THE WOMAN IN BLACK (2012)

February 4, 2012

 Greetings again from the darkness. The quest for quality horror films is a never-ending project. Since low budget fright fests are the easiest way to make money in Hollywood, most take shortcuts that leave us feeling cheated. This remake of a 1989 British TV horror film actually has wonderful production design … the Gothic mansion is a sight to behold. Unfortunately, the shortcut here was a story that offers little substance, despite being based on Susan Hill‘s novel.

Daniel Radcliffe (yes, Harry Potter himself) plays a young, widowed solicitor named Arthur Kipps, who is still grief stricken, and now on the verge of losing his job. He is given one last chance to prove his mettle to the firm by going to a remote village to settle the affairs of recently deceased client. His young son (Misha Handley) and his nanny are to meet him in the village a few days later.

 The local townspeople clearly don’t want him there and are constantly trying to shoo him back to London. Of course, no one ever bothers to tell him why they are frightened and why they are so angry with him for going to the old house. This mansion is a work of art. It has the necessary creep factor to star in a real horror film. The furnishings and fixtures and decor are really the star of the movie. In fact, the DVD should include a segment on the antique mechanical toys.  It’s not giving away anything to say that every time Radcliffe sees this mysterious woman in black, something bad happens in the village.  The mystery is solved easily enough as we read along while Radcliffe organizes the letters.

The annoying thing about the film is that whenever we get a chill-inducing moment like a shadow in the background or a figure passing by a mirror, it is immediately followed up by a cheap parlor trick involving a sonic blast of music and an ear-piercing scream. It’s as if the director (James Watkins) is convinced movie goers are too ignorant to know when to be scared.  His solution: provide clues to say “Scream now!” Ciaran Hinds and Janet McTeer add a touch of class to the film as Mr.and Mrs. Daily, who recently lost their son. Mr. Daily has found solace in the bottle, while Mrs. Daily teeters on the brink of insanity. My theory that no film featuring Mr. Hinds can be all bad is tested here, and Ms. McTeer was seen recently as the best thing about the Albert Nobbs film.

 On a positive note, this is a nice transition movie for Daniel Radcliffe. He has quite a career challenge as he tries to break loose of the Harry Potter clamp. He succeeds here with quite a different physical appearance, though he really has little to do but alternate between a distantly forlorn look and peering cautiously around dark corners. A couple of interesting notes: the boy playing his son is Radcliffe’s real life godson; and the actor who played Radcliffe’s role in the 1989 original is Adrian Rawlins, who played Harry Potter’s father in those movies.

By the way, how long until Daniel Radcliffe realizes he should just steer clear of train stations?

SEE THIS MOVIE IF: you are desperately seeking a horror film that isn’t a slasher … even if it’s not very good OR you are anxious to see Daniel Radcliffe first real step towards a film career outside of “Harry Potter” OR you just want to see a beautifully creepy haunted house

SKIP THIS MOVIE IF: you are expecting a classic horror story in the vein of Poe OR you have had your fill of cheap tricks designed with no purpose other than to cause viewers to jump

watch the trailer:


TMI (2-4-12)

February 4, 2012

TMI (Today’s Movie Info)

February: Director’s Month

 DUNCAN JONES is a young, emerging sci-fi writer / director.  His first two feature films were the independent Moon (2009) and the box office surprise Source Code (2010). Both were critically acclaimed.  He is the son of rock star David Bowie, and served as the Best Man at Bowie’s 1992 wedding to supermodel Iman.  His original name was Zowie Bowie, but later went by Joe Jones – Jones is David Bowie’s original surname – and finally Duncan Jones.  He has not announced his next film project, but was recently passed over for the Superman re-boot, Man of Steel. Zack Snyder will direct instead.


TMI (2-3-12)

February 3, 2012

TMI (Today’s Movie Info)

February: Director’s Month

 FRANK CAPRA (1897-1991) As a child, he and his family came to the U.S. from Sicily.  He was hired as a gag writer by Hal Roach for the “Our Gang” series in 1924, and later spent time as a writer for Mack Sennett. In the 1930’s he became a full time director and was responsible for such classics as It Happened One Night (1934), Mr. Deeds Goes to Town (1936), You Can’t Take it With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941). Of course, his 1946 film It’s a Wonderful Life, has recovered from its initial box office failure to become one of the all-time favorite holiday classics. His final theatrical film was Pocketful of Miracles (1961), which features the screen debut of Ann-Margret. He was nominated six times for a Best Director Oscar, winning three. Capra once said of James Stewart: his “appeal lay in being so unusually usual


TMI (2-2-12)

February 2, 2012

TMI (Today’s Movie Info)

February: Director’s Month

 BILLY WILDER (1906–2002) wrote many German scripts prior to Hitler’s coming to power.  Being Jewish, Wilder fled Germany.  Both of his parents died at Auschwitz. He collaborated closely with Steven Spielberg on the script for Schindler’s List (1993) but refused a screen credit. Wilder was nominated for eight Best Director Oscars (second most to William Wyler’s 12), winning twice: The Lost Weekend (1945) and The Apartment (1960). Wilder is one of only seven filmmakers to win Oscars for Best Picture, Best Director and Best Screenplay for the same film.  He won all three for The Apartment (1960).  He made 7 films with his favorite actor, Jack Lemmon, including Wilder’s final film Buddy Buddy (1981).  Wilder was such a versatile filmmaker, he won recognition for his film work in comedies, drama, war and film noir.  He directed four films that consistently show up on lists for the 100 best movies of all time: Double Indemnity (1944), Sunset Blvd (1950), Some Like it Hot (1959), The Apartment (1960).  He once said of Marilyn Monroe: “breasts like granite, and a brain like Swiss cheese”


TMI (2-1-12)

February 1, 2012

TMI (Today’s Movie Info)

February: Director’s Month

 ALFRED HITCHCOCK (1899-1980) directed more than 50 feature films in a career spanning six decades. He used very distinctive camera movement and pioneered a film editing style that created a new viewing experience.  He was married to Alma Reville from 1926 until his death.  She was his most valued behind-the-scenes collaborator on his films. If Alma didn’t like something, Hitch changed it.  Hitchcock was nominated five times for a Best Director Oscar, but remarkably never won. In fact, the only two Oscars won for his films were: Best Actress for Joan Fontaine in Suspicion (1941), and Best Song for “Whatever Will Be, Will Be (Que sera, sera)” from The Man Who Knew Too Much (1956).  One of his trademarks was a small cameo in most of his movies.  He overcame the challenge of Lifeboat (1944), which is filmed entirely on a small boat.  Watch closely and you’ll see Hitchcock in a newspaper advertisement for weight loss … he was both the “Before” and “After” picture.   His classic films include: Rebecca (1940), Lifeboat (1941), Suspicion (1941), Shadow of a Doubt (1943), Spellbound (1945), Notorious (1946), Strangers on a Train (1951), Dial M for Murder (1954), Rear Window (1954), To Catch a Thief (1955), Vertigo (1958), North By Northwest (1959), Psycho (1960), The Birds (1963)