RANGO

March 6, 2011

 Greetings again from the darkness. I just can’t believe it. Last year I was raving about Toy Story 3 being my favorite film of the year, and now here I am again extolling the excellence of another animated feature. However, Rango is a different experience … these are all new characters and a whole new look for animation. I would even say this is more a film for grown-ups than for kids, though kids will certainly get a kick out of Rango, a colorful chameleon energetically voiced by Johnny Depp.

 The story and film pay homage to many classic movies and especially to spaghetti westerns. You will easily spot the tributes to Star Wars, Apocalypse Now, Hunter S Thompson, Sergio Leone, Lee Van Cleef, Clint Eastwood, High Noon, and of course Chinatown. The main story line is nearly identical to Chinatown … the control of a town’s water. Here we get the Mayor, voiced by Ned Beatty, in the John Huston role. For film fans, this is just so much fun!

Rango the chameleon is a very likable character who just wants to make friends. He dreams of being a hero so that people will look up to him. Of course, he learns the hard way what being a hero really means. The town of Dirt, the desert, and multitude of characters are all fantastically drawn. There are times the film has a look of live action with terrific lighting and detail, and the colors are perfect.

 The voice acting in the film is truly outstanding and it starts with Depp’s fine work. Also contributing are Ned Beatty (Mayor), Bill Nighy (Rattlesnake Jake), Isla Fisher, Abigail Breslin, Stephen Root, Alfred Molina (Armadillo), Ray Winstone, Charles Fleisher (from 1988’s Who Framed Roger Rabbit?) and Timothy Olyphant as the Clint Eastwood character no-named Spirit of the West. There is also a useful and very funny Mariachi band that pops up periodically to push the story along.

Director Gore Verbinski is known best for his Pirates of the Caribbean movies (with Depp) and he really gets to go all out on his visual style here. He is helped immensely by George Lucas‘ Industrial Light & Magic (ILM) and their first foray into animation. Heads up Pixar … you definitely have some tough competition!

A note of caution: I did notice a lot of younger kids seemed to get bored and had trouble following the story.  There are some terrific action scenes, but there is also a great deal of time spent on the story and characters – not exactly perfect for keeping a kid’s attention.

SEE THIS MOVIE IF: you love a good western or good animation (this one is both)

SKIP THIS MOVIE IF: you have very young kids … there are long dialogue-driven sequences between the few action effects


THE ILLUSIONIST (L’illusionniste)

February 6, 2011

 Greetings again from the darkness. While this animated feature absolutely stands on its own, a little background makes it even more interesting.

Jacques Tati is legendary among cinephiles. He is responsible for a small, but fascinating clump of films that span 25+ years. His best known are Mr. Hulot’s Holiday and Mon Oncle, the latter of which makes a quick appearance in this film. Tati wrote the original script in the 1950’s just prior to his career exploding in popularity. He intended the script to be filmed as a live action production, but he died in 1982 without ever getting around to making the film. Instead, his daughter held onto the script and eventually gave it to filmmaker Sylvain Chomet, who is responsible for the fantastic 2003 animated film The Triplets of Belleville.

Mr. Chomet’s animated version is quite the tribute to Tatis. The lead character shares not only Tatis’ birth name (Tatischeff) but also his look and mannerisms. He is a technically adept magician whose time has come and gone … his sly skills and popularity replaced by the obnoxious noise of rock stars. He is now confined to run down music halls and finally a department store showroom window. A true relic on display … ironically hocking the hottest items of the day.

 Along the way “down” he meets a girl who seems to worship what magic he has left. She cooks and cleans and caters to him. Her attention leads him to spend what little money he has on buying her new shoes and clothes. A sad spectacle played out in real life entirely too many times. The girl’s presence does give him a reason to go on … if for no other reason that to keep up with her whims.

Of course, nothing last forever. Neither the magician, nor the girl’s adoration. The details of Edinburgh and the characters are a tribute to both the Tatis script and the brilliant eye of Chomet. It is a rather sad and bleak story told with a most unusual pace and nearly no dialogue. The characters movements and the beautiful score leave little doubt what is occurring with each character and in each scene. This is wonderful animated filmmaking and it certainly deserves it’s Oscar nomination.

SEE THIS MOVIE IF: you have an appreciation for animated world cinema OR (like me) you believe The Triplets of Belleville to be one of the finest animated films ever made.

SKIP THIS MOVIE IF: you believe animated films need to be very wild, noisy and colorful to hold attention


DESPICABLE ME (2010)

July 26, 2010

 Greetings again from the darkness. Can’t imagine there ever will be, but if there were to be a court trial against Pixar claiming unfair world animation domination, Despicable Me would surely be logged as Evidence A from the prosecution. It’s a well made, pleasant enough kids film that parents won’t dread sitting through.  However, with the unfortunate luck of being released in the same year as Pixar’s masterpiece Toy Story 3, it’s just no match.

I am happy to report that the kids in the theatre seemed to respond very well  … especially to the Minions. If you have been to a movie in the past year, you have probably been exposed to the Minions – a group of cute, yellow tennis ball-looking creatures with either one or two eyes, a unique squeaking language and an infectious giggle/laugh. I found them to be the highlight of the movie as well.

Basic story has Gru (Steve Carell voice) on a mission to be the world’s best villain. He has had some success, but has been a financial disaster. We learn this when he visits the Bank of Evil and they reject his loan for his newest project – stealing the moon! Gru is in competition with a new, younger, overblown evil mastermind named Vector (Jason Segel voice). Gru and his inventor Dr. Nefario (Russell Brand) are a step behind in technology, but manage to come up with a strategy.

The plan involves cookie-selling orphans who Gru adopts. The story is pretty simple in that he initially plans to use them to trap Vector, but of course, Gru is the one who has his heart stolen by the 3 girls.  Yes, a bad guy is cast as the hero.

It’s mostly a cute presentation of a very simple story. Younger kids will get a kick out of it … and didn’t seem to be as annoyed at Steve Carell’s odd accent as I was. It comes across as a cross between Russian and German, but is easily enough understood.

Don’t expect the brilliance of Pixar, but it will entertain the youngsters.


TOY STORY 3 (2010)

June 21, 2010

  Greetings again from the darkness. Has there ever been a bad Pixar movie? Nope. And as many really good movies they have created, there are now two truly great ones: Toy Story and Toy Story 3. The first one (released 15 years ago) transformed the way animation is made and set the standard for kids’ movies that parents can also enjoy. This third installment takes animated story telling to the next level.

Of course all the great voices are back: Woody (Tom Hanks), Buzz (Tim Allen), Jessie (Joan Cusack), Mr. and Mrs. Potato Head (Don Rickles, Estelle Harris), Rex (Wallace Shawn), Hamm (John Ratzenberger) and Sarge (R Lee Ermey). Imagine assembling that cast and then adding two fabulous new characters: Lotsa Huggin’ Bear (Ned Beatty), Ken (Michael Keaton); expanding Jodi Benson’s Barbi to a key role, and re-vamping Slinky-dog with Blake Clark taking over for his deceased friend, the fabulous Jim Varney. This is major star power and an over-abundance of talent!

Then again, we have all seen stellar casts fall flat without a worthy script. Fear not as Pixar legend John Lasseter (Exec Producer here) has passed the reins again to director Lee Unkrich (Toy Story 2, Finding Nemo, Monsters, Inc.). This story is brilliant and engaging. I challenge anyone from age 5 to 95 to avoid being drawn in to the themes of separation, friendship, loyalty, and power.

There are some laugh outloud moments along with the usual wise cracks from Buzz and Potato head. This time we are also treated to some darker moments with Lotsa, a power-hungry stuffed bear, and his band of misfits that include a giant baby doll and Chuckles, the creepiest clown this side of Poltergeist, and especially the frightening/funny monkey working security.

Some Pixar touches include the voice of Andy is provided by the grown up voice actor who did Andy in the first, a couple of glimpses of the evil kid Sid (first Toy Story) who has grown up to be a garbage man (same shirt) and the re-use of Randy Newman’s classic song “You’ve Got a Friend in Me”. Too many other “little” moments to mention, but this is pure film genius and should not be missed.