going through the moods of a teenager who no longer has her dad. Also on the farm are Tabatha’s mother Tracey (played by the always excellent Jennifer Ehle, SAINT MAUD, 2019) and Tabatha’s boyfriend Clay. Tracey seems best suited to smart-aleck remarks as she brews her own moonshine. Tabatha calmly and firmly runs the show, knowing full well how dependent the kids are on her.

After one of the auctions, Roy Waters (Scoot McNairy, A COMPLETE UNKNOWN, 2024), a cocky rancher from Fort Worth, Texas makes an offer to Tabatha. He will buy the ranch and allow her and the kids to continue living and working there to build the horse trading business. He recognizes the value in having a horse whisperer of Tabatha’s caliber. One can imagine how angry this makes Porshia, as it’s the only home she’s ever known, and the farm carries all memories of her late father. It’s here where the film slips a bit, as the interaction between Tabatha, Porshia, and Roy seems a bit clunky, leaving us to fill in a few too many gaps.

Cinematographer Austin Shelton does a terrific job at capturing the unique terrain of the area, as well as the near chaos of the energetic kids. Periodically, the music is a bit too strong for the scene, but there is something true and honest here as we ask ourselves, “what makes a family?” It certainly seems like Tabatha knows.

The film opens on August 15, 2025

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Posted by David Ferguson

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