RESURRECTION (2025, China)


Greetings again from the darkness. Chinese filmmaker Bi Gan’s third feature continues his string of visually stunning films and dramatic visual effects. However, this one runs 160 minutes, and seems to be inaccessible to most moviegoers, while the film will surely mesmerize a few. Bi Gan is a cinematic artist who is at ease toying with time and our sense of normalcy.

In the first segment, we learn that the secret to longevity – even immortality – has been discovered. Those who do not dream will be rewarded with long lives. Of course, rebels fight back. Here they are known as ‘Deliriants’ … those who hold fast to dreaming, recognizing that a life without creativity or imagination is hardly worth extending.  Bi Gan structures the movie into five segments, each offering a bow to our five senses and to a specific era of cinema. Jackson Yee (BETTER DAYS, 2019) plays the deliriant in each segment. The eras range from silent movies with a nod to Melies to film noir to vampires. Stretching from science fiction to monsters to romance, the film refuses to be limited to any one label.

The film won a Special Jury Prize at Cannes in 2025, and in addition to writer-director Bi Gan, those deserving of recognition include the Production Design team of Liu Qiang and Tu Nan, Cinematographer Dong Jingsong, and composer M83 who somehow complements the various eras and styles. My take is that the film is lacking an emotional connection for most viewers, though the artistry and visual style ate stunning. Perhaps it leaves us with the question of whether eternal life is an admirable pursuit.

Opening in theaters on January 9, 2026

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