Greetings again from the darkness. As far as non-political topics go, none are hotter than Artificial Intelligence (AI). What is the potential? What are the risks? Will it be used for good or evil? Who will control its use? Who am I kidding … AI is very much a political topic, and all of these questions have political and social implications. Award-winning documentarian Adam Bhala Lough has the same questions and concerns that we all do, and he decides to seek answers from the face of and driving force behind AI: Sam Altman, the founder of AI research organization OpenAI, which developed the chatbot, ChatGPT.
We watch his attempts to secure an interview with Altman through an endless stream of emails and voicemails – all with no response. In a somewhat comical bit, we see what are clearly OpenAI employees pleading ignorance to the whereabouts of the OpenAI building. For tech geeks, it’s the holy grail job and none are going to risk losing it by breaking an NDA. Upon realizing that the interview isn’t going to happen, Lough shifts into artist mode and decides to use AI to create SamBot … an imagined version of Sam Altman utilizing ChatGPT to answer Lough’s questions. This idea sends Lough to India for casting and a partnership with an AI developer.
It’s actually quite fascinating to watch this entire process come together, and of course, ethical and legal questions abound. The final interview with SamBot is obviously fake, yet Lough’s team of attorneys mull the legalities of marketing this. It’s no surprise that the legal risks are not the most entertaining piece of this puzzle. Instead, we watch SamBot (voiced by ChatGPT) actually manipulate Lough through the interview. Now, THAT is simultaneously entertaining and frightening, and speaks to the core issues with AI. Early on, Lough wonders if his young kids might someday have more AI friends than human ones, and this simple exercise shows just how possible that scenario is. Technology is your friend … right up until it isn’t.
Opens January 16 at the QUAD Cinema in New York City
January 30 at the Laemmle NoHo Theater in Los Angeles
Followed by a Nationwide Theatrical Roll Out
Posted by David Ferguson
Greetings again from the darkness. I really try to be a good citizen. I watch and read the news daily – even when it’s painful. I keep up with cultural and societal shifts. Despite my best efforts, every now and then something comes along that stuns me … catching me off guard to the point that I simply never suspected what’s really happening. My latest eye-opener comes courtesy of documentarian Benjamin Flaherty, who utilizes his own experiences (finally getting sober at age 41) to wake us up to the corruption that feeds the profitability of addiction centers (a billion-dollar industry).
Greetings again from the darkness. The line between right and wrong may be more blurred than ever these days, yet we’d be mistaken if we were to assume that the line was once distinct and clear. Rick Rowley (Oscar nominated for his 2013 documentary DIRTY WARS) offers the disturbing details of the investigation into the 2010 event that led to the death at the border of an undocumented Mexican immigrant named Anastasio Hernandez – Rojas.
Greetings again from the darkness. The next entry in the HBO Music Box documentary series comes from director Amy Scott and provides a textbook example of what can happen when a band hits it big ‘overnight’. It’s not always pretty, and sometimes it’s downright uncomfortable. Counting Crows’ popularity exploded with the release of their 1993 debut album, “August and Everything After”. The hit single, “Mr Jones” was all over the radio, only to be followed by an even better song, “Round Here”. The band and their music were ubiquitous.
Greetings again from the darkness. There may be no more effective way to change the outside world’s perspective of a culture or country than through music. That’s the path Wizkid is taking to re-introduce the world to his home country of Nigeria and transform the image. Documentarian Karam Gill continues his focus on those in the music industry who have loftier goals than just hit records.
Greetings again from the darkness. The Music Box series at HBO brings us this documentary from Amy Berg (Oscar nominated for DELIVER US FROM EVIL, 2006), who profiles the tragic tale of the immensely talented Jeff Buckley. When he died in 1997 at age 30, Buckley had only released one album, “Grace”. Many musicians and critics call it one of the best albums ever. This film tells us how he reached that level.
Greetings again from the darkness. “The needle in the arm.” That’s how Paul Anka describes the will and the need to carry on after all of these years. How many years, you ask … well, he’s the only singer/songwriter to have a Billboard charting song in seven consecutive decades. Paul Anka is now 84 years old and documentarian John Maggio shows us that Anka is still going strong, still touring, still writing songs, and still loving what he does.
Greetings again from the darkness. “Celebration” is the best description and an apt title for this film from Michael John Warren. It’s not a profile of the great songwriter, John Prine; however, it’s most certainly a celebration of his immense and unique talent. And who better to celebrate and pay tribute than some of the musicians and songwriters who have been so influenced by his work?
Greetings again from the darkness. Which pro football team had a hit song that reached number 41 on the pop charts and was awarded a gold record? Well, if you were around in 1985, you probably know it was the Chicago Bears and their song, “The Super Bowl Shuffle”. Director Jeff Cameron (“Hard Knocks”) in partnership with NFL Films proceeds to tell us more than we ever cared to know about the team, the song, and the video.
Greetings again from the darkness. This sounds less like a music trivia question and more like a trick question: Who played with The Beatles, The Rolling Stones, The Who, The Kinks, Jefferson Airplane, Harry Nilsson, Joe Cocker, Jeff Beck, Badfinger, Art Garfunkel, Graham Parker, and on solo albums by all four Beatles? Of course, if you are a fan of music from the 1960’s and 1970’s, you likely know it’s not a trick and the answer is the amazing and talented keyboardist, Nicky Hopkins.