SUNLIGHT (2025)

June 6, 2025

Greetings again from the darkness. After you loop the belt around the ceiling fan in the cheap roadside motel, you then tighten it around your neck. You are prepared to follow through, yet when you regain consciousness, you are shocked to realize your Sunshine Radio motorhome is being driven by a human-sized monkey. Writer-director and lead actress Nina Conti and co-writer and lead actor Shenoah Allen quickly jumpstart the oddities and make it clear this one is going where no man or monkey has gone before.

Ms. Conti (Tom Conti’s daughter) supersizes her stage act to play Jane in the monkey suit, while Mr. Allen takes on the suicidal Roy. The two become more than traveling partners. They slowly establish a connection that only two broken people can share – through humor, pain, and emotions. Jane has her sights set on Colorado and a business plan involving a pontoon boat with a banana floatie attached. Roy’s mission is to dig up his father’s grave and remove a valuable item that will make things better for both him and Jane.

You’ve never seen a road trip movie like this one. You’ve never seen a buddy film like this one. You’ve never seen a rom-com like this one. Despite the title, some of it is a bit dark, but the expertly written comedy never lets the shadow last too long. Instead, the focus is on these two people discovering themselves and each other. Jane says, “You can’t like her and me”, when referring to the person inside the monkey suit. Roy wants to cuss out his father when he exhumes the body. He’s already mad at his grumpy police mother (a colorful Melissa Chambers), but she’ll have more to say later.

Fake watches, a wolf costume, and an old motel key have their moments, but the best stuff is the banter between Jane and Roy. Sometimes, with a twist to the story, it’s even more than banter. Although these two people have been beaten down by life, they manage to find hope in each other. A tender and emotional story of connection builds, despite (or maybe because of) the monkey suit. The New Mexico scenery (cinematographer James Kwan) complements the pair’s banter as it ranges from argumentative to playful to flirtatious to psychological. Surprisingly, the film is a true pleasure to watch, although the ending might seem a bit off to some.

Begins its theatrical rollout in NYC on June 6, 2025

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LEMONADE BLESSING (2025)

June 6, 2025

Greetings again from the darkness. Those teenage years can be so bumpy. One day is the worst ever, and the next day is the best. Dealing with parents is frustrating because they just don’t understand. Making friends is impossible. Today they like you and tomorrow they join with others in making fun of you. Clothes and shoes are never right. School is a waste of time. It’s a wonder anyone ever reaches their twenties. In his first feature film, writer-director Chris Merola doesn’t try to tackle all aspects of teenage misery, rather just enough to make sure we recognize it.

John Santucci (Jake Ryan, ASTEROID CITY 2023, EIGHTH GRADE 2018) is informed by his mother Mary (Jeanine Serralles, INSIDE LLEWYN DAVIS, 2013), “You’re always going to be good.” She says it so matter-of-factly that John takes it to heart, hoping never to disappoint her. In fact, he so wants to please her that he follows her mandate of taking Eucharist Minister Training at the Parochial School where she has registered him.

On his first day at the school, he locks eyes with Lilith (Skye Alissa Friedman) and it seems their paths intersect a few times as if the universe is forcing them together. It would be easy to say opposites attract here. John is a bit shy and naïve, while Lilith is rebellious and adventurous. However, they also have common ground. John has a controlling mom, while Lilith has a controlling dad.

This relationship of oddballs develops in a strange way. The two exchange notes with Lilith tasking John with ever more daring stunts to earn the next level of sexual fun/experimentation. Lilith is one of those big talkers whose public façade hides the same insecurities as every other kid. Of course, John is too green to notice and fights every urge he has to continue following her directions. Brother Phil (Michael Oloyede) runs the ministry program and sees right through John, and Angelo (Miles J Harvey) is John’s friend who adds to the peer pressure and cover-up of teen insecurities.

Jake Ryan is superb here, and plays John in the manner of a subdued Jason Schwartzman; however, it’s relative newcomer Skye Alissa Friedman who is the standout performer here. She brings a depth to the role that most actors would have likely missed, capturing the strain and confusion of the age. Together, the two make us care about teenagers that aren’t our own … quite impressive. Filmmaker Merola uses extreme close-ups quite often, sometimes making things a bit uncomfortable (in an intentional way). We look forward to his next project.

World premiere at Tribeca Film Festival on June 5, 2025

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