NAKED AMBITION (2025, doc)

September 11, 2025

Greetings again from the darkness. Most of us scoot through life never being labeled as “the prettiest” anything. That’s fine. We accept it. Still, we apply the label periodically and it was Bunny Yeager who was known as “the world’s prettiest photographer”. Not many would argue with the designation as Ms. Yeager was an incredibly talented photographer, while also being described as a bombshell … a pinup model and actress herself.

Co-directors Dennis Scholl and Kareem Tabsch previously collaborated on THE LAST RESORT (2018), and both are known for their focus on unconventional subjects. Bunny is no exception as she made her name in a male-dominated field after moving behind the camera from in front of it. If you are unfamiliar with Bunny, she was a popular pinup model who became famous for her work as a pinup photographer. You might ask how. Not only did she photograph multiple Playboy magazine centerfolds, her most well-known and popular subject was the very famous and immensely popular Bettie Page. Oh yes, Bunny also appeared in the magazine as a model herself.

Whether you are a connoisseur of Bettie Page’s poses or not, you likely know another of Bunny’s most well-known photographs … that of Ursula Andress emerging from the sea in DR. NO (1962), the first James Bond movie. It’s truly an iconic cinematic shot. In keeping with this particular shot, Bunny is also linked to the increasing popularity of bikinis for women … both in design and in mainstreaming. Bunny became a master of outdoor photography by defeating the confounding issue of natural lighting – giving her photographs a distinct look and feel.

The filmmakers include some archival interviews (including Bunny and Page), and we see commentary from Larry King, Dita Von Teese, Bruce Weber, and even Hugh Hefner. However, what kicks this documentary up a notch (in addition to the dozens of photographs) is the input from Bunny’s two daughters. It’s fascinating to hear the two very different viewpoints from the women who were raised by Bunny. One finds her mother’s work demeaning and exploitive of women, while the other has acted to preserve her mother’s legacy, and is quite proud of mom’s career.

‘Career’ feels like underselling what Bunny accomplished. Sure, she was an in-demand model. Yes, she was a famous photographer. However, she also had an acting career, and authored numerous books that have influenced photographers (including Diane Arbus), even to this day. Bunny Yeager’s ambition and dedication deserve to be celebrated along with her technical proficiency and artistic eye. It should also be noted that as tastes careened towards the extreme in the 1970’s, Bunny refused to transition into the pornography world, despite the promise of big paydays. This was a territory that held no interest to her. Bunny Yeager, the world’s prettiest photographer, deserves to be remembered.

Opens in theaters on September 12, 2025

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Posted by David Ferguson

RIEFENSTAHL (2025, doc)

September 5, 2025

Greetings again from the darkness. Having one’s name or work associated Hitler typically (but somehow not always these days) marks one as a pariah or persona non grata. For artists, the rules can be a bit blurred, and filmmaker Andres Veiel takes on the story of Leni Riefenstahl, in hopes of removing some of the blur.

Leni Riefenstahl was a former actress who became the Reich’s preeminent filmmaker best known as the director of TRIUMPH OF THE WILL (1935), the ultimate propaganda film for the Nazi party, and OLYMPIA (1938), her version of the 1936 Olympics in Berlin. Having access to her private family archives, filmmaker Veiel takes the deepest dive yet into her life and approach. He opens with her appearance on a 1978 talk show where she is asked if she now considers her association with Hitler to have been a mistake. She bows her head and the clip is cut before we hear the answer (if there was one), though the remainder of the documentary uses her own words and actions to pretty much answer the question.

There have been other films about Leni. The most well-known is probably Ray Muller’s THE WONDERFUL, HORRIBLE LIFE OF LENI RIEFENSTAHL (1993), which Veiel references here. Still, nothing previous feeds us the wealth of photos and video clips served up by Veiel, offering such a full profile of one of the most controversial people from the WWII era. It should be noted that Leni died in 2003 at age 101, so she lived many decades of facing scrutiny and scorn. During her interviews and appearances on talk shows, very little attention was paid to the innovative filmmaking techniques she used in her work, but rather the attention was on her affiliation with Nazis, especially her ‘friendly’ relationship with Hitler.

Photos of her with Hitler and Goebbels are shown, and the backlash from Goebbels’ diaries are discussed. There is also a segment on Albert Speer, part of Hitler’s inner circle and one of the war criminals sentenced at the Nuremburg trials. What we notice is that Leni was no wallflower. She often spoke her mind, and continued to hang her hat on the “art” label … going so far as to state (in 1980) that ‘art is the opposite of politics.’ This defense likely eased her conscience a bit, but we can’t help but be stunned when she claims “Peace” was the theme of her TRIUMPH OF THE WILL. It’s a word that only she would associate with that film.

In her defense, Leni states that most Germans supported the efforts and that things didn’t end well for dissidents of the Reich. Mostly we find Leni in the George Costanza corner – ‘it’s not a lie if you believe it.’ She was a smart and talented and strong woman who was calculating in everything she did or said. She discusses her long relationship (business and personal) with Horst Kettner, and we see the lovely home they shared. We also learn that it took Leni ten years to write her memoirs, and we are left wondering how much guilt she experienced – despite claiming that she knew nothing of the Holocaust (a topic Veiel  addresses). We have all seen her extraordinary camera work on Jesse Owens at the 1936 Olympics, yet no amount of filmmaking genius or creativity can overshadow her work for Hitler. Was she the first ‘cancelled’ artist? In fact, regardless of the pain, she must be remembered … something this project from Andres Veiel ensures.

IN THEATERS

September 5 – NY (Lincoln Center, Quad Cinema)

September 12 – LA (Laemmle Royal, Laemmle Town Center 5)

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Posted by David Ferguson

THE AMERICAN SOUTHWEST (2025, doc)

September 5, 2025

Greetings again from the darkness. Ben Masters’ follow-up to his outstanding documentary, DEEP IN THE HEART: A TEXAS WILDLIFE STORY (2022) is even more stunning, more remarkable, and more important. Narrated by environmentalist, model, and actress Quannah Chasinghorse, the breathtaking photography is complemented by a history lesson and cautionary warnings about where things are headed.

The film traces the mighty Colorado River and is highlighted by rare clips of animals in their habitat … scenes we infrequently, if ever, have the opportunity to see.  Some of the videos include bull elk, beaver, fish, the California condor, and the area’s apex predator – the gorgeous jaguar. These videos are spectacular and show the beauty of the animals and the area. There is even a segment featuring desert-adapted rattlesnakes in their den, followed by 13 newborns.

Ben Masters’ documentary is so much more than beautiful images of this stunning setting. It’s also a lesson in cultural history and a reminder of the crucial role the Colorado River plays in modern day society. The river spans nearly 1500 miles in length and 25% of the water goes to California farmland – crops that feed millions of people. It’s described as the blood that pumps life into much of the United States. We see the humble pond which starts the river, as well as the dried-out delta wasteland at the end. In between, we see the mountains, eleven national parks, the Mojave Desert (temperatures as high as 134 degrees), Lake Powell and Lake Mead, and the border wall, the latter which now deters the north-south migration of many species. The river runs through seven states.

The Colorado River is responsible for carving through 277 miles of the Grand Canyon, and now its fragile ecosystem is a call to action for us to save this stunning natural habitat of various animals, as well as the lifeline for so many people. It’s mentioned that the river’s health mirrors that of our own health … in other words, healing is crucial to sustain life. That should be enough to get folks to listen and act.

THE AMERICAN SOUTHWEST is set for a theatrical release on September 5, 2025 across seven states: Arizona, New Mexico, Nevada, Utah, California, Texas, and Colorado

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Posted by David Ferguson

ANGELHEADED HIPSTER: THE SONGS OF MARC BOLAN & T. REX (2025, doc)

August 12, 2025

Greetings again from the darkness. Is it possible to be a rock star that no one has heard of? Well, in a way, that’s what happened to Marc Bolan. In Great Brittain, Bolan and his band T. Rex drew huge crowds and had a massive fan base, whereas in the United States, they had only a small cult following (which meant very little record sales or radio airtime). Ethan Silverman (he of previous short films and music videos) conceived of this record album/documentary combination, and in 2020 set out to make the project come to life.

This may be the only ‘making of an album’ documentary that doesn’t feature a single complete song being recorded. Instead, Silverman treats us to a revolving studio door of musicians who have come to pay tribute to the influential Bolan by recording one of his songs. The lineup includes such artists as U2, Nick Cave, Joan Jett, Beth Orton, Maria McKee, The Orwells, Macy Gray, Snarky Puppy, Lucinda Williams, Kesha, and the multi-talented John Cameron Mitchell. Unfortunately, missing from the action is David Johansen (passed away earlier this year), whose version of “Bang a Gong” is an album highlight, and whose band New York Dolls were assuredly influenced by Marc Bolan.

What really makes this a gift for us Marc Bolan fans is the stream of archival interviews and concert clips, many of which we’ve never seen before. Glitter band, glam-rock, or androgyny – however you choose to describe it, there is no denying Marc Bolan was a pioneer. He, along with David Bowie, brought a new look and feel to music … turning rock concerts into theatrical productions. Bolan and Bowie were colleagues, friends, and rivals and Silverman plays clips of each discussing the complicated relationship and respect the two shared. They set the stage for acts like Alice Cooper, KISS, Queen, Def Leppard, and even R.E.M. It’s also mentioned how Bolan’s understanding of production led him to take full advantage of color TV, which was then entering mainstream.

The concert clips are undeniable proof of Marc Bolan’s charisma, showmanship, and talent. The feedback and tributes from other artists make his songwriting excellence clear to the rest of us. We even get a concert clip of young Elton John playing keyboard with T. Rex, and Ringo Starr discussing Bolan’s influence on “Back Off Boogaloo”, Ringo’s 1972 hit single. Bolan’s partner, singer Gloria Jones, is the mother of his son Rolan. She provides some memories, while Rolan sings backup on some recordings prior to showing us his family photo album. There is a terrific clip of Marc Bolan (as TV host) introducing a hot new band, Generation X featuring Billy Idol, who also contributes his own recollection of Bolan.

The 25-song album was produced by Hal Willner, whose career touched so many artists (Marianne Faithful, Lou Reed, Lucinda Williams). Willner passed away in 2022, and he’s a steady studio presence throughout the film. A musical highlight here is Nick Cave’s moving version of “Cosmic Dance”, allowing his haunting voice to capture those lyrics. Marc Bolan died in a car crash in 1977 at age 29. The album has been available, and Silverman’s documentary is now beginning a rolling theatrical run.

A tiered theatrical release begins August 8, 2025, opening in various cities each week through September 13, 2025. It will become available on Digital beginning September 5, 2025.

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Posted by David Ferguson

GIVE ME A WORD: THE COLLECTIVE SOUL STORY (2025, doc)

July 6, 2025

Greetings again from the darkness. There’s just something kind of cool about a band whose first number one hit single is entitled “Shine”, and here they are 32 years later still touring and taking the time to participate in a documentary. Cinematographer and Music Videographer Joseph Rubinstein has put together an intimate film that allows the band members to tell their story using their own words. The result is that we see a group of guys who get along well, and also seem to be good dudes that we wouldn’t mind getting to know.

Collective Soul exploded onto the rock scene in 1993 with “Shine”, and then opened for Van Halen and played Woodstock 1994. Rubinstein has based this documentary on the band’s recording session at ‘Graceland West’, Elvis Presley’s former Palm Springs house. The setting is a nice touch since this isn’t a typical ‘band-records-album’ documentary. The real treat here is that we gain insight into the band’s beginnings, including co-founders and brothers Ed Roland and Dean Roland recalling their parents’ influence – Dad was a Minister of Music at a Stockbridge, Georgia church. We also learn the band’s name was swiped from Ayn Rand’s novel, “The Fountainhead”, and we hear from each of the band members on the many losses and personal issues and challenges confronted along the way.

The band’s lineup transitions over the years are discussed head-on by leader Ed Roland, and as one would expect, he claims the current group is the best yet (They certainly appear to coexist better than many bands). In addition to Ed and Dean, the other members get plenty of chances to speak their mind: bassist Will Turpin, lead guitarist Jesse Triplett, and drummer Johnny Rabb. While confidence abounds with band members who are clearly talented, the minimal ego on display is quite refreshing.

Special segments feature Dolly Parton recalling how her version of “Shine” won her a Grammy, while Ed chuckles that the band has never even been nominated. Sammy Hagar comments on touring with the band, while Mickey Thomas is shown singing backup on a song. Mr. Thomas then wows us with an a Capelo version of “Fooled Around and Fell in Love”, a song he made famous as part of the Elvin Bishop band in 1975.

A portrait of Elvis hangs on the wall in the house as the band talks, rehearses, and records. In a tragic moment, the death of Lisa Marie Presley is announced while the band is in one of the houses she grew up in. Collective Soul has earned six gold or platinum albums and seven number one singles over the years, and even today, they are a band that continues to ‘Let it Shine’. Other bands should take note.

Releases on July 8, 2025: VOD, DVD, Blu-Ray

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Posted by David Ferguson

THE LAST CLASS (2025, doc)

June 26, 2025

Greetings again from the darkness. It seems somewhere along the way intelligence has fallen out of favor. However, I continue to be fascinated by deep thinkers who share their knowledge and ideas. One such man is Robert Reich, and this documentary from Elliot Kirschner provides a worthy look at a man who has not only been an integral part of United States politics for decades, he has also spent 42 years as what he terms ‘a professional teacher.’

Mr. Reich has served in the administrations of four U.S. Presidents: Ford, Carter, Clinton, and Obama. Many disagree with his politics, yet what sets Reich apart is that he welcomes disagreements and debate … and experienced quite a bit of both as Secretary of Labor from 1993 through 1997. For those who stand opposed to his political views, you should know this is an intimate look at the man, not his political beliefs. Specifically, filmmaker Kirschner follows Reich during his final semester as a professor of “Wealth and Poverty” at Cal-Berkeley. The class has approximately 1000 students, bringing his career total to around 40,000 students whom he has taught.

We see him teaching in front of the auditorium’s massive screen, and we see him being interviewed in his office … an office that’s more of a museum of his career, filled with memorabilia of a life well lived. Reich states that he has but two goals for his students: encouraging them to think critically while questioning everything and finding a way to improve the world. In a moment of naked truth, he admits his frustration with the typical students who absorb data and then regurgitate for a grade. He views emotion as a necessity.

Reich, like most of us, worries about the dangers of misinformation. His graphs detail the ramifications of inequality and a lack of engagement. Reich is 79 years old and is a published author many times over. A genetic disorder limited his physical growth, contrasting sharply with his world class mental development. He’s an extremely thoughtful man, whose first class of the semester blasts “Respect” by Aretha Franklin, while the final class features warm applause from students who likely won’t appreciate what they’ve been fortunate enough to experience until years later.

In select theaters beginning June 27, 2025

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Posted by David Ferguson

PEE-WEE AS HIMSELF (2025, doc)

May 22, 2025

Greetings again from the darkness. Even the title is a form a trickery. First of all, there was no Pee-wee Herman other than the character portrayed by Paul Reubens. Secondly, much of what this documentary presents is not from Pee-wee, but rather from Paul Reubens ‘himself’. And it goes directly to the point – the public adored Pee-wee Herman, while Paul Reubens was a bit more complicated. Documentarian Matt Wolf (SPACESHIP EARTH, 2020; the excellent RECORDER: THE MARION STOKES PROJECT, 2019) presents a two-part documentary for HBO that strives to clarify the line between man and character.

Paul Reubens died of cancer in 2023. Prior to that, he sat for 40 hours of recorded interviews with Matt Wolf, offering perspective on his career, his background, his motivation, and his self. While we see Reubens speaking directly to the camera quite a bit, Wolf utilizes a treasure trove of clips and photographs, as well as other interviews to paint the full picture of how the man and character came to be so closely associated.

PART ONE details Reubens’ influence from children’s television shows like “Captain Kangaroo”, “Howdy Doody”, “Kukla, Fran and Ollie”, and “The Little Rascals”. It’s because of these programs that from an early age, he wanted to be an actor … and was convinced Lucy and Desi were his real parents. Art School (with classmates David Hasselhoff and Katie Segal) drew him to performance art, and also led to his first serious romantic relationship with Guy. Reubens eventually decided to focus on his career, and described himself as out and then back in (the closet), since he was able to “pass” (as heterosexual). We see clips of him performing on “The Gong Show” and with The Groundlings, including Phil Hartman and Laraine Newman … which is where he laid the foundation for the Pee-wee character. Clips from “The Dating Game” proved Pee-wee had appeal.

The commitment to the Pee-wee Herman character was a career choice, and it’s fascinating to learn that actress Shelley Duvall recommended Tim Burton to direct PEE-WEE’S BIG ADVENTURE (1985). The story behind the bicycle is a gem, and the film jump-started the career of both Burton and Pee-wee … errr … Reubens. Reubens admits to his ambition and willingly hiding behind the Pee-wee alter ego.

PART TWO focuses on the iconic stardom of Pee-wee Herman in the 1980’s. Building on the popularity of the first film, “Pee-wee’s Playhouse” was developed as a 1986 children’s TV show, in the vein of those that so influenced a young Reubens. There was even a Pee-wee doll that became a best-selling gift. Reubens explained that beyond entertainment, his goal with the show was to make inclusion the “norm”. He wanted a place where all kids felt they belonged. Laurence Fishburne admits he didn’t “get” Pee-wee, but needed the work and gladly took the job as Cowboy Curtis. BIG TOP PEE-WEE (1988) followed, and may have been the last enjoyable moment for Pee-wee/Reubens to bask in the spotlight.

After years of living an extremely private life, his 1991 arrest for indecent exposure at an adult theatre instantly changed his life. ‘Playhouse’ re-runs stopped immediately, as did sales of the doll. Paul Reubens’ mug shot became a meme … early 90’s style. Unfortunately, this wasn’t his last public scandal, yet remarkably, Reubens was able to create a second half of his career as a character actor and voice actor – with only a few additional roles in the Pee-wee Herman suit.

The documentary includes clips of his parents and an interview with his sister, as well as input from directors Tim Burton and Judd Apatow. Reubens explains the inner turmoil of having his creation, Pee-wee Herman, be awarded a star on the Hollywood Walk of Fame, while Reubens himself has not. Towards the end of the film, Wolf plays the self-recorded audio that Reubens recorded the day before he died. Although he discusses his desire to bring joy to the masses, we can’t help but question the failed friendships along the way. And though Paul Reubens may very well have been a creative genius, we must finally ask, “I know you are but what am I?”

Premiering on HBO on Friday May 23, 2025

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Posted by David Ferguson

DEAF PRESIDENT NOW! (2025, doc)

May 15, 2025

Greetings again from the darkness. It was 1988, and when this group of students proclaimed, “We will be heard!”, it took on additional importance. The anger of these students represented 124 years of repression. Student protestors were from Gallaudet University in Washington, D.C. It’s the only university for deaf students, and its history dates back to the time of Abraham Lincoln.

Oscar winner Davis Guggenheim (AN INCONVENIENT TRUTH, 2006) collaborates with deaf actor-turned-filmmaker Nyle DiMarco to bring us the story of how the commitment to cause led the students, the University, and the nation towards real change. Although the film covers just one week, it effectively uses input and recollections from five key players. In other words, we get the ‘then’ (via archival footage) and the ‘now’ (modern day interviews).

Jerry was clearly the emotional leader … the guy who fired up the crowd through his passion. His passion shows even today as his memories come flooding back. Greg was the Student Body President, and his more reserved personality likely made him a more acceptable spokesperson. Bridgetta, a former high school cheerleader, used her energy to generate the rhythm of the crowd, while Tim did not hold back in addressing Ms. Spillman, the Chairman of the Board of Trustees … she doesn’t even bother to learn American Sign Language (ASL). Her clueless and obstinate approach to defending the board’s decision to bypass two qualified deaf candidates in order to name yet another hearing person as University President comes across as absurd and even a bit cruel.

The structure of the film is exceptional, blending the past with the present. Surprisingly, enough archival footage exists (even 37 years later) that we get a real feel for the commitment of the students and the manner in which the protests were carried out. It’s especially telling to hear the four demands made by the students: name a deaf President, resignation from the Board by Spillman, transitioning half the Board to half deaf members, and no reprisals for the students. All quite reasonable. With Spillman having stated something along the lines of ‘Deaf people are not ready to function in a hearing world”, we are provided a blunt testimony to her beliefs and possibly, the general sense of society at that time.

I King Jordan, a school professor, is interviewed and explains his unusual trek during the week … one that ended with his becoming President of the University (a position he held for many years). The film provides us with clips of Greg’s key appearance on “Nightline” with Ted Koppel, and a heartbreaking story about “broken ears”. Two years after this event, Congress passed the Americans with Disability Act – a stunningly short number of years ago. An odd segment is included with a quick overview of Alexander Graham Bell’s desire to “fix the deaf”, but we realize it’s not the deaf that need fixing. The film leaves us feeling a great deal of respect for these leaders, and might leave you chanting, “Deaf Power!”

The film will premiere globally on Apple TV+ on Friday, May 16, 2025

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Posted by David Ferguson

ADA: MY MOTHER THE ARCHITECT (2025, doc)

May 9, 2025

Greetings again from the darkness. Fourteen years spent teaching advanced degree architectural students at Columbia led to her being denied tenure, so Ada Karmi-Melamede did what any self-respecting and incredibly talented architect would do … she quit the job and bet on herself. It’s a bet that has resulted in numerous high-profile projects in her homeland, Israel.

Ada’s story would likely remain an untold secret if not for her daughter, Yael Melamede. Yael directs the film, but more importantly, masterfully directs her mother Ada into opening up about her life and career. It’s not an easy path for either woman, as Ada left her family to pursue her own career and passion for architecture, a step much more common for fathers than mothers.

To quell any doubts as to whether this is just a family member attempting to create publicity, or whether Ada’s work is deserving of such a tribute, one need only view some of her most famous projects: the Supreme Court of Israel, the Ben Gurion Airport, and the Open University of Israel. And beyond that are her contributions to New York: a master plan for Con Edison and a housing competition on Roosevelt Island. Should you need more, we see accolades from famed architects Frank Gehry, Keith Frampton, and Mose Sofdie. Despite her lack of widespread acclaim, Ada Karmi-Melamede is truly one of the most accomplished architects in the world.

Adding intrigue, this documentary is not just about a talented architect. There is also the personal element which finds a grown woman striving to find connection with her mother … a mother who admittedly didn’t possess typical motherly attributes. One is a woman who longs to know more, while the other is a woman who tends to balk at saying much about herself, her life, or her reasons. Seeing the defensiveness fade away is quite something, and a tribute to daughter Yael for encouraging the connection. We learn much about her childhood, the family, the influences, and the life each had without the other.

Ada is most comfortable talking about her profession. Her pencil versus computer segment strikes a chord, and when she reacts to a tour guide’s description of her work, the moment is priceless. We begin to understand her passion when she discusses the Parthenon, and the shots of her own projects leave no doubt as to her influence. Ada’s feelings on current Israeli politics are crystal clear, and the segment on “Time” provides a life lesson for everyone.

Opens in NYC on May 9, 2025, and in LA on May 15, 2025

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Posted by David Ferguson

BORROWED TIME: LENNON’S LAST DECADE (2025, doc)

May 1, 2025

Greetings again from the darkness. Documentarian Alan G Parker is not the British director Alan Parker who was twice Oscar nominated (MISSISSIPPI BURNING, 1988; MIDNIGHT EXPRESS, 1978), but he is the same Alan G Parker who has directed numerous music-based documentaries, including projects on The Sex Pistols, The Beatles, Status Quo (I’d like to track down that one), and KISS.  As the title makes clear, his latest work is a focused look at John Lennon’s final years in New York, leading up to his murder in 1980.

When we think of John Lennon, we tend to associate him with three things: The Beatles, Yoko Ono, and his being murdered in cold blood outside The Dakota, his NYC residence. Parker’s film focuses on the 1970s after John and Yoko moved to New York. Through interviews and archival clips, we get the sense that John was constantly attempting to discover who he was, post-Beatles era. Whether he was a husband, a father, an activist, or a recluse, one thing seems certain – music was vital to his existence. In fact, he was in the planning stages for a tour to support his “Double Fantasy” album in the days before he was gunned down. Some of those involved contribute here.

Lennon fans are the target here, and even though I just watched and reviewed Kevin Macdonald’s ONE TO ONE: JOHN & YOKO just two weeks ago, the numerous interviews on display here are still interesting, providing personal insight into the man. These interviews are with folks like Tony Bramwell, Ray Connolly, and Phillip Norman, and include friends, musicians, journalists, and other industry sorts. Most of the recollections are personal in nature, though based in the professional world of music. There is a sense of awe as each explains their connection to the icon. What’s missing is any sampling of Lennon music.

We gain insight into the planned tour (and the next album), plus some details about May Pang and “the lost weekend”, his legal row with Paul (“How do you Sleep?”), and the drug use. There is also quite a bit regarding Lennon’s struggle to obtain his Green Card, and the challenges of being dad while bearing the weight of being a former Beatle. Parker includes the now infamous street interview of gum-chewing Paul McCartney who was still somewhat in shock immediately after his lifelong friend’s death. We also see Ringo and George appearing on a talk show sharing their thoughts. For many, this doc will prove to be a bit too long and filled with too many personal recollections, yet Lennon fans will always accept a bit more on the man who continues to fascinate so many years later.

Opening in UK cinemas on May 2, 2025

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Posted by David Ferguson

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