A BALLERINA’S TALE (2015, doc)

October 15, 2015

a ballerina tale Greetings again from the darkness. You may have seen her “60 Minutes” segment earlier this year, or you may have heard the announcement over the summer when she became the first African-American Principal dancer (prima ballerina) at American Ballet Theatre. Or perhaps you recognize her being featured in advertisements for Under Armour or T-Mobile. If none of this sounds familiar, then you may be totally unaware of Misty Copeland, and director Nelson George has just the documentary for you.

One need not be an expert on ballet to recognize the ability, tenacity and stage presence of the lovely and incredibly athletic Misty Copeland. The grainy footage of her dancing at age 15 can’t prevent this star from shining. Soon enough she is the only black dancer in the American Ballet Theatre troupe of 80, and from there she just continues to advance.

The film touches on her unusual and challenging childhood, and also provides a brief primer on the history of ballet (15th century Italy, 17th century France), before naming the few names of the African-American ballet dancers over the years. See, skin with color and a muscular body were considered taboo in the lofty world of ballet … and it became even worse during the era of famed choreographer George Balanchine. His vision of the perfect dancer led to a culture of eating disorders, depression and impossible standards for body image. The point is that Misty Copeland not just broke down color barriers, but also body image expectations … even though she went through her own struggles (Krispy Kreme, anyone?).

We are also provided a peek at the physical grind and incredible strain that these dancers go through to appear so graceful and effortless on stage. A stress fracture in her shin threatened Misty’s career, and the film follows her recovery and remarkable ability to become an even better dancer after the injury and surgery.

Most interesting is the relationship that Susan Fales-Hill cultivated with Misty. This mentorship helped Misty fight through the personal and social challenges, while also connecting with the movers and shakers throughout the African-American community. The film’s best sequence has Misty connecting with Raven Wilkinson, who was a ground-breaking dancer from the 1950’s. Watching these two ladies (separated by multiple generations) bond through dancing is heart-warming and extraordinary.

Of course, we also are treated to a few extended dance performances from Misty – both live performances and the under-appreciated practice sessions. This culminates with her being cast as Odette/Odile in “Swan Lake” … yes, a black ‘white swan’. Her talent leaves us in awe, and is surely inspiring an entire generation of young dancers. The film certainly would have been better served by allowing us to connect with or understand Misty the person … but we must be satisfied watching Misty the dancer.

To see Misty’s Under Armour commercial entitled “I Will What I Want”:

https://www.youtube.com/watch?v=ZY0cdXr_1MA

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Posted by David Ferguson

HE NAMED ME MALALA (doc, 2015)

October 7, 2015

malala Greetings again from the darkness. One would be hard-pressed to name anyone currently on the planet who is more deserving of having her story told than Malala Yousafzai. In case you don’t recognize the name, Malala is the teenage girl who was shot in the head by the Taliban for speaking out in favor of education for Pakistani girls.

Unlike her namesake in the legendary story told to open the film, this Malala somehow survived the gunshot and has continued her mission of spreading the importance of education throughout the globe. Her efforts resulted in her being named the Nobel Peace Prize winner in 2014. This girl is extraordinary and inspiring.

Davis Guggenheim has proven his expertise in the documentary world with excellent work in Waiting for Superman (2010) and his Oscar winner An Inconvenient Truth (2006). Though Malala may be his most fascinating subject to date, this is probably not his best filmmaking. The extensive use of animation distracts from Malala’s story, and also Guggenheim’s attempts to show the teenage girl that exists alongside the global activist are often disjointed. We enjoy seeing her warm and sincere interactions with her brothers and her embarrassment at low grades on school work, but each time one of these sequences begins, the film abruptly shifts to another incident – possibly as a reminder to us that her life is anything but normal.

Some of the film’s highlights include Malala’s speech to the United Nations assembly, the crime scene photographs of the bus on which she and her friends were shot, and those moments when she lets her emotions roam free … she mutters “It’s so hard to get things done in this world”. We feel her pain and find ourselves wanting to stand with Malala.

Much of what we see is from her promotional tour to support her book “I am Malala”, and it’s her words and commitment to the cause that leave such an impression. Guggenheim hints that her father may have pushed her into this life, but this wise-beyond-her-years young woman has more than earned our respect and admiration. She convinces us that the best way to “arm” young people around the world is with books and a pen … the most powerful weapons.  Her courage and commitment cause us to question our actions as 17 year olds. What a truly extraordinary person she is.

To learn more about her mission: https://www.malala.org/malalas-story

watch the trailer:

 

 

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Posted by David Ferguson

GURUKULAM (2015, doc)

August 22, 2015

gurukulam Greetings again from the darkness. We depend on documentaries to teach us things we don’t know, introduce us to interesting people, and take us places we will probably never visit. Co-directors Jillian Elizabeth and Neil Dalel accomplish all of these by taking us to south India and the jungle setting of Ashra Vidya Gurukaulam.

Filmed as far back as 2010, we go deep into an environment that would normally be off-limits to cameras. We follow students who have come to the ashram to learn from Swami Dayananda Saraswati and study the ancient wisdom of Advaita Vedanta.

The film alternates between following Dayananda and providing us a feel for the students and the overall life of quiet ritual, meditation and spirituality. The Swami is pretty fascinating as he constantly shares the wisdom, philosophy and insight that is not designed to raise funds, but rather to offer the process of discovering one’s self and life meaning.

Not only is this a different approach for a documentary … it’s very quiet (no narrator) and paced to mirror the movements from the ashram … but it is extraordinary to see the contrast versus our usual hectic daily lives in the Western world. A community of solitude may sound incongruent, but watching these folks find peace in their daily rituals while combining self-realization with supporting their neighbors, is something that must be witnessed to fully comprehend.

There are only a few shots that include cell phones or computers … another stark contrast to our daily lives of over-stimulation. Instead, the simplicity of the day and the tranquil setting permit a more open and uncluttered mind, heart and soul. This easily could have been a profile of Swami Dayananda, but the choice of the filmmakers to provide a more complete overview creates quite a unique viewing experience – one that quietly draws you towards introspection.

watch the trailer:

 

 

 

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Posted by David Ferguson

A LEGO BRICKUMENTARY (2015, doc)

July 30, 2015

lego Greetings again from the darkness. Toys can be fun, educational, relaxing, challenging, and yes, even profitable. No toy exemplifies all of these characteristics better than LEGO. Co-directors Kief Davidson and Daniel Junge go “Beyond the Brick” (the film’s original title) as they explore the history and community of these fascinating plastic pieces.

Founder Ole Kirk Christiansen (of Denmark) began as a maker of wooden toys, but in 1947 he discovered a plastic molding machine which, within a couple of years, revolutionized his company and the toy industry. The company is still family-owned and is now a $4 billion company and the second largest in the industry despite competing in only one category of toys. It’s a remarkable business case study, and an equally remarkable study in social impact. If you own LEGO pieces from 1955, they will still work with the bricks and pieces being produced today … planned obsolescence is not part of the LEGO business strategy.

The film introduces us to the designers, the master builders, and the community of LEGO aficionados known as AFOL (Adult Fan of LEGO). We also learn of a LEGO language filled with acronyms that permeate the competitions, fairs, and conferences.

In the early 2000’s, the company posted its first ever loss, but quickly rebounded by listening to their loyal customer base and making the necessary product changes. Last year’s award-winning animated THE LEGO MOVIE has stimulated even more interest in the tubes and studs … as well as permanently stamping our brains with the “Everything is Awesome” song.

Jason Bateman narrates the film – as a minifig – and adds a splash of color and visual acumen to the story telling process. It’s important to note that visuals are a key factor in some of the breathtaking creations of the brand’s most committed devotees. This includes the work of one who re-creates classical artwork for a gallery in NYC, and a stunning life-sized model of the Star Wars X-Wing Starfighter in Manhattan. We also see how LEGO plays a role as Autism therapy for kids, and even for mock-ups at NASA.

The LEGO community is most impressive. They actually participate in suggesting and designing new products, and the online network of LEGO stop-action short films act as a combined marketing strategy and challenge to other users. LEGOLAND doesn’t draw much attention here, but the loyalty and creativity of the customers is quite something to behold. It’s a reminder that the smartest companies collaborate with (rather than dictate to) their customer base … but most can only dream of this deep LEGO relationship with AFOL.

watch the trailer:

 

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Posted by David Ferguson

THAT SUGAR FILM (2015, doc)

July 29, 2015

that sugar film Greetings again from the darkness. Ever since Morgan Spurlock provided us with a gut check on the evils of McDonalds with his 2004 documentary Super Size Me, movie goers have shown a real appetite for information on food and nutrition. We have since had informative and entertaining documentaries on wheat, corn, fat, organics and gardening. This latest sweet film comes from Australian director Damon Gameau. He takes the Spurlock approach and personally becomes a lab rat to expose the effects of too much sugar. His mission is 60 days of eating “typical” sugar intake through what would ordinarily be considered “healthy” foods. In other words: no ice cream, candy or soda.

Mr. Gameau introduces himself as a healthy guy who exercises regularly and eats a diet of mostly fruits and vegetables. His girlfriend is 6 months pregnant as he begins this 60 day experiment into the world of sugar. There is a quick history lesson on how sugar became a food staple, and fellow Australian Hugh Jackman explains the pivotal event that occurred in 1955 – a Dwight Eisenhauer heart attack. This spurred debate between US doctors who blamed it on high fat, while the British doctors attributed it to an excess of sugar. The low-fat revolution began, and was actually responsible for the increased amount of sugar in our processed foods. We learn that a full 80% of the standard products on grocery store shelves contain added sugar.

A panel of medical experts provides the necessary tests upfront that set the baseline for blood work, enzyme levels, liver function, weight, etc. The comparison 60 days later is frightening, but it’s Gameau’s daily journey that provides the real insight and biggest eye-openers. He doesn’t spend much time focusing on any particular brands, though Pepsi (Mountain Dew), Coca-Cola and Jamba Juice each takes some serious jabs. Instead we witness his mood swings and lack of motivation for exercise.

British actor Stephen Fry explains the Glucose/Fructose make-up of Sucrose and we are given an overview of how our bodies process this – including a briefing on the role of insulin. As the days go on, we witness Gameau’s weight gain and he explains his lethargy and most surprisingly, his mental inconsistencies. He has bouts of cloudiness in a mind that was once clear. It’s this and the dramatic change in his liver that delivers the real scare.

It seems clear that all calories are not created equally (a calorie from an apple is not processed the same as a calorie from a Snickers), and that food companies have put much effort into hiding, or at least disguising, the amount of sugars added to the massive amount of processed food consumed each year by the average person. Perhaps Diabetes and Obesity and tooth decay are not thought to be immediate enough threats to cause a shift away from the convenience of processed food. Mr. Gameau shows just how dramatic and severe the changes can be in only 60 days. So imagine 5 years. 25 years. Just how much warning do we need?

watch the trailer:

 

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Posted by David Ferguson

THE MAMA SHERPAS (2015, doc)

July 23, 2015

mama sherpas Greetings again from the darkness. If you are not directly involved, it’s easy to underestimate, or even remain oblivious, to the stress involved as an expectant mother makes baby-delivery decisions. In this age of readily available information, women can no longer simply accept what their doctor says. Documentarian Brigid Maher sets out to educate us on the options available to pregnant women.

Ms. Maher opens our eyes to the growing trend of collaboration between doctors and midwives. One of the key factors in this shift is the fact that nearly one in three babies are now delivered via cesarean (C-section), even though the World Health Organization (WHO) says the figure should be closer to 15%. To her credit, Ms. Maher doesn’t attack the medical establishment, but rather focuses on the positive effects of the collaboration. Speaking from her personal experience (as a VBAC – Vaginal Birth After Cesarian), and also presenting numerous actual case studies, she expertly guides us through various birth methods including yoga birth, hypnobirthing, and waterbirthing … each a form of natural birth in a hospital environment.

Viewers should be prepared for some up close and very personal camera work – especially when demonstrating that natural birth is even a possibility (in some cases) with a breech baby, a big baby, babies showing little progress, and extended-labor cases which have always been stressful to mother and child.

Executive Producers Ricki Lake and Abby Epstein have allowed Ms. Maher to expose this little-known network of highly supportive midwives and doctors who firmly believe that Natural childbirth is preferable whenever possible. These folks (not surprisingly almost all women) are committed to the cause of helping the mother and baby through the process.

This will prove informative to some, and inspirational to many … though, of course, many within the traditional medical industry (the industry responsible for 33% c-sections) will argue that this method is unsafe for mother and baby. It doesn’t appear this position holds water, as the collaborative method covers both the medical facilities and the natural (lack of medication) bonding between a mother and child. What a miracle of nature to behold!

watch the trailer:

https://www.google.com/?gws_rd=ssl#q=the+mama+sherpas+trailer

 

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Posted by David Ferguson

CAFFEINATED (2015, doc)

July 15, 2015

caffeinated Greetings again from the darkness. Who better to review a documentary about coffee than someone who has never had a sip of the stuff and who becomes nauseated at the waffling aroma of java in a breakfast diner? For whatever reason, coffee and I have been lifelong enemies, and that makes my appreciation and respect of this documentary that much more surprising. Co-directors Hanh Nguyen and Vishal Solanki provide an interesting and in-depth look at the amazingly complex process that begins with planting seeds, and ends with Starbucks convincing some addict that $6 is reasonable for a morning jolt.

As you are probably aware, coffee is truly an international product with various cultures creating their own customs and flavors. What you might not know is that coffee is best grown in a small tropical longitudinal band and at 4000 to 6000 feet elevation. There are many local farmers in these areas who lovingly work their small plots of land in hopes that the price will allow them to feed their family and pay the current debts. These farms are often mortgaged by this year’s crop or even by the land itself. It’s no shock that the big profits are realized further up the pyramid and not by these farmers who cultivate the plants and pick the cherries.

The film does a terrific job at introducing us to those at each step of the long process. We meet farmers and pickers, roasters, distributors and of course, baristas … the rock stars of the coffee world. We even meet a “World Barista Champ”. Yes, there are competitions … just like for chefs and winemakers. In fact, the laborious and complex process of getting coffee to the cup is not all that dissimilar to the process of going from grape to wine glass. Of course the steps are different, but the intricacies and the importance of equipment and skill align pretty well.

Erna Knudsen and Alfred Peet are two of the coffee legends mentioned, and it’s interesting to hear about the elevation of coffee status from a cheap “fast food” product of the 1980’s and 1990’s to the specialty drink of the new millennium, with an emphasis on innovation and style (and trend).

Coffee lovers should have some concern as we learn about the reticence of youngsters to join in the family coffee farming business, after years of seeing how their elders have struggled … not exactly setting the stage for a preferred career path. The detail presented here is impressive and well-researched, and it’s fascinating to see the impact of coffee on so many different countries from around the globe. The film gives you plenty to consider as you sip your next cup of Jitter Juice.

watch the trailer:

 

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Posted by David Ferguson

BATKID BEGINS (2015, doc)

July 10, 2015

batkid Greetings again from the darkness. Our world is filled with anger and frustration and evil, and should we ever doubt this, a simple click over to the local or national news will prove it so. Even the non-terrorist majority are simply too busy or self-absorbed to show kindness or respect. Subways are jammed with people glued to their smart phones, oblivious to the sea of real humans. Highways are real world video games of dodging the closest road rager. A trip to the shopping mall reveals those too self-centered to simply hold open a door or allow a pedestrian to calmly cross the parking lot. What we need is a Superhero … and in November 2013, we got just that.

Director Dana Nachman chronicles the story of young Miles Scott from Tulelake, California. As a toddler, Miles was diagnosed with Leukemia and went through chemotherapy and other cancer treatments. By age 5, he was on the road to recovery and that’s when the Make-A-Wish foundation became involved. It turns out Miles’ greatest wish was to be Batman for a day. And this is where the documentary takes an unexpected turn.

Nachman chooses not to focus on Miles’ illness, but rather on the heroic efforts of Make-A-Wish director Patricia Wilson and her team to make this wish come true for him. This is not the story of gravely ill little boy, but rather it’s the piecing together of a global phenomenon. A challenging wish transformed into a worldwide viral event constructed by countless volunteers, the San Francisco Chief of Police, the Mayor of San Francisco, 25,000 people lining the streets, and millions more watching via social media.

Ms. Wilson’s incredible “can-do” attitude and boundless positive energy are complimented by Eric Johnston, an inventor and stuntman, who dives headfirst into his role as Batman and mentor to Miles the Batkid. Others key to the event were Mike Jutan who stepped into the role of The Penguin, Oscar winning composer Hans Zimmer, and even “Lou Seal”, the mascot of the San Francisco Giants. Are you starting to get the idea? See, it’s the masses that made this happen … the San Francisco Opera contributed costume work, and even a young boy donated the Batsuit for Batkid – it was homemade!  So many offers of help came in that a portion of San Francisco was turned into Gotham City for a day so that Batman and Batkid could fight crime together. Words fail me as it’s an emotional stunner to see this unfold.

Of course the power of social media (Twitter, Facebook, etc) is on full display here – even President Obama tweeted about Batkid! However, what is most awe-inspiring is the massive display of kindness and generosity from so many strangers from so many various backgrounds.  As with everything these days, there were critics. A few wailed about the cost to the city, while others expressed outright disgust that such hoopla was for one kid, rather than hundreds. A generous donor made the city whole by stroking a check, thereby shutting up the first group of complainers. As for the second group, they simply miss the point. It was a-dream-come-true for one boy robbed of childhood years by a cruel disease, and beyond that, it provided a respite from “bad news” and allowed the reporting of “good news”. It was also a much needed reminder that the human spirit is alive and that being kind and courteous is contagious, and creates a virus of feel good and do good.

Some may describe this as a promotional film for the Make A Wish foundation, but it might better be described as a film that promotes the positive impact people can have when they unite for a worthy cause. This wasn’t about politics, race relations, or financial turmoil … it was about people doing something nice for others, and discovering the payback is pure joy. Batkid was the hero we deserved and the one we needed.

watch the trailer:

 

 

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Posted by David Ferguson

AMY (2015, doc)

July 9, 2015

amy Greetings again from the darkness. Some may know Amy Winehouse as the Grammy award winning singer, while others may know of her as the drug-addled target of the paparazzi who died from alcohol poisoning 4 years ago. Still others may be asking “Amy who?”  Director Asif Kapadia (Senna, 2010) delivers a film that doesn’t shy away from the brutally tough “down” times, but also shines a light on the “up” times for this suburban Northern London Jewish kid who was simply unable to manage her rare musical talent, profound personal weaknesses, and the relentless media pressure.

Did you know Amy played guitar? Kapadia includes film of her crafting songs while strumming, and also early performance clips of her on stage with her Stratocaster. It’s these rarely seen film clips … some home movies, some phone videos from fans, and some from other photographers … that provide the leave-no-doubt proof of Amy’s musical genius – both as a vocal artist and a songwriter. Some of the clips provide a glimpse of her charm and sense of humor and desire for normalcy, while others show the bulimic, strung-out party girl mixed up with the wrong guy.  We see her casually hanging out with her childhood friends, and later slurring words and staggering through the strobing flashbulbs. The contrast is heartbreaking.

While the typical documentary approach of “talking heads” is almost non-existent, we get plenty of insight from sources such as: her two closest friends, producer Mark Ronson, husband and enabler Blake Fielder-Civil, friend and first manager Nick Shymansky, music executive Lucian Grainge, and fellow artist Mos Def/Yasiin Bey. Amy’s longtime keyboardist Sam Beste cuts right to the bone when he says she “needed music”. That insight when combined with her childhood issues really bring into focus what allowed Amy to live, and then what snatched joy right away from her.

Even from a young age … we see her at 16 … Amy was an old soul, seemingly born into the wrong era. The music erupted from a place very few have. The number of performance clips are limited, but there is one when she is 20-21, and when she sings the word “emulate”, it takes on meanings not yet defined by Webster’s. Contrasting that with the legendary Tony Bennett coaxing her through a recording session is painful to watch, while simultaneously providing a front row seat to musical genius.

Director Kapadia shines a certain light on Amy’s dad Mitch, her husband Blake, and others that were close to her. It’s Sam Beste’s frustration at failing on that first attempt at rehab that brings the biggest “what if?” Of course, that failure led to her biggest recording success with “Rehab” (no, no, no), but might it have also cost Amy her happiness and possibly even her life? The final Belgrade concert was one month prior to her joining the 27 Club, and perhaps it’s just further proof that Amy simply “can’t be that thing” that the fans and media tried to turn her into. Whether you are an Amy fan or not, this is a gut-wrenching look at how a talented artist struggled with life and fame … until the struggles won out.

watch the trailer:

 

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Posted by David Ferguson

A MURDER IN THE PARK (2015, doc)

June 28, 2015

a murder in the park Greetings again from the darkness. The concept of “the scales of justice” refers to what is right and just. It’s a lofty and worthy goal, and one that we U.S. citizens grow up learning is the foundation of our legal system.  Sometimes, however, the wheels fall off and the system gets off-track. Co-directors Shawn Rech and Brandon Kinder explore one such quite infamous case.

Here’s a quick synopsis: Cops arrest suspect for a double murder (1982). Suspect found guilty and sentenced to death (1983). Just prior to execution, additional information is submitted and the suspect is freed (1999). Another suspect is charged, found guilty and sent to prison. Fifteen years later, charges against the second man are dropped and he is released from prison. Evidence points to original suspect, who has been pardoned and cannot be re-tried.

The above phrase “additional information” is the key to the film. Northwestern University Professor David Protess and a group of his journalism students, working under the auspice of the “Innocence Project”, set out to cast doubt on the guilt of Anthony Porter – the prisoner just days from execution. The students’ work with Private Investigator Paul Ciolini yields contradictory witnesses and a confession from another man, Alstory Simon. The result of their findings gets Porter released and turns him and themselves into media stars, while also leading to the state of Illinois banning the death penalty.

The film is exceedingly well documented and researched, and provides interviews from detectives, lawyers and Mr. Simon, among others. It’s a procedural documentary that questions the very procedures of the justice system … shooting holes and raising red flags on the steps and a multitude of people involved with the cases over the years. Unfortunately, we don’t get any account directly from Professor Protess (since released by Northwestern), but that’s likely due to the inexcusably shoddy work from his group and his endless grandstanding since getting Porter released.

We all know there are truth-minded journalists, but it’s quite frightening when those on the other end of the spectrum can so easily gain power and influence … especially when teamed up with a less-than-scrupulous private investigator who proudly spouts that the rules don’t apply to him.

This is a very interesting and detailed look at different personality types, legal procedures, media influence and the role of truth and justice. The film begins with a very unusual disclaimer stating the film studio “does not guarantee the accuracy of the content”. The name of the studio? Whole Truth Films.

watch the trailer:

 

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Posted by David Ferguson

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