Greetings again from the darkness. So why did John Lennon and Yoko Ono leave England to live in New York? This film provides the answer. Where did they choose to live? The film provides the answer. Why did John perform his only full post-Beatles concert in 1972? This film provides the answer. Why did they become so politically and socially active during those first 18 months in the States? This film provides the answer. And if you ever wondered how John felt about American television, well you guessed it … this film provides the answer.
Where did all of these answers come from? Well, Oscar winner Kevin Macdonald (ONE DAY IN SEPTEMBER, 1999; THE LAST KING OF SCOTLAND, 2006; MARLEY, 2012) co-directs with Editor/co-director Sam Rice-Edwards and they focus on a very brief timeline, so that we might better understand John Lennon and Yoko Ono. You might think you know all you need to know about this famous couple, but the filmmakers, along with Producer Sean Ono Lennon, ensure that you see and hear clips you haven’t seen or heard before.
Much of this is centered around John’s only full post-Beatles concert in 1972, entitled “One to One”. Its purpose was to raise funds for kids through Willowbrook State School. And that’s not the only storyline about a kid – it turns out, one of the reasons John and Yoko moved to the states was her hope in reuniting with a long-lost daughter named Kyoto. It’s just one of the elements of the film that makes this much more of a personal story than simply a recap of celebrities.
The film also works as a snapshot of the era. President Richard Nixon (one clip shows him sporting a maroon blazer), extremist Jerry Rubin, “The Mike Douglas Show”, Dick Cavett, Attica, Andy Warhol, and Billy Graham all have their moments. The attempted assassination of George Wallace is shown, as are numerous TV ads, TV series clips, and some news reports. The Vietnam War and Watergate are featured, yet somehow Allen Ginsburg reciting an ode to wiping one’s rear-end nearly steals the show.
We’ve all seen clips from Lennon’s One to One concert, and here they are remastered and sound terrific. “Instant Karma”, “Hound Dog”, “Cold Turkey”, “Imagine”, “Give Peace a Chance” are all shown, but it’s the scorching version of “Come Together” that really stands out. Of course, we are subjected to Yoko’s onstage banshee screeching … though thankfully near the end of the film, she gets a more heartfelt chance to actually sing.
During the film, the contrast with Nixon is obvious. John and Yoko are sincerely committed to peace, love, and justice, while Nixon’s politics for power stands opposed. The recreation of John and Yoko’s small apartment in the Village is quite something to behold – and remarkable when compared to the photographs and archival footage. When John describes his early obsession with TV as ‘a window into the world’ and a replacement for the fireplace of his youth, we gain even more insight into the man known mostly for his music and quips. In 1973, John and Yoko moved from the small apartment in the Village to the swanky Dakota building. His wish for the couple to be remembered as “two lovers” comes closer to reality with this film. Some of their home movies (with Sean) are played as the runtime ends.
In IMAX theaters on April 11, 2025
Posted by David Ferguson 
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Movie Reviews from the Dark 