Greetings again from the darkness. ‘Coming of Age’ films typically lean heavily into either comedy or tragedy. In his first feature film, writer-director Sean Wang (Oscar nominated for his documentary short NAI NAI & WAI PO, 2023) takes a different approach. While he certainly injects some humor, it’s isolation and awkwardness – that feeling of not fitting in – that takes center stage. It’s quite possible, even likely, that some of this is autobiographical for director Wang. That’s a safe statement since most every teenager can relate to bits of this story.
Chris Wang (played by Izaak Wang) is introduced to us as he’s blowing up a neighbor’s mailbox. We don’t get the full story until later, but it doesn’t take long for us to figure out that this kid is trying (too) hard to fit in with his group of buddies, as they each transition from junior high to high school. It’s the summer of 2008, and Chris lives with his mother, grandmother, and sister … and he’s miserable and lost.
Mom (a terrific Joan Chen, LUST, CAUTION, 2007) is a talented artist, beaten down by the demands of being a single mom to two constantly bickering kids, and a demanding mother-in-law for whom nothing is ever good enough. Nai Nai (Chang Li Hua) is played by director Wang’s real-life grandmother, and though her health is slowly fading, she doesn’t understand the social or family dynamics of the era. Vivian (Shirley Chen) is the sister/daughter who will be leaving home for college in one month. She is constantly annoyed by her little brother’s extreme pranks and immaturity, as well as the unfair judgments of Nai Nai. Their father is working in Taiwan, creating even more stress for these folks in Fresno.
Identity plays a huge role for Chris. His friends have always called him Wang-Wang, and at home he’s referred to as Didi (little brother). A group of older skaters offers him his first chance to be “Chris” and ‘half-Asian’, and he takes it. He wants so much to be part of the big boy club, yet he fails hard when his crush Madi (Mahaela Park) initiates ‘the nervous game.’ He also flops at being the filmer for the skate kids, and his sister counsels with the age-old warning, “Don’t do anything stupid.” Of course, we know he will.
Being the summer of 2008, we see camcorders, MySpace, AOL Instant Messenger, A WALK TO REMEMBER, and flip phones, amongst other reminders of the era. It’s interesting to see the first group of teens embrace the early days of social media, especially with the amateurish videos that slammed YouTube in those days. In this regard, director Wang has delivered a period piece, even if it’s from less than 20 years ago. Google search also plays a starring role.
Most impressive is how the film, and the actors, capture the emotions we all recognize. Anger, confusion, and frustration are prevalent for Chris and his mother, the latter of whom gets a wonderful scene where she relays her perspective on life. It’s heart-wrenching and Joan Chen nails it. As Chris, Izaac Wang details the absurd squirrel story which highlights his advanced level of social awkwardness. Included are references to Ang Lee and Spike Jonze, and the emphasis on Chris not being a stereotypical Asian-American. When summer ends, the braces come off, and Chris strolls into high school … we easily understand why this won an Audience Award at Sundance. The digital version even includes some bonus features (‘the making of DIDI’).
Now available on digital and coming to Blu-ray on October 29, 2024
A great review. I haven’t heard of this movie before but it definitely sounds interesting to me. I’m a huge fan of South Korean cinema and love tales that have been made about this country. The premise of “Didi” reminds me a lot of the film “The Farewell”. Released in 2019, Lulu Wang’s movie depicted a life of a Chinese immigrant searching for her identity. It offered an intriguing look at the culture of China. “Didi” reminds me a lot of that film which I absolutely adored. So I will definitely check out this movie when I find the time. Thanks for the strong recommendation.
Here’s why I loved “The Farewell”:
I’m with you on THE FAREWELL. It’s excellent.