HEREAFTER (2010)

October 24, 2010

 Greetings again from the darkness. One of the advantages to not being dependent upon movie reviews for food and shelter is that there is no concern for a superstar holding a grudge against me and my opinions. Make no mistake, director Clint Eastwood is a Hollywood powerhouse and also one of the most consistently fine filmmakers working today. Still, no one bats a thousand … this is a miss, with barely a swing.

The film follows three basic stories. The first revolves around George Lonegan (Matt Damon), who seemingly has true psychic abilities. The problem is that George does not wish to have anything to do with his “powers”. The second involves twin brother, Marcus and Jason, who live with their druggie mom. Things change quickly when Jason is hit and killed by a truck and Marcus is taken away while his mom rehabs. The third story has Marie LeLay (Cecile De France) as an investigative reporter who gets caught in a tsunami while vacationing and has a “near death experience”.

I will not go into detail for any of the three stories other than to say Jay Mohr plays Damon’s money-grubbing brother who wants to take his talent to the big time; the sadness of the surviving twin is tough to take at times as he searches for a connection to his dead brother; and lastly, Marie’s near-death brings her closer to life than she ever was before.

What is most surprising, given the pedigree of Eastwood and writer Peter Morgan (The Queen, Last King of Scotland) is that this movie and each of these stories are, for lack of a better word, quite boring. We really get little insight into any of the characters – other than the overall sadness each shows regularly. The sub-story with the most interest involves a brief encounter with a secret research clinic sporting a Nobel Prize winner. The clinic evidently has much research and data on this topic.

As you have already guessed, these three stories intersect near the film’s end. This is a ploy that is all too common in Hollywood these days. I won’t give away how it all comes together, but it bordered on eye-rolling. The film does not depend upon the viewer’s beliefs or understanding, though I personally believe some people do have a heightened sense of awareness and connection. That’s not really what it’s about. It’s more about sadness, loneliness and the need for personal connection while alive.

As usual, Mr. Eastwood has put together a terrific score. And I will gladly admit that the first 7-10 minutes of the film, including the tsunami were captivating … and I loved the connection with Charles Dickens. That’s the best I can offer for the film, and here’s hoping Eastwood’s biopic on J Edgar Hoover brings significantly more interest and entertainment value.

SEE THIS MOVIE IF: you somehow enjoy watching sad, miserable people talk to other sad, miserable people OR you want to see a really cool CGI tsunami on screen.

SKIP THIS MOVIE IF: you aren’t the president of the Clint Eastwood Fan Club OR you find connections between the present and afterlife to be full- baked baloney.

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Posted by David Ferguson

STONE (2010)

October 24, 2010

 Greetings again from the darkness. Psychological thrillers have long been my favorite genre of film. The best ones cause us to examine our own thoughts while analyzing the actions of others we probably don’t quite understand. Unfortunately, most scripts fall short in complexity and stimulation, and leave us with a half-empty character study. Director John Curran (The Painted Veil) and writer Angus MacLachlan (the superb Junebug) offer up a just-miss.

Robert DeNiro plays a parole officer on the brink of retirement. He is the guy that lives and works by the book to suppress his inner demons of which we get a glimpse in the film’s opening. Despite the horror, he and his wife stay married for decades … the relationship is built on a false worship of scripture and plenty of nerve-deadening booze. DeNiro decides to finish out his current files, one of which belongs to Edward Norton. He is an 8 year convict, serving a sentence for a crime that ended with the death of his grandparents.

The real fun begins when Norton enlists his schoolteacher wife, played by Milla Jovovich, to invade DeNiro’s cold facade. So really what we have is: DeNiro trying not to feel anything, Norton trying to pull one over on DeNiro either by himself or with his wife, and Jovovich trying desperately to obey her husband while playing evil mind and body games with DeNiro. This is the point I like to call “the table is set”.

Unfortunately, none of these story lines really go deep. The best seems to be Jovovich and DeNiro, but even that falls short of real grit. So much potential here and the actors all seem up for anything. It’s just the script lets them off way too easily.

Frances Conroy is excellent as DeNiro’s wife who had had her soul locked away. We never really get the full scoop on the Norton/Jovovich connection, but by the end, that doesn’t seem to matter. Is the film watchable? Yes. Could it have offered more deliciously evil interaction between these characters? Absolutely.

SEE THIS MOVIE IF: you have been patiently waiting for Edward Norton to put his hair in corn rows OR swigging whiskey while reading biblical scripture is a family tradition you could embrace

SKIP THIS MOVIE IF: you get frustrated when a promising premise of intellectual battles fizzles right in front of your eyes OR if the mere thought of a Robert DeNiro / Milla Jovovich hook up causes you to reach for the Pepto Bismol.

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Posted by David Ferguson

YOU WILL MEET A TALL DARK STRANGER

October 10, 2010

 Greetings again from the darkness. Sound and fury signify nothing. The narrator begins the film by reminding us of Shakespeare’s words. I can’t decide whether or not this was a confession by Woody Allen that he realized the movie fits that phrase. I have followed Mr. Allen’s film career since the early 70’s and have learned that sometimes disappointment follows. Of course, there are also times when pure screen magic occurs, making the journey worthwhile. Unfortunately, there is no magic here, just sound and faux-fury.

Here is a convoluted recap of the story: Elderly woman Helena (Gemma Jones) is dumped by her doesn’t want to admit he’s aging husband Alfie (Anthony Hopkins). He tries to be a swinging bachelor and ends up marrying a gold-digging call girl named Charlamaine (Lucy Punch). Helena looks for guidance from Cristal (Pauline Collins),a fortune teller referred by Helena’s daughter Sally (Naomi Watts). Sally is married to Roy (Josh Brolin), a morally bankrupt one-hit wonder in the novel-writing business. She works at a very successful art gallery run by Greg (Antonio Banderas). Sally and Roy yell at each other a lot and Sally has eyes for Greg, who instead has eyes for Iris (Anna Friel), a painter Sally discovered. Roy has peeping eyes for Dia (Freida Pinto), whom he can see from his bedroom window.

So, you get the idea. It is actually a set-up that fits perfectly with a Woody Allen film. A madcat story where no one is happy with their life and they each seek proof of their worth. Interesting that they seem to have some security with their current partner, but it’s just not enough. The cast is stellar, and London makes the perfect setting. However, nothing really clicks. Manly Josh Brolin just doesn’t wear neurosis well. I didn’t enjoy watching Naomi Watts yell at people. Anthony Hopkins’ character is such a pathetic re-tread that it really annoyed me. Mr. Allen obviously finds Freida Pinto appealing because her character gets perfect lighting and comes across as a victim, despite dumping her fiancé.

Despite all the turns in these sub-plots, only one of the stories really has any finality to it. Now I don’t mind endings that leave much to the imagination, but I do get irritated when it appears the filmmaker just lost interest. Even when that filmmaker is Woody Allen. 

SEE THIS MOVIE IF: you believe Woody Allen only makes timeless classics OR listening to Leon Redbone sing “When You Wish Upon a Star” is worth $10 to you.

SKIP THIS MOVIE IF: you are susceptible to the directives of fortune tellers OR you just can’t take one more film about a struggling writer, a lustful senior citizen or a career woman whose biological clock is ticking.

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Posted by David Ferguson

JACK GOES BOATING (2010)

October 3, 2010

 Greetings again from the darkness. We all recognize the genius of Philip Seymour Hoffman the actor. This gives us one more example of his immense talent, but also puts his eye as a first time director on display. Not surprisingly, the result is a terrific “little” film.

Based on the play by Bob Glaudini, three of the four main characters reprise their role from the stage production. Mr. Hoffman as Jack, John Ortiz as Clyde and Daphne Rubin-Vega as Clyde’s wife, Lucy. The newcomer is the fantastic Amy Ryan (“The Office”, “Gone Baby Gone”)as Connie. Jack and Clyde are good friends and work together as limo drivers. Lucy and Connie work together for some odd funeral home specialist who markets a type of  program that I never quite understood.

All that really matters is that Clyde and Lucy arrange to have Connie and Jack meet. The apparent reason is that neither of them have any friends or social skills and therefore, must be the perfect match! What we then learn is that all four of these people are fractured. Scene after scene shows off the power of friendship and/or the frailty of on-the-job relationship therapy brought about by cheating, holding grudges and keeping secrets.

For the most part, the film has the feel of a stage production and moves very slowly as these type of people would. There are moments where individual weakness gives way to outbursts of emotions – and not all in a positive way. What is clear is that they each want the best for each other, but have no real feel for what’s best for themselves.

I thought the film made some excellent points, but I was a bit disappointed in the hookah scene. That was the only scene that went too far and my guess is it worked better on stage. On the bright side, there are some tender, poignant moments and the acting is truly superb throughout the film. It is obvious that these four actors care very much for the story and these characters.  The soundtrack is a bit unusual, but fits very well with these characters.  One reggae song, “The Rivers of Babylon” plays a vital role in the film’s lone light-hearted moment.

SEE THIS MOVIE IF: exceptional, nuanaced acting is your cup of tea OR you are a fan of Philip Seymour Hoffman

SKIP THIS MOVIE IF: low budget indies tend to bore you OR watching Philip Seymour Hoffman learn to swim could give you nightmares

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Posted by David Ferguson

THE SOCIAL NETWORK (2010)

October 2, 2010

 Greetings again from the darkness. This is a film with good genes. It’s based on Ben Mezrich‘s novel “The Accidental Billionaires”, screenplay by Aaron Sorkin (West Wing, A Few Good Men) and directed by one of the best directors working today, David Fincher (Fight Club, Zodiac). The film is dialogue driven and my advice is to shift your ears into turbo-mode to keep up. These Harvard types never stammer and are quite speedy in making their oh-so-clever points.

This film is not so much the history of Facebook as it is a glimpse into the individuals behind the idea. Foremost, of course, is Mark Zuckerberg (played with rapid-fire tunnel vision by Jesse Eisenberg). The programming guru behind the code, Zuckerberg is depicted as a guy who is not just socially inept, but also unaware of social mores and code. I am not sure if he is best described as a prodigy, genius or even (possibly) a sufferer of Asperger’s Syndrome. Whatever he is/was, he became a billionaire in his early 20’s by proving he could put together the world’s dominant social network while having no redeeming social or relationship skills of his own. Fascinating.

Zuckerberg’s best and only friend (and business partner) is Eduardo Saverin (played by the next Spider-Man, Andrew Garfield). Saverin fronted the money to get Facebook started and was one of the parties who brought suit against Zuckerberg, claiming he was cheated out his place in the company.

The third key player is the infamous Sean Parker (played by Justin Timberlake). Founder of Napster and Plaxo, Parker manages to get his hooks into Zuckerberg and apparently was behind the snubbing of Saverin. This is the most charismatic role in the film (and real life), yet also the role that may have the most dramatic license taken in the film.

The story is told in non-linear form, weaving multiple depositions from different lawsuits. One includes the Winklevoss twins from Harvard who claim Zuckerberg stole their idea. They later settled for millions.

As I said, this is not so much a history of Facebook as it is a display of the characters involved. These are all brilliant people who are also ignorant to the ways of the world. It seems they all have significantly different goals, yet never really stop to agree on strategy. Instead, the site growth is non-stop, as is the back-stabbing.

Interestingly, the film uses a girl (Rooney Mara) in the opening scene as the single biggest influence on Zuckerberg’s brainstorm. Her rejection of his self-centered speed-talking kicks his creative wheels into motion and his relentless energy never slows for the rest of the story. One thing is clear, Zuckerberg did not single-handedly create Facebook and there is little doubt some key people were given short straws along the way. No way to discern what really happened as all that was battled out behind closed doors in sealed records and settlements. What we do know is that Facebook now has over 500 million users worldwide.

This is an extremely well crafted movie, though in my opinion, none of the acting is up to the script. It’s a film that provides enough insight into the players and enough entertainment for the ticket. That’s really sufficient. Some are proclaiming this as a Best Picture contender.  It may very well get enough momentum to be nominated, but here’s hoping this isn’t the year’s best.  Coming next … David Fincher is set to direct and Rooney Mara is cast as Lisbeth in the Americanized version of the fabulous Swedish hit, The Girl with the Dragon Tattoo. So enjoy this one and look forward to that!

SEE THIS MOVIE IF: you are one of the 500 million Facebook users OR you thrill to the challenge of high-voltage, college-genius dialogue that always instantaneously delivers the single best comeback possible.

SKIP THIS MOVIE IF: you think every person has redeeming value OR you have to ask “What is Facebook?”

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Posted by David Ferguson

IT’S KIND OF A FUNNY STORY (2010)

September 30, 2010

 Greetings again from the darkness. Attended a screening last evening and came away a bit surprised. The preview, thanks in part to Ida Maria’s blaring song “Oh My God”, had me convinced this was going to be a typical slapstick teen comedy. Instead, co-writers and co-directors Anna Boden and Ryan Fleck deliver a black comedy-drama that has appeal to both teens and grown-ups. (based on the Ned Vizzini novel)

The story revolves around Craig, a 16 year old who is feeling depressed and suicidal given the pressures of a relentless father, looming college entrance exams and a screwed up social life. You are right if you are thinking this sounds like just about every 16 year old on the planet. The difference here is that Craig checks himself into a psych ward … he ends up in the adult wing, since the teen wing is undergoing renovations. Craig is played by Keir Gilchrist (The United States of Tara), who I can best describe as a young Keanu Reeves clone, only too smart rather than too clueless.

Since this is part comedy, you can imagine the characters who fill the ward. Craig bonds with Bobby, played by Zach Galifianakis, who seems happy to play the mentor role (quoting Dylan) for Cool Craig, but just can’t seem to find the strength to live his own life. Of course, we also get the emotionally damaged hot girl played exceptionally well by Emma Roberts (daughter of Eric, niece of Julia; Nancy Drew). The film accepts its own stereotypes for the other characters with labels such as “the schizophrenic”.

The message of the film seems to be that we all go through stages of doubt and uncertainty, and the best “cure” is to somehow remove the stress and discover our real talents and personality. You may end up creating art in the form of a brain map, or even a music video of Bowie/Queen’s “Under Pressure” (an elaborate inset to the film).  Just live.

The filmmakers evidently struggled with where their line was for the direction of the story. With previous serious films Half-Nelson and Sugar, my guess is their vision was a much more complex and darker script rather than the final version which has more mass appeal. The Zach Galifianiakis character specifically, seemed poised to make a real statement. Instead we are left with his reserved, knowing smile as Craig presents him a gift and the hope of getting together for ping pong. Also, not much story is given to Emma Roberts and her penchant for cutting herself. She seems magically cured after a roof top encounter with Craig. Anyway, the comedy sections are more successful than the drama sections, provided you are able to find humor in the illness and weakness of others.

This is certainly not at the level of One Flew Over the Cuckoo’s Nest, but it is an entertaining film from a comedic perspective. It will probably be remembered as Zach Galifianiakis fist role where he flashed some real acting chops, and hopefully as Emma Roberts breakout role.

SEE THIS MOVIE IF: you enjoy humor derived from the darker elements of life OR you want to say “I was there” when Zach Galifianakis proved he could do more than smirk.

SKIP THIS MOVIE IF: you think a movie should be either a comedy or drama, not both OR hearing the opening riff to “Under Pressure” causes flashbacks to Vanilla Ice explaining how he didn’t sample the song.

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Posted by David Ferguson

NEVER LET ME GO (2010)

September 26, 2010

 Greetings again from the darkness. Let me say that it’s great to have Mark Romanek back directing films. His most recent feature was 2002’s One Hour Photo which I found masterful. Here he has source material from the acclaimed novel of Kazuo Ishiguro (The Remains of the Day) and does an admirable job depicting this underground world of test tube-grown replacement parts. Despite the numerous opportunities for moral and philosophical statements, the film does a nice job of staying true to the novel and avoiding the soapbox.

We are introduced to Kathy, Tommy and Ruth. They are 3 friends being raised at Hailsham – a cross between an orphanage, boarding school and laboratory. The kids have no idea of their purpose in life and just go about their days as instructed – never really finding a need to question their existence … though many “stories” of the place have evolved over the years.

One day, a teacher played by Sally Hawkins breaks the code and explains to the children that their sole purpose in life is to be harvested for body parts. Sure this theme has been explored previously, but not really from the kids’ perspective. Ms. Hawkins’ character is instantly relieved of her duties by the cold-natured head mistress played perfectly by Charlotte Rampling.

Flash forward a few years and the three are played by Carey Mulligan (Kathy), Andrew Garfield (Tommy) and Keira Knightley (Ruth). We see a romance develop between Ruth and Tommy, though it’s obvious the real connection is between Kathy and Tommy. As they move to “the cottages” (a middle step in development), they learn a bit more about the curious real world.

It’s not until a few years later when we see how two of them have fulfilled their obligation, while one has delayed by playing a “carer” to donors, that we see just how bleak this existence is. The real questions are raised by Kathy as she wonders just how different their lives are than those in the real world. It seems both sides have regrets, unrealized dreams and a shortage of time. Here endeth the lesson.

This film is gathering a bit of Oscar buzz from the critics, but I must admit that I found it leaving entirely too much up to the audience. There are too many gaps to fill and not really much conflict or drama. It is finely made and well acted, but comes up short of what I would expect from a true Oscar contender.

SEE THIS MOVIE IF: you read the novel and/or are intrigued by the idea of creating replacement parts for humans OR you just want to see the guy replacing Tobey Maguire as Spider-Man.

SKIP THIS MOVIE IF: you prefer your films on the cheery side of the emotional scale

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Posted by David Ferguson

WALL STREET: MONEY NEVER SLEEPS (2010)

September 26, 2010

 Greetings again from the darkness. The much anticipated sequel to the 1987 original has Oliver Stone back in the director’s seat for one of the most iconic characters in movie history, Gordon Gekko.  Michael Douglas is back as GG and the film opens as he is being released from prison … with no one there to pick him up. He is truly on his own.

Skip ahead a few years and we see Shia LeBeouf as Jake, a Wall Street hotshot working for Frank Langella, a Wall Street legend. It is very obvious that this legend, and Jake’s mentor, is in deep trouble and the entire market is pretty wobbly. Sound familiar? Yep, it’s 2008. Ahh yes, the juicy part … Jake is getting engaged to the lovely Winnie (Carey Mulligan) who just happens to be Gordon Gekko’s estranged daughter. Now we’re rolling!

Turns out, the dirty tricks and back room deals didn’t stop while Gekko was incarcerated. Josh Brolin plays a high roller for a thinly disguised firm that most will recognize as Goldman Sachs. Brolin thinks he was wronged a few years back by Langella, and can’t wait to get even when the opportunity presents itself in a meeting with the Treasury Secretary. Sound deliciously nasty? Well not so fast.

The movie steers away from much of the back-stabbing and dirty deal making that was so prevalent in the original. It even avoids much commentary on the scuzzy financial services industry leaders who managed to profit while all of our retirement plans and home values were plummeting. Instead, we get an overabundance of melodramatic, sappy conversation about feelings and family and time. Apparently Gekko found a semblance of a soul while in prison. He’s certainly not perfect, but this is not the wheeler-dealer that was so much fun to hiss in part one.

Oliver Stone tosses in some touches that help: Charlie Sheen reprises his Bud Fox role for a brief encounter with Gekko, there are some terrific shots of NYC and we get Sylvia Miles back as the Realtor – this time helping Jake dump his loft in a soft market. We even get 95 year old Eli Wallach whistling his way through a power role, complete with Jake’s ringer playing the theme song to The Good, The Bad and the Ugly. All fun aspects, but they don’t offset the inordinate number of times we must endure people choking up and crying. Had to check the credits to see if Nora Ephron was co-director.

Bottom line, if you enjoyed the original, you probably owe it to yourself to see how Gekko has come full circle. The ride is fine, just not at the same level as we were treated 23 years ago.

SEE THIS MOVIE IF: you enjoyed the 1987 original OR you have been waiting to see Shia LeBeouf play grown-up

SKIP THIS MOVIE IF: you are seeking tips on stocks or revenge OR your idea of fun is a steady stream of plastic surgery and “money room” jewelry

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Posted by David Ferguson

SECRETARIAT (2010)

September 21, 2010

 Greetings again from the darkness. The story of Secretariat is legendary in the world of thoroughbred racing. Being a sports fan, it is always fascinating to witness domination by a singular athlete – Michael Jordan, Tiger Woods, Roger Federer. Secretariat was the Michael Jordan of racing. In 1973, Big Red dominated racing like no other.

What makes this even more amazing is that Secretariat is actually the second most interesting story … his owner, Penny Chenery Tweedy (played here by Diane Lane), was his match in competitive spirit. This Disney movie actually spends as much time on Ms. Tweedy as it does the fabulous horse.

Disney does what Disney does best. This is an all out feel-good, rah-rah movie in the vein of Seabiscuit, The Rookie, Rudy and even Hoosiers. Don’t expect in-depth analysis of the racing world, horse training or even horse farm operations. This movie is made to deliver a warm fuzzy via the perseverance of a strong-willed lady and an incredibly majestic animal.

Expect some over-the-top touches such as John Malkovich‘s portrayal of trainer Lucen Laurin, horse-whispering by Ms. Lane, and plenty of heart-string tugging as is customary from the fine folks at Disney. Expect historical facts to be treated a bit lax in some scenes (no mention of 1972 Derby winner Riva Ridge, also from the Chenery stables). Expect none of that to matter as this is a crowd-pleaser, not a documentary.

In addition to Mr. Malkovich and Ms. Lane, there is some fine support work from (former Senator) Fred Thompson, James Cromwell and Nelsan Ellis (so great as Lafayette in True Blood). Directed by Randall Wallace, whose most recent directorial effort was 2002’s We Were Soldiers, this is entertainment for all ages and an easy introduction to the champion that was Secretariat.

SEE THIS MOVIE IF: you enjoy strong, smart female characters (Diane Lane, not Secretariat) OR you thought Seabiscuit should have won an Oscar

SKIP THIS MOVIE IF: you look to John Malkovich for fashion tips OR you think pari-mutuel betting is allowed at the cineplex

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Posted by David Ferguson

THE TOWN (2010)

September 20, 2010

 Greetings again from the darkness. Ben Affleck proved himself to be a talented director with Gone Baby Gone. Here, he once again shows he is best suited behind the camera. He has a real feel for setting, scenery, actors and camera angles. Unfortunately, this story based on the Chuck Hogan novel Prince of Thieves is just a bit too formulaic to stand out from the crowd.

We are told upfront that the Boston neighborhood of Charlestown has more bank robbers than any other … in fact, in some families it is a proud tradition, passed on to the next generation. Ben Affleck got the guide book from his dad – an incarcerated Chris Cooper who has only one scene, though it’s very dramatic. Affleck’s lifelong pal and crime partner is played by Jeremy Renner. Renner’s character, Jem, is downright psychotic next to the meticulous Affleck’s Mr. Sensitive. If after Hurt Locker you have a difficult time imagining Renner as a bad guy, you should check out North Country. That’s a very bad man.

As seen in the preview, Affleck’s merry band of bank robbers take a hostage played by Rebecca Hall (Vicky Cristina Barcelona). Affleck, in the course of duty, falls for Hall. She is the light that shows him the way to a better life. The film’s best scene is at a sidewalk cafe where Renner suprises Affleck and Hall with a visit.  The scene dramatizes just how delicate the line is for Affleck between his old life and the new one he dreams of.  Unfortunately, that story line leads us right back to more crime … with FBI mad man Jon Hamm hot on the heals of the local bad boys.

The neighborhood crime lord, played superbly by Pete Postlethwaite, controls the every move of the gang and takes his “fair” share while leading through intimidation – all while trimming roses! Renner’s sister and Affleck’s previous squeeze is played alarmingly (and surprisingly) well by Blake Lively. She appears to have a nice little career ahead of her.

The frustrating thing with this film is that we have seen it all before, just without the heavy bean-town accents. Tons of automatic weaponry lead to very few actual injuries or deaths – always the sign of a cheesy shootout. The finale for Renner, Hall and Affleck are all advertised well in advance of the actual occurrence, which pretty much ends the suspense. On the bright side, the film is well made and entertaining enough. For a much better film on the culture of local/family crime check out this year’s Animal Kingdom.  Here is my review of that film: https://moviereviewsfromthedark.wordpress.com/2010/08/29/animal-kingdom/

SEE THIS MOVIE IF: you grew up in a rough neighborhood within a large city OR you want a peek at the bowels of Fenway Park.

SKIP THIS MOVIE IF: you think everyone should speak with the flowery cadence of Cary Grant OR you believe automatic weaponry is actually dangerous

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Posted by David Ferguson

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