HALSTON (2019, doc)

June 6, 2019

 Greetings again from the darkness. My fashion of choice is jeans and an untucked shirt, but even a schlub like me recognizes the creative force that was Roy Halston Frowick. His impact as groundbreaking fashion designer Halston is beyond question. Jackie O’s pillbox hat?  Halston. The “hot pants” revolution in the 60’s? Halston. His innovations were first noted at Bergdorf Goodman, the iconic luxury department store on Fifth Avenue in Manhattan. Director Frederic Tcheng clearly understands the fashion world and was the right choice for this project. Mr. Tcheng’s previous documentaries include DIOR AND I (2014) and DIANA VREELAND: THE EYE HAS TO TRAVEL (2011). Here, he pays homage to Halston the designer, while also pulling back the curtain on Halston the man.

Despite the fascinating subject and an expert director, an odd choice was made for this documentary to feature a narrator – a fictional character narrator, “somebody working in the archives”. It seems to be a stretch in an attempt to make a more artistic film, but opening with a deep cut Elvis song, “Fame and Fortune”, any attempts to add interest to Halston’s story were unnecessary.

The film tracks Halston’s industry timeline and his 1968 break from Bergdorf to open his own salon. This led to his notoriety in the 70’s and put American fashion on the map – thanks in large part to his splash at the Versailles Fashion Show. Interviewees range from movie director Joel Schumacher (responsible for the less than artistic BATMAN & ROBIN, 1997), who partied hard with Halston; to model and actress Marisa Berenson, who walked the runway in his clothes and became a movie star; to Elsa Peretti, who created Halston fragrances and worked with him for years. There is also Liza Minelli who has worn Halston exclusively for decades. We get a glimpse at some of the Studio 54 parties, the Andy Warhol years, and Halston’s lavish lifestyle.

Much of the later years center around the impact of business dealings. In 1973, Norton-Simon acquired Halston and his brand, which is what drove the expansion into fragrances, shoes, furniture and more. We see his historic 1980 trip to China, and learn about his record-breaking $1 billion deal with JC Penney, a transaction outsiders described as he “moved from class to mass.” When Esmark (Playtex) purchased the brand and discovered that they owned the Halston brand name, Halston the man was booted from the company (1984). This allowed John David Ridge to become the designer of Halston.

We hear that Halston was a perfectionist – a demanding boss who was sometimes cruel to his staff and others. We’ve heard similar tales in regards to other artists. This is a man who designed for the world’s most fashion-conscious people, and for such diverse causes as The Olympics, the Girl Scouts, and Avis company uniforms. Having Esmark erase the Halston history may pale in comparison to the tragedy of having the designer die of AIDS in 1989 at age 57, but it’s unfortunate to say the least. By that time, he had disappeared from public life as his purpose and name were no longer his.

watch the trailer:


WOODSTOCK: THREE DAYS THAT DEFINED A GENERATION (2019, doc)

June 2, 2019

 Greetings again from the darkness. Michael Wadleigh’s 1970 film WOODSTOCK won the Oscar for Best Documentary, feature. The assistant director on the film was a 27 year old budding filmmaker named Martin Scorsese (three years before MEAN STREETS). The footage of the iconic bands, the groovy clothes, the heavy rain, and the mounds of trash fascinated those of us who wanted a taste of what the “peace and love” culture was all about. Co-directors Barak Goodman and Jamila Ephron take a different approach in honor of the festival’s 50th anniversary in this project for PBS’ “American Experience”.

Rather than focus on the extraordinary music, this film provides a glimpse into the arduous process of “how” to put on a huge event. Three years prior to the festival, a business meeting between four gentlemen: John Roberts, Joel Rosenman, Artie Kornfield and Michael Lang, began as a proposal to build a music studio in Woodstock, and instead evolved into a vision for an outdoor festival of music, art, and peace. This is the generation that fought in and protested the Vietnam War, saw their spokesperson Martin Luther King gun downed, and then had their savior Bobby Kennedy violently taken away. The youth of the counterculture were desperate for answers and hope.

Much of what we hear are recollections of those who were there. The memories and feelings of the time are presented as evidence of success. We also witness the behind-the-scenes obstacles and challenges faced by the event’s promoters. All of this comes courtesy of some never-before-seen footage and photographs.

With construction having begun (stage, fencing, etc), the town of Wallkill, NY had second thoughts about having 50,000 hippies descend on their town. That’s right. Initial estimates were off by about ten-fold to what actually happened. Five weeks prior to the festival, the town passed an ordinance prohibiting gatherings of more than 5000 people. This was a problem as acts were booked, tickets sold, and workers were being paid. Dairy farmer Max Yasgur offered up his 600 acre farm, and, frantically, the plan was revised and construction started anew. It was also very interesting to note that the word of the festival was spread through the alternative press. Of course, no social media existed at the time, so getting the word out to the country was especially challenging.

It can be argued whether the Woodstock festival held August 15-17, 1969 in Bethel, NY actually defined a generation, but there is no debating that pulling off such a peaceful event in the face of challenges like political backlash, bad weather, bad drugs, a food shortage, and a crush of humanity, was quite remarkable. No mention is made of the tragedy that unfolded a mere four months later at Altamont, but it’s quite a contrast to the crowd control provided by Wavy Gravy of Hog Farm, the “freak out” tents for bad drug trips, and a community of citizens who emptied their pantries in order to provide food and beverage for thousands in need.

And yes … we do get some samples of the music. We learn Richie Havens was the first act to go on stage simply because he was “there”. He then proceeded to create his iconic “Freedom” spontaneously in front of the audience. Day 2 attendance jumped by at least 100,000 to experience Sly and the Family Stone, and of course, The Who. We get a glimpse of the first ever live show from Crosby, Stills and Nash, and hear farmer Max Yasgur’s complimentary words to the crowd. Peace and Love indeed.

watch the trailer:

https://www.youtube.com/watch?v=WEaMka89dM4